This Chamber Music book is to be started when the pupil reaches page 24 of the Samuel Applebaum String Method. However, it can be used in conjunction with any good string method. Published for two vio
The Duets for Strings, Book 1 may be started when the pupil has reached page 9 of Book 1 of the String Builder. They may, however, be used in conjunction with Book 1 of any standard string class metho
Chamber Music for Two String Instruments, Book III is to be started when the pupil reaches page 5 of the Samuel Applebaum String Method, Book III. However, it can be used in conjunction with any other
A collection of pieces, for Cello that were selected for their melodic beauty and architectural simplicity, making them easy to learn by rote. They may be played as solos with piano accompaniment or p
Chamber Music for Two String Instruments, Book III is to be started when the pupil reaches page 5 of the Samuel Applebaum String Method, Book III. However, it can be used in conjunction with any other
Chamber Music for Two String Instruments, Book III is to be started when the pupil reaches page 5 of the Samuel Applebaum String Method, Book III. However, it can be used in conjunction with any other
This Chamber Music book is to be started when the pupil reaches page 24 of the Samuel Applebaum String Method. However, it can be used in conjunction with any good string method. Published for two vio
This Chamber Music book is to be started when the pupil reaches page 24 of the Samuel Applebaum String Method. However, it can be used in conjunction with any good string method. Published for two vio
The Duets for Strings, Book 2 may be started when the pupil has reached page 9 of Book 2 of the String Builder. They may, however, be used in conjunction with Book 2 of any standard string class metho
The Duets for Strings, Book 1 may be started when the pupil has reached page 9 of Book 1 of the String Builder. They may, however, be used in conjunction with Book 1 of any standard string class metho
The Duets for Strings, Book 2 may be started when the pupil has reached page 9 of Book 2 of the String Builder. They may, however, be used in conjunction with Book 2 of any standard string class metho
These solos, with piano accompaniment, can be used by individual players as well as for performance by groups. They have proven effective for recruiting string players in the public schools, and for s
These solos, with piano accompaniment, can be used by individual players as well as for performance by groups. They have proven effective for recruiting string players in the public schools, and for s
These solos, with piano accompaniment, can be used by individual players as well as for performance by groups. They have proven effective for recruiting string players in the public schools, and for s
The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and
First Position Etudes for Strings is written for the second year string class or string orchestra. The etudes are to be started when the string group reaches Page 10 in Volume I of the String Builder.
The Third and Fifth Position String Builder is to be used after Book 3 of the Belwin String Builder. However, it may also be used as a continuation of any the standard string class methods. In this bo
The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and
Scales for Strings is to be used as supplementary material for any string class method or as interesting training material for the development of a string orchestra. The series is available in two lev
The Second and Fourth Position String Builder is to be used after the Third and Fifth Position String Builder. However, it is also to be used as a continuation of Book III of any of the standard strin
The Second and Fourth Position String Builder is to be used after the Third and Fifth Position String Builder. However, it is also to be used as a continuation of Book III of any of the standard strin
The Second and Fourth Position String Builder is to be used after the Third and Fifth Position String Builder. However, it is also to be used as a continuation of Book III of any of the standard strin
Scales for Strings is to be used as supplementary material for any string class method or as interesting training material for the development of a string orchestra. The series is available in two lev
Strings Are Fun is made up of program pieces which are easy to play and are full-sounding, harmonized arrangements. It can be used throughout the first year of string instrument instruction. The notes
Scales for Strings is to be used as supplementary material for any string class method or as interesting training material for the development of a string orchestra. The series is available in two lev
The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and
Scales for Strings is to be used as supplementary material for any string class method or as interesting training material for the development of a string orchestra. The series is available in two lev
The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and
First Position Etudes for Strings is written for the second year string class or string orchestra. The etudes are to be started when the string group reaches Page 10 in Volume I of the String Builder.
The Second and Fourth Position String Builder is to be used after the Third and Fifth Position String Builder. However, it is also to be used as a continuation of Book III of any of the standard strin
The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and
The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, and
Scales for Strings is to be used as supplementary material for any string class method or as interesting training material for the development of a string orchestra. The series is available in two lev
The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, an
The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, an
The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, an
The study of string instruments should include ensemble playing at the earliest possible stage. There is much to be gained from the playing of duets. Each player learns how to listen to the other, an
