Crystal skulls, imaginative codices, dubious Olmec heads and cute Colima dogs. Fakes and forgeries run rampant in the Mesoamerican art collections of international museums and private individuals. Aut
Bruhns (director, Cihuatan/Las Marias Archaeological Project, El Salvador) and Kelker (art history, Middle Tennessee State U.) have written a volume both entertaining and dismaying to read. Tales of f
Nasca pots, Quimbaya figurines, Moche porn figures, stone shamans. Fakes and forgeries run rampant in the Andean art collections of international museums and private individuals. Authors Karen Bruhns
