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中國文哲研究集刊第三十三期
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【論文】
周建渝：《三國志通俗演義》中的對話特質及其意義
The Nature and Meanings of the Dialogues in The Romance of the Three Kingdoms (Sanguo zhi tongsu yanyi)
李惠儀：世變與玩物──略論清初文人的審美風尚
Radical Change and Connoisseurship—A Discussion of Early Qing Aesthetic Style
王德威：「有情」的歷史──抒情傳統與中國文學現代性
A History with Feeling: Lyrical Tradition and Chinese Literary Modernity
呂妙芬：〈西銘〉為《孝經》之正傳？──論晚明仁孝關係的新意涵
The Ximing as the Orthodox Interpretation of the Xiaojing? —New Discourse on the Relationship between Humanity and Filial Piety during the Late Ming
廖肇亨：藥地愚者禪學思想蠡探──從「眾藝五明」到「俱鎔一味」
Exploring the Chan Thinking of Yaodi Yuzhe—From “The Five Lights of the Arts” to “Complete Fusion in a Single Taste”
郜積意：論三卷本《京氏易傳》，兼及京房的六日七分說
On Jingshi Yizhuan (in three volumes), and Jing Fang’s Theory of the Liuri Qifen
【書評論文】
傅宇斌：文學歷史的闡釋與文學經典的建構
The Interpretation of Literary History and The Formation of Literary Canon
【書評】
高桂惠：The Phantom Heroine: Ghosts and Gender in Seventeenth-century Chinese Literature
莊國彬：Sarvāstivāda Abhidharma
Yoke Meei CHOONG：《梵文維摩經—ポタラ宮所藏寫本に基づく校訂—》
Vimalakīrtinirdeśa: A Sanskrit Edition Based upon the Manuscript Newly Found at the Potala Palace
周建渝：《三國志通俗演義》中的對話特質及其意義
The Nature and Meanings of the Dialogues in The Romance of the Three Kingdoms (Sanguo zhi tongsu yanyi)
李惠儀：世變與玩物──略論清初文人的審美風尚
Radical Change and Connoisseurship—A Discussion of Early Qing Aesthetic Style
王德威：「有情」的歷史──抒情傳統與中國文學現代性
A History with Feeling: Lyrical Tradition and Chinese Literary Modernity
呂妙芬：〈西銘〉為《孝經》之正傳？──論晚明仁孝關係的新意涵
The Ximing as the Orthodox Interpretation of the Xiaojing? —New Discourse on the Relationship between Humanity and Filial Piety during the Late Ming
廖肇亨：藥地愚者禪學思想蠡探──從「眾藝五明」到「俱鎔一味」
Exploring the Chan Thinking of Yaodi Yuzhe—From “The Five Lights of the Arts” to “Complete Fusion in a Single Taste”
郜積意：論三卷本《京氏易傳》，兼及京房的六日七分說
On Jingshi Yizhuan (in three volumes), and Jing Fang’s Theory of the Liuri Qifen
【書評論文】
傅宇斌：文學歷史的闡釋與文學經典的建構
The Interpretation of Literary History and The Formation of Literary Canon
【書評】
高桂惠：The Phantom Heroine: Ghosts and Gender in Seventeenth-century Chinese Literature
莊國彬：Sarvāstivāda Abhidharma
Yoke Meei CHOONG：《梵文維摩經—ポタラ宮所藏寫本に基づく校訂—》
Vimalakīrtinirdeśa: A Sanskrit Edition Based upon the Manuscript Newly Found at the Potala Palace
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