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The Routledge Handbook of Digital Writing and Rhetoric
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The Routledge Handbook of Digital Writing and Rhetoric

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This companion brings together scholars from around the globe who here contribute to our understanding of how digital rhetoric is changing the written landscape. Increasingly, all of us must navigate networks of information, compose not just with computers but an array of mobile devices, increase our technological literacy, and understand the changing dynamics of authoring, writing, reading, and publishing in a world of rich and complex texts. Given such changes, and given the diverse ways in which younger generations of college students are writing, communicating, and designing texts in multimediated, electronic environments, we need to consider how the very act of writing itself is undergoing potentially fundamental changes. These changes are increasingly being addressed by the emerging field of digital rhetoric, a field that attempts to understand the rhetorical possibilities and affordances of writing, broadly defined, in a wide array of digital environments.

Of interest to both researchers and students, this volume provides insights in the fields of rhetoric, writing, composition, digital media, literature, and multimodal studies.

作者簡介

Jonathan Alexander is Chancellor’s Professor of English and Informatics at the University of California, Irvine, where he is also the Founding Director of the Center for Excellence in Writing and Communication. The author, co-author, or editor of thirteen books, he writes frequently about multimedia, transmedia, digital literacies, pop culture, and sexuality. With Jacqueline Rhodes, he is the co-author of the award-winning texts On Multimodality: New Media in Composition Studies and Techne: Queer Meditations on Writing the Self.

Jacqueline Rhodes is Professor of Writing, Rhetoric, and American Cultures at Michigan State University. She is the author, co-author, or co-editor of a number of books and articles that explore the intersections of materiality and technology, including Radical Feminism, Writing, and Critical Agency (2005), On Multimodality: New Media in Composition Studies (2014), and Sexual Rhetorics: Methods, Identities, Publics (2015).

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