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Containing the observations of Picasso at home and in company, this book is a record of the author's encounters with the artist and his family, friends and associates, from their first meeting in 1936

From first to last, Picasso’s prime subject was the human figure and portraiture remained a favourite genre. His earliest portraits were done from life and reveal a precocious ability to catch liken

Drawn from the private notebooks and correspondence of Roland Penrose, an intriguing firsthand account of the life and personality of Pablo Picasso.Published here for the first time, these lively writ

Features more than 400 items from the Gabrielle Keiller collection. Includes the work of Joan Miro Pablo Picasso, Dali, Henry Moore, Munch and Magritte.

From first to last, Picasso’s prime subject was the human figure and portraiture remained a favourite genre. His earliest portraits were done from life and reveal a precocious ability to catch likeness and suggest character and state of mind. By 1900 Picasso was producing portraits of astonishing variety and thereafter they reflected the full range of his innovative styles – symbolist, cubist, neoclassical, surrealist, expressionist. But however extreme his departure from representational conventions, Picasso never wholly abandoned drawing from the sitter or ceased producing portraits of classic beauty and naturalism. For all his radical originality, Picasso remained in constant dialogue with the art of the past and his portraits often alluded to canonical masterpieces, chosen for their appropriateness to the looks and personality of his subject. Treating favourite Old Masters as indecorously as his intimate friends, he enjoyed caricaturing them and indulging in fantasies about their s

Picasso: The Great War, Experimentation, and Change examines the work that Pablo Picasso made in Paris during the tumultuous years of World War I. Focusing on Picasso's oeuvre from 1912 to 1924, when

The great Spanish painter and sculptor Pablo Picasso (1881-1973) exhibited a lifelong fascination—some might say “obsession”—with the work and personality of French artist Edg

From his earliest years Pablo Picasso was a passionate student of the European painting tradition. He was naturally drawn to the Spanish masters Velázquez and Goya, but such figures as Rembrandt