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`Robinson has been a generous promoter of contemporary poetry for decades, and this collection of essays bears witness to his dedication and energy. He writes with an unformulaic enthusiasm, moving easily from biographical, political and poetic context to the nitty-gritty of close reading, while also striking an easy, readable tone.' Angela Leighton, Times Literary Supplement
`The most useful critical guide to the Movement that has appeared in recent years' Alan Brownjohn, Literary Review
`In Peter McDonald's important, intelligent and provocative book, a principled attention to form yields genuine insights which elude most critics ... McDonald's reading of Hill is, like all his readings, perspicacious and revealing.' Adam Kirsch, Times Literary Supplement
`a fresh and engaging study of Oppen's work, his life and his relationship with the Objectivist movement... One of the strengths of this book is its extensive use of unpublished materials... It also provides a compelling rereading of Objectivism through Oppen's own continual reassessment of its usefulness as a term.' Emma Kimberly, Journal of American Studies
`The most useful critical guide to the Movement that has appeared in recent years' Alan Brownjohn, Literary Review
`In Peter McDonald's important, intelligent and provocative book, a principled attention to form yields genuine insights which elude most critics ... McDonald's reading of Hill is, like all his readings, perspicacious and revealing.' Adam Kirsch, Times Literary Supplement
`a fresh and engaging study of Oppen's work, his life and his relationship with the Objectivist movement... One of the strengths of this book is its extensive use of unpublished materials... It also provides a compelling rereading of Objectivism through Oppen's own continual reassessment of its usefulness as a term.' Emma Kimberly, Journal of American Studies
作者簡介
William May is a Research Fellow in Humanities at the University of Southampton. He completed a doctorate on the work of Stevie Smith at Balliol College, Oxford in 2007, and lectured at St. Anne's College, Oxford and Bath Spa University before taking up his present position. He has published widely on post-war British literature, and co-edited the interdisciplinary essay collection From Self to Shelf: The Artist Under Construction (Newcastle: Cambridge Scholars Publishing, 2007) with Sally Bayley. His current research project, Setting Agendas, examines the relationship between contemporary British music and literature.
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