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本書是繼《解放漢字,從性開始──論漢字文化與心靈教學》後,另一接力的作品。在形式上,大致延續前一本書;在內容上,則有許多不同的選擇、改變。
至於寫作的靈感,大多源於賽斯書系列的閱讀,以及聆聽許添盛醫師所有相關的演講、讀書會、CD。如果內容符合真理,這是賽斯、魯柏及許醫師的功勞;如果有任何偏頗之處,必然是我的理解錯誤。
慶幸自己得於此生接觸賽斯書之餘,更加相信未來文明將邁向:擴展意識、回歸心靈。


This book is the sequel to “Freeing the Chinese Characters by Starting with Humanity ― A Discussion on the Culture of Chinese Character and the Teaching of Spirituality”. The format mostly follows the previous book. However, as for the content, different choices and changes have been made.
The inspiration of this book mostly came from the reading of Seth’s materials and the related speeches, book clubs and CDs of Dr. Xu Tian Sheng. This is tributes to Seth and Dr. Xu if the content is truthful; if anything is biased, it must be my misunderstanding.
While I was glad that I had a chance to get to know more about Seth, I was even more convinced that our future civilization will move towards expanding consciousness and returning to the soul.
洪燕梅
臺灣新竹市人。國立政治大學中國文學研究博士。現任國立政治大學中國文學系教授。
Hung, Yen-Mey
Born in Hsinchu, Taiwan.PhD in Chinese Literature at National Chengchi University.Chinese Literature Professor at National Chengchi University.

主要研究領域:漢字學、出土文獻、老子、賽斯書。
Research fields: Chinese Characters Philology, Excavated Documents, Laozi (Chinese Philosopher), Seth Books.

專著計有:《解放漢字,從「性」開始──論漢字的心靈教學》、《出土秦簡牘文化研究》、《漢字文化的模式與內涵》、《漢字文化與生活》。
Publications:
“To Free the Chinese Characters, Starting with ‘Xing’ ― The Spiritual Teaching of the Chinese Characters”, “Cultural Studies on the Excavated Bamboo and Wooden Slips of the Qin Dynasty”, “Patterns and Connotations of the Culture of the Chinese Characters”, “The Culture and Life of the Chinese Characters”
Table of Content
作者序 Foreword of the Author
譯者序 Foreword of the Translators
第一章 漢字在那故事就在那
The Story Is Embedded in Chinese Characters
一、是誰改變了漢字的命運
Who changed the fate of Chinese characters
(一)嬰幼兒時期的漢字
The Infancy Period of Chinese Characters
(二)甲骨文是少年時期的漢字
Oracle Bone Script Is the Teenage Period of Chinese Characters
(三)金文是青年時期的漢字
Bronze Inscription Is the Youth Period of Chinese Characters
二、漢字是世人共創的藝術
Chinese characters are the art created by people
(一)簡牘帛書是成年時期的漢字
Slips and Silk Script Is the Early Adulthood of Chinese Characters
(二)《說文》小篆是成年時期漢字的旁支
Small Seal Script of Shuowen Was the Branch of the Chinese Characters In Early Adulthood
(三)楷書是壯年時期的漢字
Regular Script Is the Adulthood of Chinese Characters
(四)分家後的兩岸漢字
The Separation of the Chinese Characters
第二章 活躍意識,曼妙輕舞
Activate the Consciousness, Dance Gracefully and Gently
一、傾聽自己的聲音
Listen to Oneself
(一)言
Speech
(二)音
Sound
(三)意
Meaning
(四)識
Knowledge
二、意識自由的浪漫
The Romance of Conscious Freedom
(一)曼
Gentle
(二)謾
Disrespect
(三)慢
Slow
(四)漫
Overflow
第三章 夢中逍遙,發現神性
Be carefree in dreams, be divine in discovery
一、人生是夢,幻想不妄想
Life is a dream. It’s a fantasy, not a delusion.
(一)亡
Death
(二)盲
Blindness
(三)忙
Busy
(四)妄
Absurd
二、人生如戲,認真不當真
Life is like a play; be diligent, but don’t take it seriously.
(一)止
Stop
(二)正
Upright
(三)征
Go on a journey
(四)政
Politics
第四章 錯畫你的人生別遲疑
Interlace your life with no hesitation
一、嘗試沒有是非的日子
Live like there is no moral standard.
(一)厶
Selfishness
(二)公
Public
(三)累
Tired
(四)廢
Uselessness
二、做個沒有形象的自己
Be a person without image
(一)木
Wood
(二)本
Origin
(三)末
End
(四)未
Not

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