Maja Zehfuss' book offers a fundamental critique of constructivism, focusing on the work of Wendt, Onuf and Kratochwil. Using Germany's shift towards participation in international military operations as an illustration, she demonstrates why each version of constructivism fails in its own project and comes apart on the basis of its own assumptions. Inspired by Derridean thought, this book highlights the political consequences of constructivist representations of reality. Each critique concludes that constructivist notions of key concepts are impossible, and that this is not merely a question of theoretical inconsistency, but of politics. The book is premised on the notion that the 'empirical' and the 'theoretical' are less separate than is acknowledged in international relations, and must be read as intertwined. Zehfuss examines the scholars' role in international relations, worrying that, by looking to constructivism as the future, they will be severely curtailing their ability to
German memories of the Second World War are controversial, and they are used to justify different positions on the use of military force. In this book, Maja Zehfuss studies the articulation of memories in novels in order to discuss and challenge arguments deployed in political and public debate. She explores memories that have generated considerable controversy, such as the flight and expulsion of Germans from the East, the bombing of German cities and the 'liberation' of Germany in 1945. She shows how memory retrospectively produces a past while claiming merely to invoke it, drawing attention to the complexities and contradictions within how truth, ethics, emotion, subjectivity and time are conceptualised. Zehfuss argues that the tensions and uncertainties revealed raise political questions that must be confronted, beyond the safety net of knowledge. This is a compelling book which pursues an original approach in exploring the politics of invocations of memory.
The Christian Topography is the only extant Greek treatise both written and illustrated in the sixth century, although known only through later copies. Taking inspiration from East Syrian exegesis, the treatise transforms the heritage of classical cosmography into a new, Christian image of the universe. Because images are an inherent part of the argument, the Christian Topography offers a unique insight into how the relationship between word and image was constructed and how the potential of these two media was understood. Until now, however, the text and illustrations have almost always been discussed separately. Consequently the unity of the work has been disrupted and our understanding of the treatise distorted. Taking into consideration both the text and the miniatures, this book seeks to further our understanding of the Christian Topography and its intellectual milieu, and to clarify the role of the images in late antique polemics.
German memories of the Second World War are controversial, and they are used to justify different positions on the use of military force. In this book, Maja Zehfuss studies the articulation of memories in novels in order to discuss and challenge arguments deployed in political and public debate. She explores memories that have generated considerable controversy, such as the flight and expulsion of Germans from the East, the bombing of German cities and the 'liberation' of Germany in 1945. She shows how memory retrospectively produces a past while claiming merely to invoke it, drawing attention to the complexities and contradictions within how truth, ethics, emotion, subjectivity and time are conceptualised. Zehfuss argues that the tensions and uncertainties revealed raise political questions that must be confronted, beyond the safety net of knowledge. This is a compelling book which pursues an original approach in exploring the politics of invocations of memory.
Maja Zehfuss' book offers a fundamental critique of constructivism, focusing on the work of Wendt, Onuf and Kratochwil. Using Germany's shift towards participation in international military operations as an illustration, she demonstrates why each version of constructivism fails in its own project and comes apart on the basis of its own assumptions. Inspired by Derridean thought, this book highlights the political consequences of constructivist representations of reality. Each critique concludes that constructivist notions of key concepts are impossible, and that this is not merely a question of theoretical inconsistency, but of politics. The book is premised on the notion that the 'empirical' and the 'theoretical' are less separate than is acknowledged in international relations, and must be read as intertwined. Zehfuss examines the scholars' role in international relations, worrying that, by looking to constructivism as the future, they will be severely curtailing their ability to
A whimsically illustrated collection of fascinating, surprising, and funny facts about baby animals and their parents, from the author of The Illustrated Compendium of Amazing Animal Facts.Who doesn't
"This book is for teachers who want to honor their students' experiences as writers and readers-and their own." -Maja Wilson In Reimagining Writing Assessment, Maja Wilson shows us that by replacing t
