Erik Spiekermann, one of the best-known graphic designers in the world, knows everything about type – and likes to talk and write about it. He shows that typography is an effective tool for anyone who
The use of italic letters as means of accentuation has become common practice in the digital age. They convey movement and dynamics, address the emotional experience of reading and remind of handwriti
Typography is an essential component of graphic design. Whether it provides continuity between disparate graphic elements, or acts as a solo piece, typography is as alluring and attractive as it is go
A behind-the-scenes look at the extraordinary and meticulous design of graphic objects for film setsAlthough graphic props such as invitations, letters, tickets, and packaging are rarely seen close-up
Custom typefaces have become an increasingly common means for forward-thinking brands to establish and further strengthen their visual identities. By expressing a unique personality or supporting a ca
In visual communication, contents are arranged, organized, and presented. Design laws and principles that are inherent to every medium ensure that a novel looks like a novel, an art catalog like an ar
The 1920s in Germany witnessed a revolution in visual communication, typography, and graphic design that still influences us today. In 1929, Hungarian avant-garde artist and Bauhaus professor Laszlo M
In 1980 Josef Muller-Brockmann laid the cornerstone for a uniform visual identity for the Swiss Federal Railways (SBB) with his legendary Visual Information System at Train Stations and Stops. In view
Moderate Progress, the third part of the series Graphic Design in Slovakia after 1918, focuses on professionalization of graphic design in Slovakia in the early 20th century until the birth of the Slo
