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This book provides a research-based account of how to teach and learn Chinese as a foreign language. In addition to the discussion of relevant second/foreign language research, this volume gives detai

Living in a crowded city need not mean uprooting one’s connection with Nature. Arthur van Langenberg takes the mystery out of city gardening. He shows, in down-to-earth terms, how it is possible to co

Talk Mandarin Today is a practical guide for beginners learning Mandarin Chinese as a second language. With the busy reader in mind, each lesson aims to bring fast acquaintance to certain basic of the

Although it is over 60 years since Hong Kong was liberated from the Japanese, numerous important questions regarding the Far Eastern war and occupation of the Colony from 1941 to 1945 have not been ex

According to the statistics from the Hong Kong Police, around 6000 juveniles (aged 7 to 15) were arrested each year in the last ten years. Although not all these young people arrested were convicted a

Many Chinese learners find it difficult to learn English words: they are difficult to spell and say, change forms from noun to adjective to verb, have multiple meanings and are tricky to remember. Thi

There has been intense interest in the proposals to implement Article 23, both in Hong Kong and abroad. This book will be valuable to anyone who has followed or participated in that debate or has an i

The book aims to develop competence in advanced Chinese particularly on business content. In contrast to the normal practice that language is taught in isolation from substantive content, Business Chi

A Guide to Proper Usage of Spoken Chinese is intended as a companion reference work to Chinese textbooks for beginners. Over 200 points of grammar and vocabulary which frequently present difficulties

This is an autobiography of a woman of unusual strength and determination who grew up in 1930s' Shanghai. Born to a traditional family of China's scholar-official class, she endured incredible sufferi

This book is a sequel to Education in Hong Kong, Pre-1841 to 1941: Fact and Opinion (Hong Kong University Press, 1990).It provides comprehensive coverage of developments in formal and informal educati

This book traces the history of English education in the People's Republic of China from 1949 to the present day. It uses the junior secondary school curriculum as the means to examine how English cur

For foreign business to succeed in China, it needs to be better informed of the challenges that China is faced with today. China was a centrally planned economy with very little international ties onl

This field guide is a companion publication of Hong Kong Mangroves. It serves three purposes: 1. To provide maps indicating where mangrove plants and animals can be found. 2. To provide teachers, stud

This book is written by practitioners and experts with day to day experience to support the work of managers, engineers and administrators in the protection of the environment. The current terminology

Guangdong, capitalizing on its traditional role as China's gateway to the outside world and its proximity to Hong Kong and Macau, has witnessed momentous and fundamental changes since 1978. The provin

This book proposes a framework to analyse industrial restructuring. It explains industrial restructuring as a defensive counteraction to structural contradictions in production which leads to a deepen

The book is directed specifically at Chinese people who want to write good English. Problems special to Chinese people are dealt with in detail. It also contains a list of short, simple rules about wr

The work touches on the religious, intellectual, scientific and artistic aspects of the China-Europe encounter during the sixteenth to eighteenth centuries, and shows that there had been significant i

Simply keeping the mind clear and calm was, for many post-Tang Daoists, the path to eternal life and freedom. Through sheer serenity, practitioners believed they could attain immunity to hunger, eliminate sexual function, suspend breath and pulse, engage in astral travel, and command spirits and natural forces.In his meticulously researched study, Stephen Eskildsen examines how this perspective informed Daoist internal alchemists after the Tang dynasty (618–907), including prominent representatives of the Quanzhen tradition in the north and the Nanzong in the south. Drawing on a wide array of textual sources, he analyzes the teachings of figures like Qiu Chuji (1143–1227), Yin Zhiping (1169–1251), Zhang Boduan (ca. 984–1082), Bai Yuchan (1194– 1229), Li Daochun (fl. 1288–1292), Yu Yan (ca. 1253–1314), and Wu Shouyang (1574–after 1641), among others. These adepts emphasized passive, straightforward methods that they believed gave rise to spontaneous psychic, sensory, and physiological p

