With a new preface by the authorIrving Singer's trilogy The Nature of Love has been called "majestic" (New York Times Book Review), "monumental" (Boston Globe), "one of the major works of philosophy i
With a new preface by the authorIrving Singer's trilogy The Nature of Love has been called "majestic" (New York Times Book Review), "monumental" (Boston Globe), "one of the major works of philosophy i
With a new preface by the authorIrving Singer's trilogy The Nature of Love has been called "majestic" (New York Times Book Review), "monumental" (Boston Globe), "one of the major works of philosophy i
Film is the supreme medium for mythmaking. The gods and heroes of mythology are bothlarger than life and deeply human; they teach us about the world, and they tell us a good story.Similarly, our exper
The development of themes, motifs, and techniques in Bergman's films, from the first intimations in the early work to the consummate resolutions in the final movies.
In 1984 philosopher Irving Singer published the first volume of what would become a classic and much-acclaimed trilogy, The Nature of Love. In this new book, he maps the trajectory of his thinking on
Film is the supreme medium for mythmaking. The gods and heroes of mythology are bothlarger than life and deeply human; they teach us about the world, and they tell us a good story.Similarly, our exper
Reassesses the different visions of filmmakers Alfred Hitchcock, Orson Welles, and Jean Renoir, drawing on their writings and movies to reveal how they became sophisticated theorists on film and its p
In Reality Transformed Irving Singer offers a new approach to the philosophy of film.Returning to the classical debate between realists and formalists, he shows how the opposingpositions may be harmon
Known for their repeating motifs and signature tropes, the films of Ingmar Bergman also contain extensive variation and development. In these reflections on Bergman's artistry and thought, Irving Sing
Since the late 1960s film theory has been dominated by "grand theories" that examine motion pictures from a psychoanalytic, semiotic, or Marxist point of view. Irving Singer offers an approach to the
