Lev Manovich

A book at the intersection of data science and media studies, presenting concepts and methods for computational analysis of cultural data. How can we see a billion images? What analytical methods can

Software has replaced a diverse array of physical, mechanical, and electronic technologies used before 21st century to create, store, distribute and interact with cultural artifacts. It has become our

Software has replaced a diverse array of physical, mechanical, and electronic technologies used before 21st century to create, store, distribute and interact with cultural artifacts. It has become our

Investigates the ways in which the shift from an industrial to information society has resulted in fresh aesthetic sensibilities and representations.

In this book Lev Manovich offers the first systematic and rigorous theory of new media. He places new media within the histories of visual and media cultures of the last few centuries. He discusses ne

What kind of cinema is appropriate for the age of Palm Pilot and Google? Automatic surveillance and self-guided missiles? Consumer profiling and CNN? To investigate this question, Lev Manovich, one o

Fascinated by the myth of the Russian avant-garde and scornful of official art, the West has been selective in its engagement with Russian visual culture. Yet how do contemporary Russian scholars and

"A magician who breathes new life into masterpieces with digital technology" - The Korea Times. The work of the South Korean artist, Lee Lee Nam, exists at a crossroads between tradition and modernit

Fascinated by the myth of the Russian avant-garde and scornful of official art, the West has been selective in its engagement with Russian visual culture. Yet how do contemporary Russian scholars and

An alternative history of software that places the liberal arts at the very center of software's evolution.In The Software Arts, Warren Sack offers an alternative history of computing that places the

Editors Marsha Kinder and Tara McPherson present an authoritative collection of essays on the continuing debates over medium specificity and the politics of the digital arts. Comparing the term ?trans

《藝術松》是財團法人數位藝術基金會《數位藝述》系列（2011年～2015年）精神的延續，作為台灣數位藝術相關知識生產的新園地。藉由台灣數位藝術中心的民間機構力量，創辦藝術松學校影音導讀、Podcast與期刊出版，引薦更多數位藝術的當代思潮。我們強調，數位藝術（或科技藝術、新媒體藝術）不單是科技創新，更不僅是科技展示，更重要的是藝術實踐與人文思潮的齊肩並進，讓實踐與理論、研究平衡發展，共築論述與實踐的共構平台。 秉持著以「解析創新科技對藝文創作之影響」為命題，承繼創刊號聚焦在討論「虛擬實境」（VR）對藝文創作的影響之後，藝術松第二期以「人工智慧」為核心主題，邀請國內外各方學者、專家與藝術家，針對「AI＋」的諸多現實應用情境深入的探究。本期內容廣泛地從哲學美學、理論論述、創作實踐、產業應用、關鍵字詞、藝術家訪談，以及國際趨勢切入，深入淺出地介紹AI與藝術創製展演之間的多重關係。 藝術松第二期以「人工智慧」為核心主題，邀請國內外各方學者、專家與藝術家，針對「AI＋」的諸多現實應用情境深入的探究。本期內容廣泛地從哲學美學、理論論述、創作實踐、產業應用、關鍵字詞、藝術家訪談，以及國際趨勢切入，深入淺出地介紹AI與藝術創製展演之間的多重關係。

Based on a comprehensive, large-sample empirical analysis, this book documents a fast and continuous deterioration, in the contribution, or relevance of financial information to investors’ d