Renaissance Humanism developed a fantasy of friendship in which men can be absolutely equal to one another, but Shakespeare and other dramatists quickly saw through this rhetoric and developed their own ideas about friendship more firmly based on a respect for human difference. They created a series of brilliant and varied fictions for human connection, as often antagonistic as sympathetic, using these as a means for individuals to assert themselves in the face of social domination. Whilst the fantasy of equal and permanent friendship shaped their thinking, dramatists used friendship most effectively as a way of shaping individuality and its limitations. Dealing with a wide range of Shakespeare's plays and poems, and with many works of his contemporaries, this study gives readers a deeper insight into a crucial aspect of Shakespeare's culture and his use of it in art.
Rhetoric and Courtliness in Early Modern Literature explores the early modern interest in conversation as a newly identified art. Conversation was widely accepted to have been inspired by the republican philosopher Cicero. Recognizing his influence on courtesy literature - the main source for 'civil conversation' - Jennifer Richards uncovers alternative ways of thinking about humanism as a project of linguistic and social reform. She argues that humanists explored styles of conversation to reform the manner of association between male associates; teachers and students, buyers and sellers, and settlers and colonial others. They reconsidered the meaning of 'honesty' in social interchange in an attempt to represent the tension between self-interest and social duty. Richards explores the interest in civil conversation among mid-Tudor humanists, John Cheke, Thomas Smith and Roger Ascham, as well as their self-styled successors, Gabriel Harvey and Edmund Spenser.
The relation between the visual and the verbal spheres has been much contested in recent years, from laments about the 'logocentricism' of the academy to the heralding of the 'pictorial turn' of the multimedia age. This lavishly illustrated book recontextualises these debates through the historical lens of Greek and Roman antiquity. Dr Squire shows how modern Western concepts of 'words' and 'pictures' derive from a post-Reformation tradition of theology and aesthetics. Where modern critics assume a bipartite separation between images and texts, classical antiquity toyed with a more playful and engaged relation between the two. By using the ancient world to rethink our own ideologies of the visual and the verbal, this interdisciplinary book brings together classics and art history, as well as a sustained reflection on their historiography: the result is a new and explosive cultural history of Western visual thinking.
Samuel Beckett and the Visual Arts is the first book to comprehensively assess Beckett's knowledge of art, art history and art criticism. In his lifetime Beckett thought deeply about visual culture from ancient Egyptian statuary to Dutch realism, from Quattrocento painting to the modernists and after. Drawing on a wide range of published and unpublished sources, this book traces in forensic detail the development of Beckett's understanding of painting in particular, as that understanding developed from the late 1920s to the 1970s. In doing so it demonstrates that Beckett's thinking about art and aesthetics radically changes in the course of his life, often directly responding to the intellectual and historical contexts in which he found himself. Moving fluently between art history, philosophy, literary analysis and historical context, Samuel Beckett and the Visual Arts rethinks the trajectory of Beckett's career, and reorients his relationship to modernism, late modernism and the avant
Philosophical aesthetics is an area in which many strands of contemporary philosophical thinking meet. The contributors to this volume are aware of the wider logical, epistemological, moral and metaphysical implications raised by conceptual problems specific to aesthetics. Three themes recur and are taken up from different angles in several of the papers: pleasure – its nature and role in the experience of art and beauty; preference – figuring prominently in aesthetic appraising, appreciating and judging; and value – aesthetic value in particular, and the status of value in general. As these themes interweave, the complexities of aesthetics bring into focus some of the central issues in the philosophy of mind. The authors argue their cases with professional expertise and perceptive understanding of the arts, making significant and original contributions. This book should be of interest not only to philosophers but also to the readers who know, care and theorise about the arts. All the
Virgil's Aeneid, an epic which tells the story of Aeneas' flight from burning Troy, his adventures on the high seas and eventual arrival in Italy, thereby founding the Roman race, is one of the most influential works of Roman literature. This edition of the first two books is designed for those who have completed an introductory course in Latin and aims to help such users to enjoy one of Latin literature's greatest masterpieces. The text is accompanied by a running vocabulary, learning vocabulary, full grammatical help and notes. Essays at the end of each passage are designed to encourage appreciation of Virgil's plot-handling, poetic art and rich understanding of humanity, and there are references throughout to the most helpful modern thinking about the poem and its significance. No other intermediate text is so carefully designed to provide all the help that is needed to make reading Virgil a pleasure.
