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Dartington Hall was a social experiment of kaleidoscopic vitality, set up in Devon in 1925 by a fabulously wealthy American heiress, Dorothy Elmhirst (née Whitney), and her Yorkshire-born husband, Leonard. It quickly achieved international fame with its progressive school, craft production and wide-ranging artistic endeavours. Dartington was a residential community of students, teachers, farmers, artists and craftsmen committed to revivifying life in the countryside. It was also a socio-cultural laboratory, where many of the most brilliant interwar minds came to test out their ideas about art, society, spirituality and rural regeneration. To this day, Dartington Hall remains a symbol of countercultural experimentation and a centre for arts, ecology and social justice. Practical Utopia presents a compelling portrait of a group of people trying to live out their ideals, set within an international framework, and demonstrates Dartington's tangled affinities with other unity-seeking projec

During the quarter of a century after the Second World War, the United Kingdom designated thirty-two new towns across England, Scotland, Wales, and Northern Ireland. Why, even before selling council houses or denationalising public industries, did Margaret Thatcher's government begin to privatise these new towns? By examining the most ambitious of these projects, Milton Keynes, Guy Ortolano recasts our understanding of British social democracy, arguing that the new towns comprised the spatial dimension of the welfare state. Following the Prime Minister's progress on a tour through Milton Keynes on 25 September 1979, Ortolano alights at successive stops to examine the broader histories of urban planning, modernist architecture, community development, international consulting, and municipal housing. Thatcher's journey reveals a dynamic social democracy during its decade of crisis, while also showing how public sector actors begrudgingly accommodated the alternative priorities of market