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This volume discusses modes of film-making that diverge from and oppose the mainstream. It treats artists' film conceptually in order to explore key categories that connect different works and film-makers: from framing to digital media, installation to interactivity, and point of view to sound.
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Nicky Hamlyn studied Fine Art at the University of Reading. From 1979 to 1981 He was a workshop organiser at the London Filmmakers' Co-op, where he was also a founder of and regular contributor to the Co-op's magazine Undercut. He is currently a lecturer in Time Based media and Visual Theory at Kent Institute of Art and Design. His films have been screened at festivals and venues around the world.
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