For the past thirty years, Hal Foster has pushed the boundaries of cultural criticism, establishing a vantage point from which the seemingly disparate agendas of artists, patrons, and critics have a t
Editors Murphy and Pawliuk present readers with a collection of academic essays investigating the place of Samuel Beckett and his work in popular culture. Across the collection of essays authors argue
Time and Commodity Culture is a detailed and theoretically sophisticated account of the cultural systems of postmodernity. Through a series of four linked essays on postmodern theory, tourism, gift ex
A collection of essays by a Canadian scholar exemplifying a new genre of interdisciplinary writing, previously published in various journals during the 1980s and 1990s. Drawing on such discourses as l
This unique collection of essays explores postmodern American culture and the shaping influence of advertising. Using contemporary theory, the authors present a wide variety of perspectives on adverti
"One of the most comprehensive and intelligent postmodern critics of art and literature, Huyssen collects here a series of his essays on pomo... " -- Village Voice Literary Supplement"... his work re
Umberto Eco is Italy's most famous living intellectual, known among academics for his literary and cultural theories, and to an enormous international audience through his novels, The Name of the Rose, Foucault's Pendulum and The Island of the Day Before. Umberto Eco and the Open Text is the first comprehensive study in English of Eco's work. In clear and accessible language, Peter Bondanella considers not only Eco's most famous texts, but also many occasional essays not yet translated into English. Tracing Eco's intellectual development from early studies in medieval aesthetics to seminal works on popular culture, postmodern fiction, and semiotic theory, he shows how Eco's own fiction grows out of his literary and cultural theories. Bondanella cites all texts in English, and provides a full bibliography of works by and about Eco.
This book offers a radical, "Third World" approach to current debates on canon revision, multiculturalism, Eurocentrism, and reforms in education and culture.
This follow-up to 1972's Learning From Las Vegas contains essays that evaluate the influence that volume had on postmodern architecture, culture and philosophy over the last 35 years. Editors Vinegar
Even as Georg Philipp Telemann's significance within eighteenth-century musical culture has become more widely appreciated in recent years, the English-language literature on his life and music has remained limited. This volume, bringing together sixteen essays by leading scholars from the USA, Germany, and Japan, helps to redress this imbalance as it signals a more international engagement with Telemann's legacy. The composer appears here not only as an important early Enlightenment figure, but also as a postmodern one. Chapters on his sacred music address the works' sensitivity to Lutheran and physico-theology, contrasting of historical and modern consciousness, and embodiment of an emerging opus concept. His secular compositions and writings are brought into rich dialogue with French musical and aesthetic currents. Also considered are Telemann's relationships with contemporaries such as Johann Sebastian Bach, the urban and courtly contexts for his music, and his influential position
Shakespeare has an astonishingly rich and varied performance tradition in Japan, stretching from the Westernizing and modernizing ferment of the nineteenth-century Meiji era to the postmodern performance culture. How has the tradition evolved? Where is it going? How is it to be accounted for in theatrical and cultural terms? What does it mean to perform Shakespeare in Japan? Such questions are raised in this 2001 book's introduction and pursued in fourteen essays on key aspects, moments and personalities in the performance tradition. These are followed by provocative interviews with four leading directors (Deguchi Norio, Ninagawa Yukio, Suzuki Tadashi and Noda Hideki) and with one leading performer (Hira Mikijiro). Unlike the very few existing books on Japanese Shakespeare, this book concentrates on modern and postmodern theatre, from c.1970, and contains contributions from both Japanese and Western scholars and theatre practitioners.
Shakespeare has an astonishingly rich and varied performance tradition in Japan, stretching from the Westernizing and modernizing ferment of the nineteenth-century Meiji era to the postmodern performance culture. How has the tradition evolved? Where is it going? How is it to be accounted for in theatrical and cultural terms? What does it mean to perform Shakespeare in Japan? Such questions are raised in this 2001 book's introduction and pursued in fourteen essays on key aspects, moments and personalities in the performance tradition. These are followed by provocative interviews with four leading directors (Deguchi Norio, Ninagawa Yukio, Suzuki Tadashi and Noda Hideki) and with one leading performer (Hira Mikijiro). Unlike the very few existing books on Japanese Shakespeare, this book concentrates on modern and postmodern theatre, from c.1970, and contains contributions from both Japanese and Western scholars and theatre practitioners.