Sadler (art history, Agnes Scott College, US) examines the west wall of the French cathedral from the perspectives of reading Reims Cathedral through the palimpsest of its past, the reverse facade as
The sculpted Entombment of Christ in Burgundy and Champagne is examined from various viewpoints in Stone, Flesh, Spirit. Whether invoking the Holy Sepulcher or pathos by proxy, the Entombments are a t
Touching the Passion considers the ways that the Passion in late medieval retables touched worshipers. The author explores the “aesthetics of immersion” through different lenses, such as scale, medium
