Art and Judaism in the Greco-Roman World explores the Jewish experience with art during the Greco-Roman period - from the Hellenistic period through the rise of Islam. It starts with the premise that Jewish art in antiquity was a 'minority' or 'ethnic' art and surveys ways that Jews fully participated in, transformed, and at times rejected the art of their general environment. Art and Judaism focuses upon the politics of identity during the Greco-Roman period, even as it discusses ways that modern identity issues have sometimes distorted and at other times refined scholarly discussion of ancient Jewish material culture. Art and Judaism, the first historical monograph on ancient Jewish art in forty years, evaluates earlier scholarship even as it sets out in new directions. Placing literary sources in careful dialogue with archaeological discoveries, this 'New Jewish Archaeology' is an important contribution to Judaic Studies, Religious Studies, Art History, and Classics.
The 'Second Sophistic' is arguably the fastest-growing area in contemporary classical scholarship. This short, accessible account explores the various ways in which modern scholarship has approached one of the most extraordinary literary phenomena of antiquity, the dazzling oratorical culture of the Early Imperial period. Successive chapters deal with historical and cultural background, sophistic performance, technical treatises (including the issue of Atticism and Asianism), the concept of identity, and the wider impact of sophistic performance on major authors of the time, including Plutarch, Lucian and the Greek novelists.
In this brief but highly informative book Jan Bremmer presents an outline of Greek religion in the classical period. After a survey of the main characteristics of Greek religion, he offers a clear and
This survey gives a concise but detailed account of the present state of criticism of the two great epics ascribed to Homer, the Iliad and the Odyssey. Its main thrust is an examination of the poems i
The texts, images and events of the ancient world have been used both as sources of authority and exploitation in politics, culture and society and as icons of resistance and contest. How classical culture is transplanted into new contexts, how texts are translated and performed and how Greek and Roman values are perceived and used continues to be a force in current debates. The main concepts and explanatory frameworks used in the field are introduced through chapters on reception within antiquity and case studies of more recent receptions from Africa, the Caribbean, Europe and the USA. The book will be of use to all those interested in the relationship between the arts, culture and society as well as to students and teachers of classical subjects and of literature, drama, film and comparative cultural studies.
Quantum physics is believed to be the fundamental theory underlying our understanding of the physical universe. However, it is based on concepts and principles that have always been difficult to understand and controversial in their interpretation. This book aims to explain these issues using a minimum of technical language and mathematics. After a brief introduction to the ideas of quantum physics, the problems of interpretation are identified and explained. The rest of the book surveys, describes and criticises a range of suggestions that have been made with the aim of resolving these problems; these include the traditional, or 'Copenhagen' interpretation, the possible role of the conscious mind in measurement and the postulate of parallel universes. This new edition has been revised throughout to take into account developments in this field over the past fifteen years, including the idea of 'consistent histories' to which a completely new chapter is devoted.
From Socrates and Plato onwards, the Sophists were often targeted by the authoritative philosophical tradition as being mere charlatans and poor teachers. This book, translated and significantly updated from its most recent Italian version (2nd edition, 2013), challenges these criticisms by offering an overall interpretation of their thought, and by assessing the specific contributions of thinkers like Protagoras, Gorgias and Antiphon. A new vision of the Sophists emerges: they are protagonists and agents of fundamental change in the history of ancient philosophy, who questioned the grounds of morality and politics, as well as the nature of knowledge and language. By shifting the focus from the cosmos to man, the Sophists inaugurate an alternative form of philosophy, whose importance is only now becoming clear.
Four related themes in Greek thought are examined in this book: (1) personality and self, (2) ethics and values (3) individuals and communities, and (4) the idea of nature as a moral norm. Although the focus is on Greek philosophy (the Presocratics, Plato, Aristotle, and the Hellenistic period), links between philosophy and literature or the wider culture are also explored. The book combines a survey of recent scholarship on these topics with the author's own interpretations. It can be used by students or teachers of classical studies or philosophy as an introduction to key themes and issues in Greek ethics or psychology. One aspect of the subject given special emphasis is the relationship between ancient and modern ideas on the issues treated here. The book closes with a selective bibliography on modern work on Greek philosophy.
In recent decades there has been a complete revolution in the way we read the historians of Greece and Rome. Their works have been shown to be quite different in nature from those of today's historians; instead, their techniques and assumptions have much in common with those of Homer or Virgil. Using these narratives as sources for ancient history has become more problematic than ever before, as we come to understand better how their style (the medium) and content (the message) shape each other. This book briefly introduces this revolution as it affects our reading of Latin historical writing, and then provides authoritative and informative discussions of the three major Latin historians of the classical period: Sallust, Livy, and Tacitus. The focus is on narrative technique and structure, intertextuality, and close reading, and the discussions are as accessible to beginning students as they are useful to experienced teachers.
This brief but highly informative book presents an outline of Greek religion in the classical period. After surveying its main characteristics, it offers a clear and innovative view of the great gods and heroes as well as their sanctuaries and also the main myths, rituals and mysteries: from Athena to Zeus, from sacrifice to the puritan Orphics, from the Indo-European roots to the influence of the ancient Near East. The approach pays attention to the sociological, anthropological, and psychological aspects of Greek religion and also to the gender roles. By paying attention to the often modern origin of many of the notions employed in the analysis of Greek religion, it illustrates the difference between Greek polytheism and the place of religion in modern Western society. This second edition has been updated to account for the latest developments, and its bibliography makes this book very useful for students and teachers alike.
