The Broadview Anthology of Restoration and Early Eighteenth-Century Drama

This is the first new full-scale anthology of Restoration and eighteenth-century drama in over sixty years. Concentrating on plays from the heyday of 1660-1737, it focuses especially on Restoration drama proper (1660-1688) and Revolution drama (1689-1714), with a smaller selection of plays from the early Georgian period (1715-1737) and a glimpse at the later Georgian period's "laughing comedy" (1770s and 80s). It includes nine sub-genres (heroic romance, political tragedy, personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy), with the preponderance of exposure given to the jewel of this theatre, its comedy.The core canonical plays from the eraa??from Dryden's All for Love and Behn's The Rover to Congreve's The Way of the World and Sheridan's School for Scandala??are all here, but so are a remarkably wide range of non-canonical works. There are many more plays by women than in any previous general anthology of drama of the period. Also included are a number of works from the neglected 1660s, whose comedies feature delightful, subversive, levelling folk elements. In all there are forty-one plays; each is fully annotated and prefaced with an historical introduction. Also included are a general introduction, head-notes for each genre, and a glossary.

The late J. Douglas Canfield, General Editor, was Regents' Professor of English and Comparative Cultural and Literary Studies, University of Arizona. Among his many works on Restoration and eighteenth-century literature are Heroes and States: On the Ideology of Restoration Tragedy and Tricksters and Estates: On the Ideology of Restoration Comedy.Maja-Lisa von Sneidern is an adjunct instructor at the University of Arizona.