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This book centers on the copy of the Homilies of Gregory of Nazianzus produced in Constantinople around 880 for the emperor Basil I as a gift from the patriarch Photios. The manuscript includes forty-

Iconoclasm, the debate about the legitimacy of religious art that began in Byzantium around 720 and continued for nearly one hundred and twenty years, has long held a firm grip on the historical imagination. This is the first book in English for over fifty years to survey this most elusive and fascinating period in medieval history. It is also the first book in any language to combine the expertise of two authors who are specialists in the written, archaeological and visual evidence from this period, a combination of particular importance to the iconoclasm debate. The authors have worked together to provide a comprehensive overview of the visual, written and other materials that together help clarify the complex issues of iconoclasm in Byzantium. In doing so they challenge many traditional assumptions about iconoclasm and set the period firmly in its broader political, cultural and social-economic context.

Brubaker (Byzantine art, U. of Birmingham, the UK), who has published extensively on Byzantine art, has written an engaging introductory text that gives a full account of the complex phenomenon of Byz

The Byzantines used imagery to communicate a wide range of issues. In the context of Iconoclasm - the debate about the legitimacy of religious art conducted between c. AD 730 and 843 - Byzantine authors themselves claimed that visual images could express certain ideas better than words. Vision and Meaning in Ninth-Century Byzantium deals with how such visual communication worked and examines the types of messages that pictures could convey in the aftermath of Iconoclasm. Its focus is on a deluxe manuscript commissioned around 880, a copy of the fourth-century sermons of the Cappadocian church father Gregory of Nazianzus which presented to the Emperor Basil I, founder of the Macedonian dynasty, by one of the greatest scholars Byzantium ever produced, the patriarch Photios. The manuscript was lavishly decorated with gilded initials, elaborate headpieces and a full-page miniature before each of Gregory's sermons. Forty-six of these, including over 200 distinct scenes, survive. Fewer than

Gender analysis is one of the most probing ways to understand both power and cultural strategies in pre-industrial societies. In this book, sixteen scholars on the cutting edges of their disciplines explore the ideas and expressions of gender that characterised the centuries from c.300 to 900 in milieux ranging from York to Baghdad, via Rome and Constantinople. Deploying a variety of disciplines and perspectives, they draw on the evidence of material culture as well as texts to demonstrate the wide range of gender identities that informed the social, political and imaginary worlds of these centuries. The essays make clear that the fixed point in the gender systems of the period was constituted by the hegemonic masculinity of the ruling elite, marginalised groups often invisible as historical subjects in their own right were omnipresent in, and critical to, the gendered discourses which buttressed assertions of power.

Gender analysis is one of the most probing ways to understand both power and cultural strategies in pre-industrial societies. In this book, sixteen scholars on the cutting edges of their disciplines explore the ideas and expressions of gender that characterised the centuries from c.300 to 900 in milieux ranging from York to Baghdad, via Rome and Constantinople. Deploying a variety of disciplines and perspectives, they draw on the evidence of material culture as well as texts to demonstrate the wide range of gender identities that informed the social, political and imaginary worlds of these centuries. The essays make clear that the fixed point in the gender systems of the period was constituted by the hegemonic masculinity of the ruling elite, marginalised groups often invisible as historical subjects in their own right were omnipresent in, and critical to, the gendered discourses which buttressed assertions of power.

Iconoclasm, the debate about the legitimacy of religious art that began in Byzantium around 720 and continued for nearly one hundred and twenty years, has long held a firm grip on the historical imagination. This is the first book in English for over fifty years to survey this most elusive and fascinating period in medieval history. It is also the first book in any language to combine the expertise of two authors who are specialists in the written, archaeological and visual evidence from this period, a combination of particular importance to the iconoclasm debate. The authors have worked together to provide a comprehensive overview of the visual, written and other materials that together help clarify the complex issues of iconoclasm in Byzantium. In doing so they challenge many traditional assumptions about iconoclasm and set the period firmly in its broader political, cultural and social-economic context.

9th-century Byzantium has always been viewed as a mid-point between Iconoclasm and the so-called Macedonian revival; in scholarly terms it is often treated as a ’dead’ century. The object of these pap

Byzantinists, art historians, and other medievalists will welcome this new resource by Brubaker (art history) and Haldon (Byzantine history, both are at the U. of Birmingham, UK). The volume contains

The 18 papers focus on the period between Iconoclasm and the so-called Macedonian revival, which conventional scholarship sees as a century in which the East Roman state was on the high seas without a

The study of the family is one of the major lacunas in Byzantine Studies. Angeliki Laiou remarked in 1989 that a€?the study of the Byzantine family is still in its infancya€?, and this assertion remai

This volume brings together a group of scholars to consider the rituals of eating together in the Byzantine world, the material culture of Byzantine food and wine consumption, and the transport and ex

Based on papers given at a 2006 conference concluding an Arts and Humanitites Research Council project on the Mother of God in Byzantium, the 16 papers of this collection offer a satisfying array of s

This volume, on the cult of the Theotokos (Virgin Mary) in Byzantium, focuses on textual and historical aspects of the subject, thus complementing previous work which has centred more on the cult of i

All cultures make, and break, images. Striking Images, Iconoclasms Past and Present explores how and why people have made and modified images and other cultural material from pre-history into the 21st

A new generation of American medieval art historians explores how sacred images were perceived during the Middle Ages in Byzantium and Europe.Focusing on the relationship between a particular type of