A radical examination of feminism’s place in our cultural memory
How did we come to represent the history of feminism in terms of waves and generations? What are the effects of such powerful metaphors? In Feminism: A Bad Memory? Griselda Pollock analyses the cultural memory of feminism through the concept of trauma: an event that cannot be immediately digested because of the enormity of the shock it represents to the system, and especially to its potential subjects, feminists.
Instead of plotting generations and waves and accepting selective versions of the feminist tradition, Pollock suggests that we can escape the familial metaphors and their burden of resentment and reaction. What happens when we pose feminism as a becoming-political that is creatively radical because it continuously throws up new conflicts, which become visible precisely because of the working through of a previous one? Drawing on a range of theories of the political to examine the issue of challenge and change, Pollock suggests psychoanalytical theories can illuminate the traumatic force of feminism over the twentieth century.
Griselda Pollock is a visual theorist, cultural analyst, and scholar of international, postcolonial feminist studies in the visual arts. She is Professor of the Social and Critical Histories of Art and Director of Research at the University of Leeds, and Director at the Centre for Cultural Analysis, Theory and History (CentreCATH). She is the author of numerous books, including After-effects/After-images, Visual Politics and Psychoanalysis: Art and the Image in Post-Traumatic Cultures, and Art in the Time-Space of Memory and Migration.