Thinking about self-control takes us to the heart of practical decision-making, human agency, motivation, and rational choice. Psychologists, philosophers, and decision theorists have all brought valuable insights and perspectives on how to model self-control, on different mechanisms for achieving and strengthening self-control, and on how self-control fits into the overall cognitive and affective economy. Yet these different literatures have remained relatively insulated from each other. Self-Control, Decision Theory, and Rationality brings them into dialog by focusing on the theme of rationality. It contains eleven newly written essays by a distinguished group of philosophers, psychologists, and decision theorists, together with a substantial introduction, collectively offering state-of-the-art perspectives on the rationality of self-control and the different mechanisms for achieving it.
The sketching stage is integral to any piece of art. Sketches can often provide interesting insights into the processes and thinking behind the finished piece as well as showing off technique and skill. The freewheeling excitement in sketches--where artists don't hold back, don't over-think, don't censor--is hard to beat. Sketchbook is about captured moments bursting with creativity, straight from the minds of the finest illustrators around the world. Whether you're a practicing fantasy artist, a student or even a hobbyist wanting to take your skills further, there's something here for you: so, dive in and discover crazy creatures, cool futuristic vehicles and stunning expansive environments. Contributors include Randy Bishop, Feng Zhu, Charlie Bowater, Bill Carman, Claire Wendling, Genzoman, Iain McCaig and many more
"Virginia Woolf and the Bloomsbury Avant-Garde" traces the dynamic emergence of Woolf's art and thought against Bloomsbury's public thinking about Europe's future in a period marked by two world wars
Lyric poetry has long been considered an art form of timelessness, but Romantic poets became fascinated by one time above all others: evening, the threshold between day and night. Christopher R. Miller investigates the cultural background of this development. The tradition of evening poetry runs from the idyllic settings of Virgil to the urban twilights of T. S. Eliot, and flourished in the works of Coleridge, Wordsworth, Shelley and Keats. In fresh readings of familiar Romantic poems, Miller shows how evening settings enabled poets to represent the passage of time and to associate it with subtle movements of thought and perception. This leads to new ways of reading canonical works, and of thinking about the kinds of themes the lyric can express.
Quantum Poetics examines the way modernist poets appropriated scientific metaphors as part of a general search for the pre-verbal origins of poetry. Daniel Albright traces Modernism's search for the elementary particles from which poems were constructed. The poetic possibilities offered by developments in scientific discourse intrigued Yeats, Eliot and Pound, writers intent on remapping the general theory of poetry. Using models supplied by physicists, Yeats sought for the basic units of poetic force, both through his sequence A Vision and through his belief in, and defence of, the purity of symbols. Pound's whole critical vocabulary, Albright claims, aims at drawing art and science together in a search for poetic precision, the tiniest textual particles that held poems together. Through a series of patient and original readings, Quantum Poetics demonstrates how modernists created a whole new way of thinking about poetry and science as two different aspects of the same quest.
Thinking about self-control takes us to the heart of practical decision-making, human agency, motivation, and rational choice. Psychologists, philosophers, and decision theorists have all brought valuable insights and perspectives on how to model self-control, on different mechanisms for achieving and strengthening self-control, and on how self-control fits into the overall cognitive and affective economy. Yet these different literatures have remained relatively insulated from each other. Self-Control, Decision Theory, and Rationality brings them into dialog by focusing on the theme of rationality. It contains eleven newly written essays by a distinguished group of philosophers, psychologists, and decision theorists, together with a substantial introduction, collectively offering state-of-the-art perspectives on the rationality of self-control and the different mechanisms for achieving it.
