Tawhid was a militant Islamist group which implemented Islamic law at gunpoint in the Lebanese city of Tripoli during the 1980s. In retrospect, some have called it 'the first ISIS-style Emirate'. Drawing on two hundred interviews with Islamist fighters and their mortal enemies, as well as on a trove of new archival material, Raphaël Lefèvre provides a comprehensive account of this Islamist group. He shows how they featured religious ideologues determined to turn Lebanon into an Islamic Republic, yet also included Tripolitan rebels of all stripes, neighbourhood strongmen with scores to settle, local subalterns seeking social revenge as well as profit-driven gangsters, who each tried to steer Tawhid's exercise of violence to their advantage. Providing a detailed understanding of the multi-faceted processes through which Tawhid emerged in 1982, implemented its 'Emirate' and suddenly collapsed in 1985, this is a story that shows how militant Islamist groups are impacted by their grand ideo
Tawhid was a militant Islamist group which implemented Islamic law at gunpoint in the Lebanese city of Tripoli during the 1980s. In retrospect, some have called it 'the first ISIS-style Emirate'. Drawing on two hundred interviews with Islamist fighters and their mortal enemies, as well as on a trove of new archival material, Raphaël Lefèvre provides a comprehensive account of this Islamist group. He shows how they featured religious ideologues determined to turn Lebanon into an Islamic Republic, yet also included Tripolitan rebels of all stripes, neighbourhood strongmen with scores to settle, local subalterns seeking social revenge as well as profit-driven gangsters, who each tried to steer Tawhid's exercise of violence to their advantage. Providing a detailed understanding of the multi-faceted processes through which Tawhid emerged in 1982, implemented its 'Emirate' and suddenly collapsed in 1985, this is a story that shows how militant Islamist groups are impacted by their grand ideo
從歷史的角度探討二十世紀上半葉台灣社會的轉型。 The late twentieth century witnessed rapid changes not only in Taiwan’s economy, but also in its identity. Both economic as well as ideological restructuring have been basic el
Metrological data is known to be blurred by the imperfections of the measuring process. In retrospect, for about two centuries regular or constant errors were no focal point of experimental activities
What and how do people remember? Who controls the process of what we call cultural or social memory? What is forgotten and why? People's memories are not the same as history written in retrospect; the
What and how do people remember? Who controls the process of what we call cultural or social memory? What is forgotten and why? People's memories are not the same as history written in retrospect; the
The second edition of The Sexuality of Christ in Renaissance Art and in Modern Oblivion - doubled in size by the addition of a "Retrospect" - expands the now classic original text in three directions.
In the Victorian era, William Shakespeare's work was often celebrated as a sacred text: a sort of secular English Bible. Even today, Shakespeare remains a uniquely important literary figure. Yet Victorian criticism took on religious dimensions that now seem outlandish in retrospect. Ministers wrote sermons based upon Shakespearean texts and delivered them from pulpits in Christian churches. Some scholars crafted devotional volumes to compare his texts directly with the Bible's. Still others created Shakespearean societies in the faith that his inspiration was not like that of other playwrights. Charles LaPorte uses such examples from the Victorian cult of Shakespeare to illustrate the complex relationship between religion, literature and secularization. His work helps to illuminate a curious but crucial chapter in the history of modern literary studies in the West, as well as its connections with Biblical scholarship and textual criticism.
Autobiography is naturally regarded as an art of retrospect, but making autobiography is equally part of the fabric of our ongoing experience. We tell the stories of our lives piecemeal, and these sto
In the Victorian era, William Shakespeare's work was often celebrated as a sacred text: a sort of secular English Bible. Even today, Shakespeare remains a uniquely important literary figure. Yet Victorian criticism took on religious dimensions that now seem outlandish in retrospect. Ministers wrote sermons based upon Shakespearean texts and delivered them from pulpits in Christian churches. Some scholars crafted devotional volumes to compare his texts directly with the Bible's. Still others created Shakespearean societies in the faith that his inspiration was not like that of other playwrights. Charles LaPorte uses such examples from the Victorian cult of Shakespeare to illustrate the complex relationship between religion, literature and secularization. His work helps to illuminate a curious but crucial chapter in the history of modern literary studies in the West, as well as its connections with Biblical scholarship and textual criticism.
Collecting articles written over the course of this period is not just meant as the testimony of an intellectual journey, but also a way of tracing such a journey in retrospect and mapping the importa
The past is narrated in retrospect. Historians can either capitalize on the benefit of hindsight and give their narratives a strongly teleological design or they may try to render the past as it was experienced by historical agents and contemporaries. This book explores the fundamental tension between experience and teleology in major works of Greek and Roman historiography, biography and autobiography. The combination of theoretical reflections with close readings yields a new, often surprising assessment of the history of ancient historiography as well as a deeper understanding of such authors as Thucydides, Tacitus and Augustine. While much recent work has focused on how ancient historians use emplotment to generate historical meaning, Experience and Teleology in Ancient Historiography offers a new approach to narrative form as a mode of coming to grips with time.
