《眼與心》(L’(Eil et l’Esprit)是梅洛龐蒂生前完成的最後著作。 在普羅旺斯鄉下離艾克斯(Aix)不遠的托洛內(Tholonet)住了兩三個月，他沉浸於這個具有濃厚深居氣息的地方，特別是日日得以樂享塞尚(Paul Cezanne)之眼曾經投注的景色，在此，他重新探問視覺，重新探問繪畫。他再一次尋求發端之語詞，譬如，那些能夠命名人類身體造化奇蹟的語詞、命名身體那無以解釋的生氣活力
"Painting does not imitate the world, but is a world of its own."In 1948, Maurice Merleau-Ponty wrote and delivered on French radio a series of seven lectures on the theme of perception. Translated he
"We need a philosophy of both history and spirit to deal with the problems we touch upon here. Yet we would be unduly rigorous if we were to wait for perfectly elaborated principles before speaking ph
The work that Maurice Merleau-Ponty planned to call The Prose of the World, or Introduction to the Prose of the World, was unfinished at the time of his death. The book was to constitute the first sec
First published in France In 1947, Merleau-Ponty's essay was in part a response to Arthur Koestler's novel, Darkness at Noon, and in a larger sense a contribution to the political and moral debates of
Original writings by Merleau-Ponty available only in this volume, including interviews, dialogues, and important texts, reflecting the variety of his thoughts from 1933 to 1960. This second edition in
First published in 1945, Maurice Merleau-Ponty’s monumental Phenomenologie de la perception signalled the arrival of a major new philosophical and intellectual voice in post-war Europe. Breaking with
First published in 1945, Maurice Merleau-Ponty’s monumental Phenomenologie de la perception signalled the arrival of a major new philosophical and intellectual voice in post-war Europe. Breaking with
The Visible and the Invisible contains the unfinished manuscript and working notes of the book Merleau-Ponty was writing when he died. The text is devoted to a critical examination of Kantian, Husserl
Merleau-Ponty was a pivotal figure in twentieth century French philosophy. He was responsible for bringing the phenomenological methods of the German philosophers - Husserl and Heidegger - to France a
Reprint of the Beacon Press (1969) translation of Merleau-Ponty's classic. Cited in Books for College Libraries, 3d ed. Annotation c. Book News, Inc., Portland, OR (booknews.com)
Challenging and rewarding in equal measure, Phenomenology of Perception is Merleau-Ponty's most famous work. Impressive in both scope and imagination, it uses the example of perception to return the b
Maurice Merleau-Ponty is one of the few major phenomenologists to engage extensively with empirical research in the sciences, and the only one to examine child psychology with rigor and in such depth.
Maurice Merleau-Ponty is one of the few major phenomenologists to engage extensively with empirical research in the sciences, and the only one to examine child psychology with rigor and in such depth.
'Painting does not imitate the world, but is a world of its own.'In 1948, Maurice Merleau-Ponty wrote and delivered on French radio a series of seven lectures on the theme of perception. Translated he
Combining Maurice Merleau-Ponty's 1960 course notes on Edmund Husserl's "The Origin of Geometry," his course summary, related texts, and critical essays, this collection offers a unique and welcome gl
'In simple prose Merleau-Ponty touches on his principle themes. He speaks about the body and the world, the coexistence of space and things, the unfortunate optimism of science – and also the in
Translations of Maurice Merleau-Ponty's (1908-61) resume and notes for his course (see volume title), which explores his notions of the relationship between Husserl and Heidegger; and three studies by
Of the three courses from 1956 to 1960, two are documented by a student, and one by Merleau-Ponty (1908-61) himself. He did not write out and prepare his lectures, but jotted down a few notes, so the
Institution and Passivity is based on course notes for classes taught at the Bibliotheque Nationale de Paris. Philosophically, this collection connects the issue of passive constitution of meaning wit
Institution and Passivity is based on course notes for classes taught at the Bibliotheque Nationale de Paris. Philosophically, this collection connects the issue of passive constitution of meaning wit
