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Get Real
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Get Real

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Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. This has led to an astonishing range of performance styles, ways of working and modes of intervention in varied sites of theatrical production. The essays in this collection place this work in context, exploring historical and contemporary examples of documentary and 'verbatim' theatre, and applying a range of critical perspectives that elaborate its impact and significance today.
Focusing on examples from the US, UK, Canada, Australia, South Africa and the Middle East, this collection, now in paperback for the first time and with a new Preface, raises provocative questions about documentary theatre's relationship to new technology, media, the body, the archive, memory, autobiography, and national identity. It examines the viability and resonance of documentary theatre in an era of infotainment, globalisation and postmodernity, and explores its past and potential contribution within the public sphere.

作者簡介

ALISON FORSYTH is a Lecturer in the Department of Theatre, Film and Television at Aberystwyth University, UK. Her main publications include Gadamer, History and The Classics: Fugard, Marowitz, Berkoff and Harrison Rewrite the Theatre (2002). Alison is currently writing a book on Arthur Miller's Holocaust Plays: The Trauma of Articulation, preparing an anthology of adaptations and editing a volume about the performance of trauma.

CHRIS MEGSON is Senior Lecturer in Drama and Theatre at Royal Holloway College, University of London, UK. His recent publications include The Methuen Drama Book of Naturalist Plays (2010); his book on The Seventies, for 'Methuen's Decades of Modern British Playwrighting' series, is forthcoming in 2012. He has published widely on British theatre culture since 1968 and documentary/Tribunal theatre.

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優惠價:90 2700
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(到貨天數約45天)

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