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The rich scholarship also contributes to our understanding of the archaeology, chronology, warfare, and legal structures of ancient China.
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—Christoph Harbsmeier, Professor Emeritus of Chinese, University of Oslo
This collection of essays offers in-depth research on the political, economic, cultural,and social implications of kinship ties in ancient China, using first-hand texts from ritual bronze inscriptions to tease out the intimate and personal as well as the public and formal that form the complex web of history in ancient China. Drawing from both traditional and the latest archaeological materials, international scholars contribute their multi-faceted perspectives on one of the most important issues in early China studies—a valuable and up-to-date resource for both scholars and students.
—Jenny F. So, Retired Professor of Fine Arts, The Chinese University of Hong Kong
Imprints of Kinship is a collection of nine scholarly articles originally presented at an international conference which was held at University of Chicago. It involved nine renowned scholars; each of them discussed their latest research findings on the recently discovered ancient Chinese bronze vessels from different perspectives. These informative and comprehensive articles served as excellent examples that demonstrate how artistic features and bronze inscriptions could relate to archeological studies. It is without doubt that both professionals and the general public would find this volume inspiring.
—Cheung Kwong Yue, Alex, Chair Professor of Chinese, Hang Seng Management College
This volume consists of erudite essays by internationally renowned scholars as well as younger contributors. Rarely is there a collection of artworks with such breadth and depth that can stimulate new ideas. The Shouyang Studio collection is one such case. Despite the fact that Zhou bronzes have long been studied, admired and collected for centuries, we have by no means exhausted this field of study. The present volume uses new data—newly excavated materials—to decode the relationships of various peoples, as well as to solve the mystery, among many others, regarding the location of Rui.
—Josh C. Yiu, Director of Art Museum, The Chinese University of Hong Kong
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