三民網路書店 / 搜尋結果

First published in the 1970s, this was a pioneering work in applying modern literary-critical conventions and terminology to further the comprehension of difficult passages in classical texts. Cairns

Volume 5 of PLLS was the last of the Liverpool series of seminar volumes. Between 1975 and 1985 the Liverpool Latin Seminar held 52 ordinary meetings and 4 colloquia, involving altogether 156 papers a

This book offers scholars and students of Hellenistic and Roman literature an overview of Hellenistic epigram, a field closely related to other Hellenistic poetry and highly influential upon Roman poetry. In fourteen themed chapters, it foregrounds the literary, linguistic, historical, epigraphic, social, political, ethnic, cultic, onomastic, local, topographical and patronage contexts within which Hellenistic epigrams were composed. Many epigrams are analysed in detail and new interpretations of them proposed. Throughout, the question is asked whether epigrams are literary jeux d'esprit (as is often assumed without proper discussion) or whether they relate to real people and real events and have a function in the real world. That function may be epigraphic, for example an epigram can be the epitymbion for inscription at someone's grave, or the anathematikon for inscription on or beside a dedicated object, or a picture-label - an ekphrasis to accompany a painting or mosaic.

Tibullus was one of the leading poets of Augustan Rome. Professor Cairns examines in detail aspects of Tibullus' poetic craftsmanship - his learning, his interest in the meanings of words, his use of suspense and deception, his control of the structures of his elegies - and demonstrates the original qualities of Tibullus' verse. This examination is carried out by relating Tibullus' work at all points to the Hellenistic poetic tradition and the literary genres and conventions it developed. This book will be of particular interest to students of Latin and Hellenistic Greek literature, and, as all Greek is translated, it should also be useful to students of comparative literature.

An examination of the main characters in the Aeneid - Aeneas himself, Dido and Turnus - in the light of Virgil's contemporary Augustan political and literary ideology. The characters and the plot and incident of the epic are seen as embodying and exemplifying first the ancient ideals of kingship and concord, and second the Roman self-identification as at once 'Italian' and 'Trojan', and finally as reflecting the literary self-evaluation of the Augustan age. In the literary area, Virgil's relations with contemporary Roman elegy, with early Greek lyric and, most important, with Homer, are studied and reevaluated. Virgilian scholars and students of Augustan literature in general will find this book of interest to them.

An examination of the main characters in the Aeneid - Aeneas himself, Dido and Turnus - in the light of Virgil's contemporary Augustan political and literary ideology. The characters and the plot and incident of the epic are seen as embodying and exemplifying first the ancient ideals of kingship and concord, and second the Roman self-identification as at once 'Italian' and 'Trojan', and finally as reflecting the literary self-evaluation of the Augustan age. In the literary area, Virgil's relations with contemporary Roman elegy, with early Greek lyric and, most important, with Homer, are studied and reevaluated. Virgilian scholars and students of Augustan literature in general will find this book of interest to them.

In 30–15 BC Sextus Propertius composed at Rome four books of elegies which range from erotic to learned to political and exhibit an unparalleled richness of themes, concepts and language. This book investigates their sources and motives, examining Propertius' family background in Umbrian Asisium and tracing his career as he sought through poetry to restore his family's fortunes after the Civil Wars. Propertius' progress within the Roman poetic establishment depended on his patrons - Tullus, 'Gallus', Maecenas and Augustus. Initially his poetry was influenced radically by his elegiac predecessor C. Cornelius Gallus, arguably also the 'Gallus' who jointly patronised Propertius' first book. New heuristic techniques help to recover the impact on Propertius of Cornelius Gallus' (mainly lost) elegies. Propertius' subsequent move into Maecenas', and then Augustus', patronage had an equally powerful, ideological, impact; in his latter books he became (alongside Virgil and Horace) a major and c

In 30–15 BC Sextus Propertius composed at Rome four books of elegies which range from erotic to learned to political and exhibit an unparalleled richness of themes, concepts and language. This book investigates their sources and motives, examining Propertius' family background in Umbrian Asisium and tracing his career as he sought through poetry to restore his family's fortunes after the Civil Wars. Propertius' progress within the Roman poetic establishment depended on his patrons - Tullus, 'Gallus', Maecenas and Augustus. Initially his poetry was influenced radically by his elegiac predecessor C. Cornelius Gallus, arguably also the 'Gallus' who jointly patronised Propertius' first book. New heuristic techniques help to recover the impact on Propertius of Cornelius Gallus' (mainly lost) elegies. Propertius' subsequent move into Maecenas', and then Augustus', patronage had an equally powerful, ideological, impact; in his latter books he became (alongside Virgil and Horace) a major and c

This book offers scholars and students of Hellenistic and Roman literature an overview of Hellenistic epigram, a field closely related to other Hellenistic poetry and highly influential upon Roman poetry. In fourteen themed chapters, it foregrounds the literary, linguistic, historical, epigraphic, social, political, ethnic, cultic, onomastic, local, topographical and patronage contexts within which Hellenistic epigrams were composed. Many epigrams are analysed in detail and new interpretations of them proposed. Throughout, the question is asked whether epigrams are literary jeux d'esprit (as is often assumed without proper discussion) or whether they relate to real people and real events and have a function in the real world. That function may be epigraphic, for example an epigram can be the epitymbion for inscription at someone's grave, or the anathematikon for inscription on or beside a dedicated object, or a picture-label - an ekphrasis to accompany a painting or mosaic.

A companion to the author's Papers on Roman Elegy, this volume contains roughly 30 articles and book excerpts on Catullus and Horace published during the years 1969-2010, in the UK, the US, and variou

Containing papers presented at Langford Seminars of the Department of Classics of Florida State University as well as supplementary articles, this collection includes research on Greek and Roman poetr

Nine papers revised, annotated, and often augmented from talks at the March 2001 colloquium at Florida State University present views of US, British, and Italian classicists on the extent to which and

The fifteenth volume of PLLS (and the fifth in the Langford series) contains major papers on early Greek epic and tragedy, aspects of ekphrasis, Roman republican culture and politics, and astrology in

These 13 papers by an international group of scholars examine Greek and Roman poetry and prose.

PLLS 16 contains papers mainly arising from several Langford Colloquia held by the Department of Classics, Florida State University.

PLLS 10 consists, as did earlier volumes in the series, in part of revised and usually expanded versions of papers presented at seminar meetings and in part of further papers contributed at the invita