Produced in Athens during the fifth century BC, the tragedies of Sophocles are a high point in world literature, vividly depicting unforgettable characters confronted with emotional crises, moral dilemmas, and the inscrutable ways of the gods. This volume examines Sophocles' reputation as a dramatic poet both in his own day and later in antiquity, considering how it was that some of his plays survived from his time to ours. It investigates the qualities of those plays, focusing on key aspects of Sophoclean dramaturgy such as stagecraft, narrative, rhetoric, and heroism. And it incorporates within its discussion not just the seven plays that survive in full, but those major fragments discovered in recent years which shed so much light on Sophocles' extraordinary ability as a poet and a dramatist. All Greek is translated, making this volume accessible to anyone with an interest in one of the greatest playwrights of all time.
This book sets out to give a full and authoritative survey of the scholarly literature on the Roman poet Horace (65–8 BC), a central figure in Latin literature and Western culture, concentrating on the period since 1957. It begins with a brief survey of key resources, focusing especially on material available online, and then looks at the overall shape of Horace's poetic career. The main chapters cover Horace's works chronologically, dividing them into early, central and late periods and thus echoing the trajectory of his poetic career. The final two chapters look at the poet's style and its variations across different genres, and at the extensive reception of Horace's work in Western European literature. This is followed by a full bibliography.
Adaptations of Greek tragedy are increasingly claiming our attention as a dynamic way of engaging with a dramatic genre that flourished in Greece some twenty-five centuries ago but remains as vital as ever. In this volume, fifteen leading scholars and practitioners of the theatre systematically discuss contemporary adaptations of Greek tragedy and explore the challenges and rewards involved therein. Adopting a variety of methodologies, viewpoints and approaches, the volume offers surveys of recent developments in the field, engages with challenging theoretical issues, and shows how adapting Greek tragedy can throw new light on a range of contemporary issues ― from our relation to the classical past and our shifting perceptions of ethnic and cultural identities to the place, function and market-value of Greek drama in today's cultural industries. The volume will be welcomed by students and scholars in Classics, Theatre, Drama and Performance Studies, as well as by theatre practitioners.
This is a revised and updated version of the survey on Homer which the author originally published in 1996. It provides a wide variety of readers with a clear and detailed introduction to the Iliad and the Odyssey, and to the problems which arise in dating, contextualising and interpreting these two epics, which are among the earliest poetic texts to come down to us from the ancient Greek world. A substantial introductory chapter discusses the so-called Homeric Question, the question of the identity and origins of 'Homer'. Among the important topics considered are the debate over oral composition, the structure, plot and themes of the two epics, and the religious and ethical ideas which figure in the poems; also discussed are characterisation, speeches, similes, symbolism and irony. An extensive bibliography gives expert guidance on these and many other aspects of these extraordinary poems.
Recent scholarship has emphasised that ancient oratory was primarily a performance art. At Rome during the Republican period, public speaking was one of the most important ways in which politicians created support for themselves among the citizen body. The change of political system to a monarchy transformed the functions of oratory but left its importance as an elite skill intact. This New Survey offers an introduction to the topic, and the modern scholarship on it, which emphasises the fact that the occasions of speaking were prior to subsequent written texts. Without ignoring Cicero as the major surviving textual exemplar of a Roman orator, this book establishes a context for his achievement within the preoccupation with public speaking common to the Roman elite as a whole and considers what oratorical education and practice at Rome can say about wider norms of elite behaviour.
Greek Science, first published in 1999, is written for scientists, classicists, historians of science, and anyone with an interest in the beginnings of science. It surveys the range and scope of ancient work on topics now called science, at a lively pace and with colourful examples. It encompasses ancient empirical studies as well as theoretical works, the life sciences and the exact sciences, and is written by one of the foremost authorities on ancient science and technology. No knowledge of Greek, Latin, or ancient history is assumed.
The last forty years have brought about a transformation in the understanding of pagan Roman religion, rescuing it from the margins of the discipline and restoring its rituals and rhythms to their place at the centre of Roman life and literature. This book provides an up-to-date account of the religious history of Rome starting from its mythical origins, describing its character and development through the later Republican centuries and assessing the response of pagans to the coming of new religious forms during the centuries of Roman imperial rule. It places great emphasis on the fundamental difference between modern ideas of what a religion ought to be and the realities of ancient life. The book is designed to be accessible to all those approaching the subject for the first time, whether their interest is in the classical world or in comparing its religious forms with those of other times and places.
This survey of recent work on Herodotus, Thucydides, and Polybius focuses on new developments in the study of Greek historiography and synthesises some of the most important research from the last thirty years. There is a detailed treatment of each writer, with an emphasis on analysis of the historians' sources, their narrative methods, and their use of speeches. Also examined are the structure and themes of each man's work, together with consideration of the way each historian employs characterisation. The book provides a full bibliography of recent work done mainly (but not exclusively) in English, and suggests future directions that the study of these historians may take. It will be of interest to upper-level students and scholars who would like an overview of recent trends in the study both of the historians themselves and of ancient Greek historiography in general.
