Volume two of Marylin Rhie’s widely acclaimed and formative multi-volume work on Buddhist Art in China and Central Asia focuses on the art and the religious and historical background in the regions of
Rhie (art history, Smith College, Mass.), a leading scholar of Chinese Buddhist art and sculpture, continues her survey of early Buddhist art in this volume, the third she's published in the series. F
Tibet's sacred paintings are among the most marvelous creations of the human spirit, eye, and hand, a fascinating part of the great tapestry of the history of world civilizations. Arising from the Bu
