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暢銷作家妮可金尼爾《再勇敢一點》系列相關作品內容簡介： 伊茲是隻焦慮的蜜蜂，和其他蜜蜂不同的是，她不會飛。她怕自己的翅膀不夠強壯，她的世界安穩卻也充滿限制。有一天，她選擇用走路的方式踏上尋找花朵的旅程，卻發現無論如何都沒辦法跨越一座巨大的湖泊……不知該如何是好的她，正好遇見一隻倒在草叢間的小鳥，小鳥想飛，卻不明白拍動翅膀的方法。小鳥請伊茲教他如何飛行，正當伊茲猶豫不決時，巨大的威脅緩緩靠近……究竟伊茲能否克服恐懼，順利飛向藍天呢？本書特色 ： ✦妮可金尼爾暢銷系列作品，獻給總是感到不安的孩子，學會與不安共處、強大心理素質與勇氣。✦畫風生動可愛、明亮繽紛，封面燙金、扉頁以蜂巢的六角形作為靈感，富有巧思。✦情節貼近真實生活，主角不是突然變勇敢，而是在嘗試中成長，讓容易緊張、敏感的孩子獲得共鳴。✦告訴孩子不需與他人比較，只要用自己的向前走，每一步的努力和發現都值得鼓勵。✦不僅能透過故事和孩子討論「情緒」，也能鼓勵孩子建立自信與勇氣，學習接納不完美的自己。*本書有注音延伸閱讀妮可金尼爾作品：《再勇敢一點》、《我可以玩嗎？》、《分享不分享》、《噓！安靜一點》、《我準備好了！》

Don't Worry, Bee Happy: An Acorn Book (Bumble and Bee #1)Bumble and Bee love to buzz around the pond and make mischief. Their cranky best friend Froggy prefers the peace and quiet of sitting on a lily

"We just want to show that friendships forged here are the real deal. Genuine. Built to last.That sort of thing. For the brochure. Do you mind?" Their school may be making them pose together for photos - but Minnie, Lena and Alice are not friends.And they have other things to worry about. Minnie - The Athlete: her whole life has been sport - but what if that's not all she wants her life to be? How do you even start to change your future all by yourself? Lena - The Princess: she has always resented being in Minnie's shadow - so when a freak accident changes all of her arch-rival's plans, Lena has a chance to become Queen Bee at last. But is ruling the school all she dreamed it would be? And then there's Alice - The Really Tall One: Alice has friends already, she's even got her eye on a potential crush - but she's also got a secret.And that secret is about to bound into all three girls' lives and change them forever. A deliciously funny, heart-warming novel about unlikely friendships and

Get ready to say goodnight in this sweet, sloth-themed twist on the classic nursery rhyme "Rock-a-Bye Baby"!Sweet, lazy sloth, snuggled up in a tree,Mama is with you, so don't you worry.

Ange Mlinko alchemizes art and life into a dazzling collection of poetry in Venice In Venice, Ange Mlinko dissolves the boundaries between the sublime and the ordinary, the mythic and the rational, the past and the present. She sees a Roman tablet, scratched with Greek script, in the waxen wings of a bouffant bee, and she thinks of the abyss between two airport terminals when considering Rodin's "Gates of Hell." From Naples, Italy, to its sister city on the Gulf of Mexico, or at home, in the glow of a computer screen ("I worry / that Zoom is ruled by djinn / that filter out the wavelength of love / and so I wear my evil eye jewelry / as you advised, against being too/much in view . . ."), Mlinko probes the etymologies and eccentricities of all she encounters. As Dan Chiasson wrote in The New Yorker, "Her extraordinary wit, monitoring its own excesses, is her compass." On her travels, Mlinko scrapes at the patina of the past and considers the line between destruction and preservation. S