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This study looks at how cartoonists treated the new technology, as well as at how photographers used humor in their pictures, from photography's early years in the 1830s, to the 1920s. Some 250 cartoons and photos illustrate satiric responses to photography as an art form; as gadgetry (or, as we say, "technology"); and as a tool for a variety of purposes conveying truth, enhancing commercial ventures, and exploiting and promoting vanity. Annotation c. by Book News, Inc., Portland, Or.
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Heinz K. Henisch is Emeritus Professor of the History of Photography at Penn State, the founding editor ofHistory of Photography, and a Fellow of the Royal Photographic Society of Great Britain.
Bridget A. Henisch is the author of Fast and Feast: Food in Medieval Society (1976). Together they co-authoredThe Photographic Experience, 1839–1914: Images and Attitudes (1994) and The Painted Photograph, 1839–1914: Origins, Techniques, Aspirations (1996), both from Penn State.
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