'But I, while vineyards ring with the cicadas' scream,Retrace your steps, alone, beneath the burning sun.'Virgil's lyrical, wistful and often witty pastoral poems.Introducing Little Black Classics: 80
DAMOETAS Hold! not so ready with your jeers at men! We know who once, and in what shrine with you- The he-goats looked aside- the light nymphs laughed.
Aeneas flees the ashes of Troy to found the city of Rome and change forever the course of the Western world--as literature as well.??Virgil's Aeneid is as eternal as Rome itself, a sweeping epic of ar
ENDURING LITERATURE ILLUMINATED BY PRACTICAL SCHOLARSHIPVirgil's sweeping epic of Trojan warrior Aeneas and the founding of Rome -- a stirring tale of exile, heroism, and combat, and of a man caught
This volume and its companion volume devoted to the second half of the poem provide a detailed commentary, with text, on the whole of Virgil's Georgics. Professor Thomas describes this work as 'perhaps the most difficult, certainly the most controversial, poem in Roman literature'. He presents the Georgics as the finished poem of Virgil's mature years, approaching it not merely as a part of the tradition of didactic poetry, but rather as a work which confronts, behind its generic appearance, issues not essentially different from those which inform the Eclogues and Aeneid. His introduction and Commentary argue that Virgil's agricultural world, with its successes, failures and ultimate limitations, represents the arena for man's struggle with the realities of existence. Professor Thomas pays particular attention to Virgil's allusion to and reshaping of prior Greek and Latin poetry. The Introduction also covers stylistic, metrical and structural questions. A subject index and indexes of i
Book VIII is one of the most attractive and important books of Virgil's Aeneid. It includes the visit of Aaneas to the site of the future Rome, the story of Hercules and Cacus, the episode between Venus and Vulcan and the description of the great symbolic shield of Aeneas. Mr Gransden's introduction relates this book to the Aeneid as a whole considers the text in various aspects: the topography, Virgil's sense of history, his typology and symbolism, his literary style and his influence on subsequent vernacular poetry. The commentary discusses points of special interest and difficulty in interpretation, style and prosody and gives detailed explanation of the many allusions in Book VIII to customs, legends, traditions and historical events. This is primarily a textbook for university students and sixth-formers, but it also contains material which may be of interest to students of English and comparative literature.
Pastoral poetry was probably the creation of the Hellenistic poet Theocritus, and he was certainly its most distinguished exponent in Greek. Vergil not only transposed the spirit of Greek pastoral into an Italian setting, blending details from the life of his native countryside into the subsequent history of the genre. On publication the Eclogues won immediate acclaim and Vergil's reputation as a major poet was established. In this edition Robert Coleman describes the earlier pastoral tradition, sets Vergil's poems in historical perspective and evaluates the poet's distinctive contribution to the genre. In the commentary difficulties of interpretation are elucidated. Theocritean influences are examined in detail and points of interest in the language, style and subject-matter discussed. This is the fullest edition of the Eclogues to have appeared in any language and the first in English since the end of the nineteenth century. It is intended primarily for university students and sixth-
This volume, the second of two companion volumes which provide a detailed commentary, with text, on the whole of Virgil's Georgics, is devoted to Books III and IV of the poem. Professor Thomas describes the Georgics as 'perhaps the most difficult, certainly the most controversial, poem in Roman literature'. He presents the Georgics as the finished poem of Virgil's mature years, approaching it not merely as a part of the tradition of didactic poetry, but rather as a work which confronts, behind its generic appearance, issues not essentially different from those which inform the Eclogues and Aeneid. His introduction (in Volume 1 only) and Commentary argue that Virgil's agricultural world, with its successes, failures and ultimate limitations, represents the arena for man's struggle with the realities of existence. Professor Thomas pays particular attention to Virgil's allusion to and reshaping of prior Greek and Latin poetry. The Introduction also covers stylistic, metrical and structura
