Push Comes To Shove ─ New Images of Aggressive Women

In the past, more often than not, aggressive women have been rebuked, told to keep alid on, turn the other cheek, get over it. Repression more than aggression was seen as woman'sdomain. But recently there's been a noticeable cultural shift. With growing frequency, women'saggression is now celebrated in contemporary culture--in movies and TV, online ventures, and art. InPush Comes to Shove, Maud Lavin examines these new images of aggressive women andhow they affect women's lives. Aggression, says Lavin, need not entail causing harm to another; wecan think of it as the use of force to create change--fruitful, destructive, or both. And over thepast twenty years, contemporary culture has shown women seizing this power. Lavin choosesprovocative examples to explore the complexity of aggression, including the surfer girls in Blue Crush, Helen Mirren as Jane Tennison in Prime Suspect,the homicidal women in Kill Bill, and artist Marlene McCarty's mural-sizedMurder Girls. Women need aggression and need to use it consciously, Lavin writes.With Push Comes to Shove, she explores the crucial questions of how to manifestaggression, how to represent it, and how to keep open a cultural space for it.

Maud Lavin is Professor of Visual and Critical Studies and Art History, Theory, and Criticism at the School of the Art Institute of Chicago. She is the author of Cut with the Kitchen Knife: The Weimar Photomontages of Hannah Hoch and Clean New World: Culture, Politics, and Graphic Design (MIT Press, 2001).