Hearing Form: Musical Analysis With and Without the Score is a complete course package for undergraduate courses on music and musical forms, with comprehensive coverage from the Baroque to the Romanti
Among the more striking developments in contemporary North American music theory is the centrality that questions of musical form (Formenlehre) have enjoyed in recent decades. Formal Functions in Pers
In Soundtracks of Asian America, Grace Wang explores how Asian Americans use music to construct narratives of self, race, class, and belonging in national and transnational spaces. She highlights how
In Soundtracks of Asian America, Grace Wang explores how Asian Americans use music to construct narratives of self, race, class, and belonging in national and transnational spaces. She highlights how
Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form is a textbook for students with some background in Schenkerian theory. It begins with an overview of Schenker's theories,
Advanced Schenkerian Analysis: Perspectives on Phrase Rhythm, Motive, and Form is a textbook for students with some background in Schenkerian theory. It begins with an overview of Schenker's theories,
With their insistence that form is a dialectical process in the music of Beethoven, Theodor Adorno and Carl Dahlhaus emerge as the guardians of a long-standing critical tradition in which Hegelian co
Hearing Form is a textbook/workbook for upper-level undergraduate college courses on the analysis of musical form. It reviews concepts such as score reading, instrumental transposition, cadences, phra
Hearing Form is a textbook/workbook for upper-level undergraduate college courses on the analysis of musical form. It reviews concepts such as score reading, instrumental transposition, cadences, phra
The Analysis of Musical Form emphasizes aural comprehension, incorporates recent analytic methodologies, and addresses musical form as both process and design. analysis of tonal design, thematic type
In this first full-scale examination of the theme-and-variations form in the Classical era, Elaine Sisman demonstrates persuasively that it was Haydn's prophetic innovationsplacing the variation in ev