This volume explores the conceptual terrain defined by the Greek word eikos: the probable, likely, or reasonable. A term of art in Greek rhetoric, a defining feature of literary fiction, a seminal mode of historical, scientific, and philosophical inquiry, eikos was a way of thinking about the probable and improbable, the factual and counterfactual, the hypothetical and the real. These thirteen original and provocative essays examine the plausible arguments of courtroom speakers and the 'likely stories' of philosophers, verisimilitude in art and literature, the likelihood of resemblance in human reproduction, the limits of human knowledge and the possibilities of ethical and political agency. The first synthetic study of probabilistic thinking in ancient Greece, the volume illuminates a fascinating chapter in the history of Western thought.
The late 1960s saw the emergence of new philosophical interest in Kant's philosophy of mathematics, and since then this interest has developed into a major and dynamic field of study. In this state-of-the-art survey of contemporary scholarship on Kant's mathematical thinking, Carl Posy and Ofra Rechter gather leading authors who approach it from multiple perspectives, engaging with topics including geometry, arithmetic, logic, and metaphysics. Their essays offer fine-grained analysis of Kant's philosophy of mathematics in the context of his Critical philosophy, and also show sensitivity to its historical background. The volume will be important for readers seeking a comprehensive picture of the current scholarship about the development of Kant's philosophy of mathematics, its place in his overall philosophy, and the Kantian themes that influenced mathematics and its philosophy after Kant.
Jane Austen is renowned for the economy of her art: for the close focus of her romantic plots and the precision of her writing style. Exploring that economy stylistically and structurally, this book traces Austen's keen interest in narrative form. Anne Toner pinpoints techniques that are fundamental to the distinctiveness of Austen's fiction, many of which have been little explored to date. Toner argues that Austen's conciseness in terms of plotting, narrative description and in the depiction of dialogue also contributed to her innovations in representing thought, expanding the novel's capacity to depict consciousness. Narrative and rhetorical features are presented clearly and accessibly and will open up new ways of thinking about prose style with implications for the study of fiction beyond Austen's own.
Jane Austen is renowned for the economy of her art: for the close focus of her romantic plots and the precision of her writing style. Exploring that economy stylistically and structurally, this book traces Austen's keen interest in narrative form. Anne Toner pinpoints techniques that are fundamental to the distinctiveness of Austen's fiction, many of which have been little explored to date. Toner argues that Austen's conciseness in terms of plotting, narrative description and in the depiction of dialogue also contributed to her innovations in representing thought, expanding the novel's capacity to depict consciousness. Narrative and rhetorical features are presented clearly and accessibly and will open up new ways of thinking about prose style with implications for the study of fiction beyond Austen's own.
When thinking about acupressure, most of us think about complicated procedures and never try using it. If they ever try, most people give up quickly. However, acupressure (the ancient art of healing b
What was the ethical perspective of modernist literature? How did Yeats, Eliot, Joyce, Woolf and Beckett represent ethical issues and develop their moral ideas? Lee Oser argues that thinking about human nature restores a perspective on modernist literature that has been lost. He offers detailed discussions of the relationship between ethics and aesthetics to illuminate close readings of major modernist texts. For Oser, the reception of Aristotle is crucial to the modernist moral project, which he defines as the effort to transform human nature through the use of art. Exploring the origins of that project, its success in modernism, its critical heirs, and its possible future, The Ethics of Modernism brings a fresh perspective on modernist literature and its interaction with ethical strands of philosophy. It offers many new insights to scholars of twentieth-century literature as well as intellectual historians.
The late 1960s saw the emergence of new philosophical interest in Kant's philosophy of mathematics, and since then this interest has developed into a major and dynamic field of study. In this state-of-the-art survey of contemporary scholarship on Kant's mathematical thinking, Carl Posy and Ofra Rechter gather leading authors who approach it from multiple perspectives, engaging with topics including geometry, arithmetic, logic, and metaphysics. Their essays offer fine-grained analysis of Kant's philosophy of mathematics in the context of his Critical philosophy, and also show sensitivity to its historical background. The volume will be important for readers seeking a comprehensive picture of the current scholarship about the development of Kant's philosophy of mathematics, its place in his overall philosophy, and the Kantian themes that influenced mathematics and its philosophy after Kant.
James Elkins has shaped the discussion about how we—as artists, as art historians, or as outsiders—view art. He has not only revolutionized our thinking about the purpose of teaching art
