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As powerful, pointed imitation, cultural mimesis can effect inclusion in a polity, threaten state legitimacy, or undo the originality upon which such legitimacy is based. In Mimesis and Empire , first published in 2001, Barbara Fuchs explores the intricate dynamics of imitation and contradistinction among early modern European powers in literary and historiographical texts from sixteenth- and early seventeenth-century Spain, Italy, England and the New World. The book considers a broad sweep of material, including European representations of New World subjects and of Islam, both portrayed as 'other' in contemporary texts. It supplements the transatlantic perspective on early modern imperialism with an awareness of the situation in the Mediterranean and considers problems of reading and literary transmission; imperial ideology and colonial identities; counterfeits and forgery; and piracy.

As powerful, pointed imitation, cultural mimesis can effect inclusion in a polity, threaten state legitimacy, or undo the originality upon which such legitimacy is based. In Mimesis and Empire , first published in 2001, Barbara Fuchs explores the intricate dynamics of imitation and contradistinction among early modern European powers in literary and historiographical texts from sixteenth- and early seventeenth-century Spain, Italy, England and the New World. The book considers a broad sweep of material, including European representations of New World subjects and of Islam, both portrayed as 'other' in contemporary texts. It supplements the transatlantic perspective on early modern imperialism with an awareness of the situation in the Mediterranean and considers problems of reading and literary transmission; imperial ideology and colonial identities; counterfeits and forgery; and piracy.

With its dominance as a European power and the explosion of its prose and dramatic writing, Spain provided an irresistible literary source for English writers of the early modern period. But the deep

Passing for Spain charts the intersections of identity, nation, and literary representation in early modern Spain. Barbara Fuchs analyzes the trope of passing in Don Quijote and other works by Cervant

In the Western imagination, Spain often evokes the colorful culture of al-Andalus, the Iberian region once ruled by Muslims. Tourist brochures inviting visitors to sunny and romantic Andalusia, home o

Offering one of the first scholarly examinations of digital and distanced performance since the global shutdown of theaters in March 2020, Barbara Fuchs provides both a record of the changes and a framework for thinking through theater's transformation.Though born of necessity, recent productions offer a new world of practice, from multi-platform plays on Zoom, WhatsApp, and Instagram, to enhancement via filters and augmented reality, to urban distanced theater that enlivens streetscapes and building courtyards. Based largely outside the commercial theater, these productions transcend geographic and financial barriers to access new audiences, while offering a lifeline to artists. This study charts how virtual theater puts pressure on existing assumptions and definitions, transforming the conditions of both theater-making and viewership. How are participatory, site-specific, or devised theater altered under physical-distancing requirements? How do digital productions blur the line

Often derided as an inferior form of literature, 'romance' as a literary mode or genre defies satisfactory definition, dividing critics, scholars and readers alike. This useful guidebook traces the my

Representing Imperial Rivalry in the Early Modern Mediterranean explores representations of national, racial, and religious identities within a region dominated by the clash of empires. Bringing toget

This Norton Critical Edition includes:• Five major early modern plays of the Spanish Empire—The Siege of Numantia, Fuenteovejuna, The Dog in the Manger, Life Is a Dream, and The Trials of a Noble Hous

The Fourth Edition of the most trusted and widely used anthology of world literature retains and expands the most popular works from the last edition, while refreshing the anthology with NEW selection

The Fourth Edition of the most trusted and widely used anthology of world literature retains and expands the most popular works from the last edition, while refreshing the anthology with NEW selection

The Fourth Edition of the most trusted and widely used anthology of world literature retains and expands the most popular works from the last edition, while refreshing the anthology with NEW selection

Best known today as the author of Don Quixote—one of the most beloved and widely read novels in the Western tradition—Miguel de Cervantes Saavedra (1547-1616) was a poet and a playwright as well. Afte

The Fourth Edition of the most trusted and widely used anthology of world literature retains and expands the most popular works from the last edition, while refreshing the anthology with NEW selection

The Fourth Edition of the most trusted and widely used anthology of world literature retains and expands the most popular works from the last edition, while refreshing the anthology with NEW selection

Faithfully translated into modern, accessible English, "The Abencerraje" and "Ozmin and Daraja" offer rich imaginings of life on the Christian-Muslim frontier and reveal early modern Spain's profound