A photographic survey of the robotic face of Tokyo buildings and an argument that robot aesthetics plays a central role in architectural history.In Tokyoids, architect François Blanciak surveys the robotic faces omnipresent in Tokyo buildings, offering an architectural taxonomy based not on the usual variables―size, material, historical style―but on the observable expressions of buildings. Are the eyes (windows) twinkling, the mouth (door) laughing? Is that balcony a howl of distress? Investigating robot aesthetics through his photographs of fifty buildings, Blanciak argues that the robot face originated in architecture―before the birth of robotics―and has played a central role in architectural history. Blanciak first puts the robot face into historical perspective, examining the importance of the face in architectural theory and demonstrating that the construction of architecture’s emblematic portraits triggered the emergence of a robot aesthetics. He then explores the emotions
Some may call it the first manifesto of the twenty-first century, for it lays down a new way to think about architecture. Others may think of it as the last architectural treatise, for it provides a d
