商品簡介
I have used hanyu pinyin for all Chinese names and phrasesthroughout the dissertation, except for names of characters as theyappear in the films English subtitles. The hanyu pinyin and the original Chinese characters are listed in the Glossary of Chinese Terms forcross -reference.
All translations of quoted Chinese texts are mine unless otherwisestated.
目次
Acknowledgements
Dissertation Summary
Chapter One Introduction
1. New Chinese Film: The Inadequacy of Labels in Describing the New Film Practices in China
2. Matpping Contemoorarv Chinese Film
3. Discursive Parameters
Chapter Two Identifying Docu-realism in Terms of History,Philosophy and Aesthetics
1. Historically: Inside and Outside China
2. Philosophically: The Redemption of Physical Reality
3. Aesthetic Principles
Chapter Three Zhang Yuan: A Breakthrough in Presenting Reality —— Escape from the Encirclement of Melo-realism
1. Zhang Yuan and New Approaches to Reality
2. Sons Cin6ma-v6rit6 Cinema-direct
3. Seventeen Years and the New Documentary Movement
Chapter Four Jia Zhangke: Distinguishing Nostalgia from the Fifth Generations Exoticism
1. Xiaowu: The Common Mans Consciousness and the Popular Perspective
2. Platform: Loose Narration and De-dramatization
3. Unknown Pleasure: Redemption of Real Life Through Sound
Chapter Five Wang Xiaoshuai, Wang Chao, Lu Xuechang, Zhang Ming: Constructing Docu-realist Aesthetics in Film Construction
1. Shot·Deep focus · Mise-en-scene
2. Colour- Light· Physical Reality
3. Editing·Montage· Long-take
Conclusion
Appendix Main Docu-realist Film Directors and Their Works
Bibliography
Glossary
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