Apart from “new poetry” composed in the vernacular language, the tradition of classical poetry originating in China has also been maintained in Taiwan. We cannot ignore the fact that those poets who c
This issue contains the verse of twenty-four poets.From 1924, when Hsieh Chun-mu first published four “Poems in Imitation,” the development of new poetry in Taiwan has a history of almost one hundred
This book has been specially planned to both commemorate and celebrate this milestone, and we have invited University of California, Irvine, professor Bert Scruggs to serve as guest editor to assist with its preparation and realization. The issue is divided into two parts: the first part is dedicated to a review of the publication history of the journal, its manner of selecting works to publish, as well as its contributions to the scholarly field. There are also research essays that consider the works chosen for translation themselves. The second part of the issue commemorates my retirement after more than forty years of teaching at the University of California, Santa Barbara. The main objectives of my work have been the English translation and introduction of Taiwan Literature. We have, therefore, included articles that consider my poetry, English translation, and scholarly research.創刊於1996年的《台灣文學英譯叢刊》持續了二十五年，共出版48集。我們特地策劃這一紀念專輯，以示慶祝。我們特地邀請爾灣加州大學台灣文學教授古芃擔任策劃和執行的客座編輯。這一專輯包括兩個部分：第一部分是關於
本輯收入周金波〈志願兵〉、〈水癌〉，陳火泉〈道〉，呂赫若〈風頭水尾〉、〈清秋〉五篇自日文譯為英文的文本。對於「皇民文學」的評價，應跳脫政治、民族與道德的立場，回歸文學性質的討論，以釐清作品所屬時代的文化複雜性。 Taiwan was under Japanese colonial rule for fifty years from 1895 to 1945, and was therefore g
本輯以鄭清文的小說與兒童文學為主題，承鄭清文女兒谷苑的協助，推薦具有代表性的小說暨兒童文學作品多篇，並請她寫一篇關於父親作品的文章〈A Storyteller—In Memory of Tzeng Ching-wen〉。散文方面，Taipei, City of Displacements（《錯置，臺北城》）的作者周文龍教授（Joseph R. Allen），對臺北的地理變遷和文化空間的歷史演變具有
For this special issue on “New Generation Women's Fiction from Taiwan,” we have specially invited Professor Lee Kuei Yun of the Graduate Institute of Taiwan Literature at Taiwan's Tsing Hua University to be guest editor and take responsibility for the selections. Because of space limitations it has been possible only to select twelve short stories by eleven woman writers. These writers were all born in the 1970s or later and their works were published in the year 2000 or later. Thus, they represent a period of social change in twenty-first century Taiwan and the spirit of the new generation. The introduction that we asked Professor Lee to provide is entitled “Trauma, esire, Contemporary Women's Voices.” Aside from giving a brief account of the eleven writers and their works, Professor Lee sketches “a number of writerly qualities that become perceptible… [that] represent the internal trauma, female consciousness, physical lust, cat-uman metaphors, and everyday life, etc.” In her introdu
During the early stages of its development, Taiwan’s New Literature was intimately connected with realism.The year 2022 is the one-hundredth anniversary of fiction writing in Taiwan, and also the one-hundredth anniversary of modernist literature in the English-speaking world. For the former, this is the one-hundredth anniversary of the publication of Chui Feng’s “Where Will She Go?” For the latter, it is the one-hundredth anniversary of the publication of James Joyce’s (1882–1941) novel Ulysses, and Anglo-American writer T. S. Eliot’s (1888–1965) poem The Waste Land. When the Alphabet Lab was first established, it also paid tribute to the contribution of modernism in the development of post-war Taiwan literature. In this special fiftieth issue on “Taiwan Fiction and ‘Realism,’” we once again identify and trace out the pathways and objectives of Taiwan’s writer apostles over the past one-hundred years.台灣新文學的發展，以追風的〈她要往何處去〉為濫觴，發表於1922年，至今剛好一百年。台灣新文學發軔時，歐美現代主義發展已達到高峰，台灣必然受到影響，可見現代主義與現實主義，
