This collection stages the debates between theory and practice that have transformed our understanding of Shakespeare in performance in recent years. Drawing upon textual theory, materialist cultural
The book gathers together a particularly strong line-up of contributors from across the literary-performative divide to examine the relationship between Shakespeare, the 'culture industries', modernis
Essays explore interaction in early modern England between a technologically advanced culture of the printed book and a still powerful traditional culture of the spoken word, spectacle, and manuscript