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This book examines the modern performance history of one of Shakespeare's best-loved and most enduring comedies, and one that has given opportunities for generations of theatre-makers and theatre-goer

This Element addresses the question of what Shakespeare in contemporary performance is about, and whether it really is, as it may claim to be, about Shakespeare. Far from charting a smooth journey from page to stage, the work of making Shakespeare into performances often involves deflection, evasion and circumnavigation. Drawing upon the work of the Royal Shakespeare Company, Shakespeare's Globe and the Schaubühne Berlin, About Shakespeare examines theatrical bodies, the spaces inhabited by actors and audiences, and the texts that circulate around and between them.

The National Theatre’s years at the Old Vic were the most Shakespearean period in its history, one which included Laurence Olivier’s Othello and Shylock, a radical all-male As You Like It, the Berline

This anthology of four Elizabethan and Jacobean comedies (George Peele's The Old Wives Tale, Ben Jonson's The Alchemist, Philip Massinger's A New Way to Pay Old Debts, and Thomas Dekker's The Shoemake

This Companion explores the remarkable variety of forms that Shakespeare's life and works have taken over the course of four centuries, ranging from the early modern theatrical marketplace to the age

This collection stages the debates between theory and practice that have transformed our understanding of Shakespeare in performance in recent years. Drawing upon textual theory, materialist cultural

A.C.Bradley's Shakespearean Tragedy, first published in 1904, ranks as one of the greatest works of Shakespearean criticism of all time. This centenary edition includes a new introduction by Robert S

This collection offers the first definitive study of a surprisingly underdeveloped area of scholarly investigation, namely the relationship between Shakespeare, children and childhood from Shakespeare

The National Theatre's years at the Old Vic were the most Shakespearean period in its history, one which included Laurence Olivier's Othello and Shylock, a radical all-male As You Like It, the Berline