Gio Sbriz

An anthology of vibrant new stories woven into the larger tapestry of the hit Netflix series! Discover the hidden stories from Hawkins, Indiana.On the surface, Hawkins, Indiana seems like the kind of town where nothing too out of the ordinary ever happens, but in the fall of ’83 two hunters head out into the woods with their rifles and a six-pack, and find themselves the prey of a nightmarish beast. When Barb Holland goes missing, Murray Bauman is on the case if only he can look past his own suspicious mind to solve the case. Robin Buckley’s school film project gives her a chance to work with her secret crush, but does it only make it harder to come to terms with her feelings? And when pumpkins start inexplicably rotting, the feud between two farm families reaches a boiling point.Joining Houser on her visit to Hawkins are artist Caio Filipe (Stranger Things: Summer Special, Nightwing), Sunando C (End After End), Giorgia Gio Esposito (Lunar Room, Dr. Who) colorist Dan Jackson (The Strai

Gio Ponti - architect, designer, art director, writer, poet, professor, and critic - was one of the most renowned protagonists of Italian architecture and design in the 20th century. Forty years after

Inventing ModernityThe godfather of Italian designItalian architect and designer Gio Ponti (1891–1979) is difficult to pin down. With an extraordinarily prolific output and eclectic style, his o

Between 1960 and 1965 Gio Ponti worked on the headquarters of the religious congregation Notre Dame de Sion, located on the Janiculum Hill in Rome. His contribution to the project has been unidentifie

Dancer, Nun, Ghost, Goddess explores the Tale of the Heike episode of the dancers Gio and Hotoke, which first appeared in the fourteenth century and went on to inspire, in often unpredictable ways, co

品名：炫風騎士 吉歐GIO材質：塑膠包裝規格：H200xW195xD65mm(測量有±2cm誤差值)數量：1組內容：可動人偶、模型機車，各1入保存期限：妥善保存無期限用途：娛樂、玩具使用使用方法：拆封即可使用適用年齡：六歲以上注意事項：●請勿放置於潮濕處或高溫日照下●請勿放置於幼兒易取處●請勿接近火源以及腐蝕性溶劑●內有細小配件，請勿放入口中，以免誤食●六歲以下兒童請在成人監護下使用●六歲以下兒童

Modernist quintessence: The birth of the International StyleOffering an unrivaled record of architecture and design, the “living diary” of domus was founded by Gio Ponti in 1928. Through t

The masters of Italian design from 1918 to today. A century of Italian interior design seen through the work of its central figures, from Gio Ponti to Franco Albini, from Carlo Mollino to Luigi Cacc

From the 1920s onwards, Milan has become a laboratory of architecture due to architects such as Giuseppe Terragni, Gio Ponti and Giuseppe Pagano. Magazines such as Domus and Casabella were founded in

This is the first complete translation of the biographies of fifteen artists, including Annibale Carracci, Caravaggio, Rubens, Van Dyck, and Poussin, written by the seventeenth-century antiquarian Gio

The first book on the interiors of sought-after architect Vincenzo De Cotiis collects more than a decade of the atelier's projects. Milan-based architect and artist Vincenzo De Cotiis premiered on Architectural Digest's AD100 list in 2021, confirming his studio's international cult renown. Originally known for interiors in which he strips centuries-old architecture of any later embellishments, creating a conversation between historic settings and his emphatically contemporary design, De Cotiis has since developed a vocabulary of rare stones and polished metals to create striking minimalist interiors for the world's tastemakers. Following in the footsteps of Italian maestros like Gio Ponti and Carlo Scarpa, De Cotiis works at the nexus of architecture, interiors, and furniture design, prizing top-level craftsmanship above all else. His creations are born out of an assembly of recovered materials and reflective, futuristic surfaces. Images by photographer Martin Morrell highlight the qui

How Brazilian postwar avant-garde artists updated modernism in a way that was radically at odds with European and North American art historical narratives. Brazilian avant-garde artists of the postwar era worked from a fundamental but productive out-of-jointness. They were modernist but distant from modernism. Europeans and North Americans may feel a similar displacement when viewing Brazilian avant-garde art; the unexpected familiarity of the works serves to make them unfamiliar. In Constructing an Avant-Garde, S廨gio Martins seizes on this uncanny obliqueness and uses it as the basis for a reconfigured account of the history of Brazil's avant-garde. His discussion covers not only widely renowned artists and groups--including H幨io Oiticica, Lygia Clark, Cildo Meireles, and neoconcretism--but also important artists and critics who are less well known outside Brazil, including M嫫io Pedrosa, Ferreira Gullar, Am璱car de Castro, Lu疄 Sacilotto, Antonio Dias, and Rubens Gerchman. Martins argue

本書是GIO華興控股集團聯合創始人、CEO葛小松多年投資管理經驗的總結之作，從多個角度論述了投資中的風險與機遇、未來投資的增長點和投資機會等內容，蘊含了作者對相關領域長期研究與探索后形成的獨特的行業觀點。全書分三大部分，共11章。*部分從大格局的角度對宏觀經濟與產業變遷方面進行了考量，助力讀者看清大勢、找準投資風口。第二部分從投資原則的角度對私募股權的投資邏輯進行了講述。第三部分用案例對金融業、智

Translation and commentary are often associated with institutions and patronage; but in Italy around the time of Dante, widespread vernacular translation was mostly on the spontaneous initiative of individuals. While Dante is usually the starting point for histories of vernacular translation in Europe, this book demonstrates that The Divine Comedy places itself in opposition to a vast vernacular literature already in circulation among its readers. Alison Cornish explores the anxiety of vernacularization as expressed by translators and contemporary authors, the prevalence of translation in religious experience, the role of scribal mediation, the influence of the Italian reception of French literature on that literature, and how translating into the vernacular became a project of nation-building only after its virtual demise during the Humanist period. Vernacular translation was a phenomenon with which all authors in thirteenth- and fourteenth-century Europe - from Brunetto Latini to Gio

Translation and commentary are often associated with institutions and patronage; but in Italy around the time of Dante, widespread vernacular translation was mostly on the spontaneous initiative of individuals. While Dante is usually the starting point for histories of vernacular translation in Europe, this book demonstrates that The Divine Comedy places itself in opposition to a vast vernacular literature already in circulation among its readers. Alison Cornish explores the anxiety of vernacularization as expressed by translators and contemporary authors, the prevalence of translation in religious experience, the role of scribal mediation, the influence of the Italian reception of French literature on that literature, and how translating into the vernacular became a project of nation-building only after its virtual demise during the Humanist period. Vernacular translation was a phenomenon with which all authors in thirteenth- and fourteenth-century Europe - from Brunetto Latini to Gio