Before I began taking pictures in Iowa, I was photographing interiors of decaying industrial buildings in the northeastern United States. In 2002, I read a series of newspaper articles that described
This is the first full-length examination of Lewis H. Hine (1874-1940), the intellectual and aesthetic father of social documentary photography. Kate Sampsell-Willmann assesses Hine's output through
In the middle years of the Great Depression, Erskine Caldwell and photographer Margaret Bourke-White spent eighteen months traveling across the back roads of the Deep South - from South Carolina to Ar
