Kathleen Wilson

Why did Britons get up a play wherever they went? Kathleen Wilson reveals how the performance of English theater and a theatricalized way of viewing the world shaped the geopolitics and culture of empire in the long eighteenth century. Ranging across the Atlantic, Indian and Pacific Oceans to encompass London, Kingston and Calcutta, Fort Marlborough in Sumatra, St. Helena and Port Jackson in New South Wales as well as London and provincial towns, she shows how Britons on the move transformed peripheries into historical stages where alternative collectivities were enacted, imagined and lived. Men and women of various ethnicities, classes and legal statuses produced and performed English theater in the world, helping to consolidate a national and imperial culture. The theater of empire also enabled non-British people to adapt or interpret English cultural tradition through their own performances, as Englishness became also a production of non-English peoples across the globe.

This pioneering collection of essays charts an exciting new field in British studies, 'the new imperial history'. Leading scholars from history, literature and cultural studies tackle problems of identity, modernity and difference in eighteenth-century Britain and the empire. They examine, from interdisciplinary perspectives, the reciprocal influences of empire and culture, the movements of peoples, practices and ideas effected by slavery, diaspora and British dominance, and ways in which subaltern, non-western and non-elite people shaped British power and knowledge. The essays move through Britain, America, India, Africa and the South Pacific in testament to the networks of people, commodities and entangled pasts forged by Britain's imperial adventures. Based on ground-breaking research, these analyses of the imperial dimensions of British culture and identities in global contexts will challenge the notion that empire was something that happened 'out there', and they demonstrate its l

This pioneering collection of essays charts an exciting new field in British studies, 'the new imperial history'. Leading scholars from history, literature and cultural studies tackle problems of identity, modernity and difference in eighteenth-century Britain and the empire. They examine, from interdisciplinary perspectives, the reciprocal influences of empire and culture, the movements of peoples, practices and ideas effected by slavery, diaspora and British dominance, and ways in which subaltern, non-western and non-elite people shaped British power and knowledge. The essays move through Britain, America, India, Africa and the South Pacific in testament to the networks of people, commodities and entangled pasts forged by Britain's imperial adventures. Based on ground-breaking research, these analyses of the imperial dimensions of British culture and identities in global contexts will challenge the notion that empire was something that happened 'out there', and they demonstrate its l

Rooted in a period of vigorous exploration and colonialism, The Island Race: Englishness, empire and gender in the eighteenth century is an innovative study of the issues of nation, gender and identit

Rooted in a period of vigorous exploration and colonialism, The Island Race: Englishness, empire and gender in the eighteenth century is an innovative study of the issues of nation, gender and identit

This book, first published in 1995, demonstrates the central role of the 'people', the empire, and the citizen in eighteenth-century English popular politics. Pioneering in its focus on provincial towns, its attention to the imperial contexts of urban politics and its use of a rich and diverse array of sources - from newspapers, prints and plays to pottery and tea-cloths - it shows how the wide-ranging political culture of English towns attuned ordinary men and women to the issues of state power and thus enabled them to stake their own claims in national and imperial affairs.

Includes entries for forty short stories containing biographical data, summary, character descriptions, themes, historical and cultural context, critical overview, critical excerpt, and an original cr

Includes entries for forty short stories containing biographical data, summary, character descriptions, themes, historical and cultural context, critical overview, critical excerpt, and an original cr