The Other Transatlantic is attuned to the brief but historically significant moment in the postwar period between 1950 and 1970 when the trajectories of the Eastern European art scenes on the one hand
The International Art Exhibition for Palestine took place in Beirut in 1978 and mobilized international networks of artists in solidarity with anti-imperialist movements of the 1960s and ’70s. I
Published in conjunction with an exhibition that has traveled to the Museum of Modern Art in Warsaw from Berlin’s Haus der Kulturen der Welt, this volume takes as its starting point the realignment of
Thanks to its very nature, performance enters into natural dialogue with art, new media, politics, and the social sphere as a whole. Always happening in the here and now, and with a unique freedom and
A rebel and feminist, the Switzerland-born Miriam Cahn is one of the major artists of her generation. Widely known for her drawings and paintings, she also experiments with photography, moving images,
Zofia Kulik's rich artistic career has a dual nature. Between 1970 and 1987, she worked alongside Przemyslaw Kwiek as a member of the duo KwieKulik, after which she began to develop a successful indiv
One of Poland’s most important and independent postwar artists, Andrzej Wroblewski (1927?57) in his short life created his own highly individual, suggestive, and prolific form of abstract and figurati
In 1978, Zofia Rydet (1911–97) began work on a monumental project that would come to be known as her “Sociological Record”: photographing the people of Poland at their homes, she produced an extraordi
This catalog accompanies Edi Hila: Painter of Transformation, the first retrospective exhibition devoted to the Albanian painter Edi Hila, considered one of the last masters from Eastern Europe. Throu
This volume comprises a selection of texts and presentations from a seminar organized in Warsaw in 2008 by the Museum of Modern Art with art historian Claire Bishop that presented a comparative reflec
