滿額折
Media and Materiality in the Neo-Avant-Garde
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Describing the avant-garde is like describing a leopard's spots; they move, they change, they disappear only to reappear, sometimes to no purpose or intent, just to be avant-garde. These essays do a good job of capturing the avant-garde world within media, comparing the means of production against the content. Topics include the avant-garde after concretism, surroundability and insanity, Jon Fosse's radio play Hertevig!, haptic visuality, the place of the NOVA/SMiLE splice, Stepford Wives and Lingual Music, re-writing resistance with Andy Warhol, Herbert Eimert's Epitaph for Aikichi Kuboyam, the pornography of art, and the rise of e-poetry. Annotation c2013 Book News, Inc., Portland, OR (booknews.com)
作者簡介
Jonas Ingvarsson is a postdoctoral fellow at the Forum for Intermedial Studies at Linnaeus University, Vaxjo (Sweden). His current research includes intermediality, media archaeology and posthumanism.
Jesper Olsson is LiU Researcher and Swedish Academy Researcher at Linkoping University (Sweden), freelance critic, and one of the editors of the journal OEI. He has written extensively on contemporary poetry, avant-garde aesthetics, and media history.
Jesper Olsson is LiU Researcher and Swedish Academy Researcher at Linkoping University (Sweden), freelance critic, and one of the editors of the journal OEI. He has written extensively on contemporary poetry, avant-garde aesthetics, and media history.
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