Canada and the art of photography came into existence together in the middle of the nineteenth century. Both had shaky beginnings — one was an upstart country struggling to emerge from the shadow of i
The complicity of the image: photography at the intersection of police surveillance, corporate/state control and artificial intelligenceHow are images being utilized to gather data on our daily activities? With the development and advancement of artificial intelligence, there has been a radical change in the way surveillance systems capture, categorize and synthesize photographs. Mirror with a Memory explores the intersection between AI, photography and surveillance--its past, present and future--to underscore concerns about implicit bias, right to privacy and police monitoring embedded in corporate, military and law enforcement applications. Contributors include: Zach Blas, Simone Brown, Joy Buolamwini, Oliver Chanarin, Adrian Chen, Harun Farocki, Forensic Architecture, Lynn Hershman Leeson, Trevor Paglen, Martha Rosler and Martine Syms.
Pair up the dogs with their owners in this hilarious card game. 50 cards depict fun photographs of the dogs and owners, and humorous texts are included in the booklet to provide clues about 25 people
Pair up the cats with their humans in this hilarious card game. 50 cards depict fun photographs of cats and owners, and humorous texts are included in the booklet to provide clues about 25 people and
If you own a digital camera and actively take pictures with it, you probably have a hard drive, memory card, or laptop filled with images that you keep meaning to do something with but never get arou
For this project, the author took photographs of Rochester, New York, with his last rolls of Kodachrome, a formerly vibrant colour film that can now only be processed as black-and-white. This book dea
Anzac Battlefield: A Gallipoli Landscape of War and Memory explores the transformation of Gallipoli's landscape in antiquity, during the famed battles of the First World War and in the present day. Drawing on archival, archaeological and cartographic material, this book unearths the deep history of the Gallipoli peninsula, setting the Gallipoli campaign in a broader cultural and historical context. The book presents the results of an original archaeological survey, the research for which was supported by the Australian, New Zealand and Turkish Governments. The survey examines materials from both sides of the battlefield, and sheds new light on the environment in which Anzac and Turkish soldiers endured the conflict. Richly illustrated with both Ottoman and Anzac archival images and maps, as well as original maps and photographs of the landscape and archaeological findings, Anzac Battlefield is an important contribution to our understanding of Gallipoli and its landscape of war and memo
The Poet in the Park is a tribute to Wallace Stevens’ memory and to his singular accomplishment in poetry. It is an attempt to make an affectionate, human connection with a man deprived of some of lif
A lavishly illustrated history of the Pacific War weaves first-person narratives with five hundred spectacular color and black-and-white photographs to paint a vivid portrait of this world-changing co
Interweaving photographs, concert programs, scores, and drawings with the texts of more than fifty interviews with family, friends, neighbors, and colleagues, Charles Ives Remembered is a vivid memory
A little book of travel inspirations, pairing stunning photographs with life lessons on why travel matters and what we learn when we pack our bags and see the world, from the renowned expert Patricia Schultz, author of 1,000 Places to See Before You Die. From the author of 1,000 Places to See Before You Die, a rallying cry to get off the coach and out into the world. Why We Travel is filled with personal stories and anecdotes, quotes and inspire, and reasons to motivate – plus images so lush you can’t wait to be there. For years Patricia Schultz has been telling us where to travel, and we love listening. Now, in telling us why to travel, she reveals what makes her such a compelling guide and what makes travel such a richly rewarding experience. There’s the time she was on safari in Zambia yet found her most lasting memory in a classroom of five-year-olds. The comedy of mishaps that she and friends endured on a canal trip through rural France―and how it brought them together in an unex
Winner of the Pulitzer Prize for FictionNew York Times Bestseller“In Paul Harding’s stunning first novel, we find what readers, writers and reviewers live for.” —Joan Frank, San Francisco ChronicleAn old man lies dying. Confined to bed in his living room, he sees the walls around him begin to collapse, the windows come loose from their sashes, and the ceiling plaster fall off in great chunks, showering him with a lifetime of debris: newspaper clippings, old photographs, wool jackets, rusty tools, and the mangled brass works of antique clocks.Soon, the clouds from the sky above plummet down on top of him, followed by the stars, till the black night covers him like a shroud. He is hallucinating, in death throes from cancer and kidney failure. A methodical repairer of clocks, he is now finally released from the usual constraints of time and memory to rejoin his father, an epileptic, itinerant peddler, whom he had lost seven decades before. In his return to the wonder and pain of his impov
In the summer of 1968, audiences around the globe were shocked when newspapers and television stations confronted them with photographs of starving children in the secessionist Republic of Biafra. This global concern fundamentally changed how the Nigerian Civil War was perceived: an African civil war that had been fought for one year without fostering any substantial interest from international publics became 'Biafra' - the epitome of humanitarian crisis. Based on archival research from North America, Western Europe and Sub-Saharan Africa, this book is the first comprehensive study of the global history of the conflict. A major addition to the flourishing history of human rights and humanitarianism, it argues that the global moment 'Biafra' is closely linked to the ascendance of human rights, humanitarianism, and Holocaust memory in a postcolonial world. The conflict was a key episode for the re-structuring of the relations between the West and the Third World.
In the summer of 1968, audiences around the globe were shocked when newspapers and television stations confronted them with photographs of starving children in the secessionist Republic of Biafra. This global concern fundamentally changed how the Nigerian Civil War was perceived: an African civil war that had been fought for one year without fostering any substantial interest from international publics became 'Biafra' - the epitome of humanitarian crisis. Based on archival research from North America, Western Europe and Sub-Saharan Africa, this book is the first comprehensive study of the global history of the conflict. A major addition to the flourishing history of human rights and humanitarianism, it argues that the global moment 'Biafra' is closely linked to the ascendance of human rights, humanitarianism, and Holocaust memory in a postcolonial world. The conflict was a key episode for the re-structuring of the relations between the West and the Third World.
Snapshots preserve more than individual likeness and memory. Photographs of celebrations, vacations, and gatherings of family and friends are?collected with the aim of constructing and preserving a pe
The 1898 lynching of Tom Johnson and Joe Kizer is retold in this groundbreaking book. Unlike other histories of lynching that rely on conventional historical records, this study focuses on the objects associated with the lynching, including newspaper articles, fragments of the victims' clothing, photographs, and souvenirs such as sticks from the hanging tree. This material culture approach uncovers how people tried to integrate the meaning of the lynching into their everyday lives through objects. These seemingly ordinary items are repositories for the comprehension, interpretation, and commemoration of racial violence and white supremacy. Elijah Gaddis showcases an approach to objects as materials of history and memory, insisting that we live in a world suffused with the material traces of racial violence, past and present.
