Ah, what would popular culture be without characters such as Lindsay Lohan and Mel Gibson, along with the pop culture--centrific media that covers them? For starters, Doug Bratton's The Deranged Stal
Between 1989 and 1994, 41 out of 47 countries in Sub-Saharan Africa underwent significant political reform, including in many cases the first competitive elections in a generation. How can this wave of political liberalization be explained? Why did some countries complete a democratic transition, while others could not sustain more than limited political reform and others still suffered authoritarian reversals? What are the long term prospects for democracy in Africa? This study constitutes the first comprehensive analysis of democratic transitions in Sub-Saharan Africa. Using an original data set they assembled, the authors demonstrate that economic and international forces often provided the context in which political liberalization occurred, but cannot by themselves explain the observed outcomes. Instead, the authors develop a political-institutional theoretical framework in which the distinctive political traditions of Africa's neopatrimonial states are shown to have powerfully s
This book is a fascinating exploration of public opinion in sub-Saharan Africa. Based on the Afrobarometer, a comprehensive cross-national survey research project, it reveals what ordinary Africans think about democracy and market reform, subjects on which almost nothing is otherwise known. The authors find that support for democracy in Africa is wide but shallow and that Africans feel trapped between state and market. Beyond multiparty elections, people want clean and accountable government. They will accept economic structural adjustment only if it is accompanied by an effective state, the availability of jobs, and an equitable society. What are the origins of these attitudes? Far from being constrained by social structure and cultural values, Africans learn about reform on the basis of knowledge, reasoning, and experience. Weighing supply and demand for reform, the authors reach cautious conclusions about the varying prospects of African countries for attaining fully-fledged democra
Over the last two hundred years some important ways of understanding theatre history have been undervalued or ignored by scholars. Leading theatre historian Jacky Bratton employs new approaches to examine and challenge this development and to discover how theatre history has been chronicled and how it is interpreted. Using a series of case studies from nineteenth-century British theatre, Bratton examines the difference between the existence of 'the drama' (plays and play literature) and 'the stage' (performance, theatre building, and attendance). By rejecting literary history, Bratton experiments with other ways of analysing the past, and the ways that have actually seemed relevant to the people on stage. This book suggests new histories: of theatrical story-telling, of performing families, and of the disregarded dramatic energy of Victorian entertainment. As a result, we gain a new perspective on theatre history, not only for the Romantic and Victorian periods, but for the discipline
The Victorian Clown, first published in 2006, is a micro-history of mid-Victorian comedy, spun out of the life and work of two professional clowns. Their previously unpublished manuscripts - James Frowde's account of his young life with the famous Henglers' circus in the 1850s and Thomas Lawrence's 1871 gag book - offer unique, unmediated access to the grass roots of popular entertainment. Through them this book explores the role of the circus clown at the height of equestrian entertainment in Britain, when the comic managed audience attention for the riders and acrobats, parodying their skills in his own tumbling and contortionism, and also offered a running commentary on the times through his own 'wheezes' - stand-up comedy sets. Plays in the ring connect the circus to the stage, and both these men were also comic singers, giving a sharp insight into popular music just as it was being transformed by the new institution of music hall.
Sir William Herschel's contributions to astronomy during the late eighteenth century are unrivalled. His lasting legacy is his dedicated all-sky survey of star clusters and nebulae, and these objects continue to be among the most studied in the night sky. This unique book provides a complete re-examination of Herschel's entire catalogue of non-stellar discoveries, making it the most accurate and up-to-date reference of its kind. Retrace the footsteps of one of history's greatest astronomers and explore every one of Herschel's landmark discoveries, including those considered to be lost or non-existent. Read detailed notes about each object's appearance and physical characteristics, and view hundreds of photos of the most intriguing Herschel objects, along with dozens of sketches of what is visible at the eyepiece. This superb book is a must-have for amateur astronomers seeking new and exciting observing challenges, and as the ultimate reference on the Herschel objects.
Over the last two hundred years some important ways of understanding theatre history have been undervalued or ignored by scholars. Leading theatre historian Jacky Bratton employs new approaches to examine and challenge this development and to discover how theatre history has been chronicled and how it is interpreted. Using a series of case studies from nineteenth-century British theatre, Bratton examines the difference between the existence of 'the drama' (plays and play literature) and 'the stage' (performance, theatre building, and attendance). By rejecting literary history, Bratton experiments with other ways of analysing the past, and the ways that have actually seemed relevant to the people on stage. This book suggests new histories: of theatrical story-telling, of performing families, and of the disregarded dramatic energy of Victorian entertainment. As a result, we gain a new perspective on theatre history, not only for the Romantic and Victorian periods, but for the discipline