In 2018, authorities in Hong Kong seized a shipment from smugglers that contained 88 dead pangolins. Where did these animals come from, and why were they killed? Where were they going? Who was responsible? In classic true crime fashion, the book examines evidence, suspects, and legal perspectives related to this specific case and, through it, the plight of pangolins globally. The chapters detail the lives and natural history of pangolins across Africa and Asia while exploring clues that may reveal who is responsible for the endangerment of the species. The book also explores speculation surrounding the possible role of pangolins in the emergence of COVID-19 and, more broadly, the relationship between wildlife trade and zoonotic disease. The resulting tale is one of conservation researchers, public health experts, and global organizations across Asia, Africa, North America, and Europe fighting to create a world in which pangolins can thrive again.

How can we best serve the interest of a family member who becomes mentally incapacitated because of ageing? How can parents of children with autism or Down syndrome arrange their affairs so their chil

萌Q小熊貓帶你探索香港——好玩、好讀、好驚喜！翻一翻，推一推，香港就在眼前！中英對照，寓教於樂，邊玩邊學香港地標！一本書，滿載互動機關，孩子最愛！出發！走一趟香港旅程！香港是一個充滿活力的美麗城市，中西文化之薈萃令這裏更多姿多彩！高樓林立的天際大厦和大自然山徑的風景、標誌性的維多利亞港、蔚藍的天空、碧綠的海水，使香港風景如畫，格外迷人。 Let’s go! Embark on your journey to Hong Kong!Hong Kong is a beautiful city full of vibrancy, where the blend of Eastern and Western cultures makes it even more colourful and diverse! The impressive skyscrapers, the scenery of mountain trails, the iconic Victoria Harbour, the clear sky and the surrounding blue sea, all make Hong Kong incredibly attractive and scenic.

Zhao Hai Tien’s creative explorations are characterized by the diversity of media in her work—from airbrush on glass and acrylic on canvas to calligraphic experiments, large-scale public murals and oil paintings. Her practice blends technical precision with expressive freedom and spiritual influences. Over more than three decades of Buddhist and Taoist study—and twenty-four years under the guidance of a respected qigong master—Hai Tien’s work has shifted from contemplative, figurative compositions to liberated, spiritually resonant expressions that capture the flow of energy and inner awareness in vibrant, form-defying strokes.Her first solo show, Recent Works of Hai Tien, opened at the Alliance Française in Hong Kong (1972), launching a sustained presence in the local art scene, and leading to solo exhibitions in Hong Kong, Shanghai, and Berlin. Her work was also presented in prestigious group exhibitions across Asia, including the First Hong Kong Biennale (1971). Her most notable pub

Travels and Revelations: 23 Essays by Zhang Chengzhi is aboutcultures which the author knows intimately.With sophisticated sensibility, he describes the tangible cultures of Beijing, Inner Mongolia, Gansu, Ningxia and Xinjiang in recent decades– the landscapes and cityscapes, the roads and waterways, the rural and urban dwellings, the working and living habits, and the outstanding symbols and totems.Like a traveller pausing before stunning scenery– the Mongolian grasslands, the yellow-earth plateaus, the Yellow River’s mighty gorges– he reflects on the intangible cultures that have made the Han, the Hui, the Mongolian and the Uyghur peoples who they are, and contemplates on their language usages, socio-political dilemmas, philosophical traditions, beliefs and biases and their religious aspirations.These essays show how deeply Zhang Chengzhi understands modern China’s painful evolution through war and revolution and how deeply he is attached to his Hui–Muslim roots. They also show his b

A groundbreaking exploration of justice, democracy and Islamophobia, inviting us to reconsider our assumptions and build a more equitable future.Change has run amok! Technology advances by the minute, and much of what we think we know about the world fades in front of our eyes. How we are, how we know, how we live our daily lives—all shifting quicker than we can cope with.Anwar Ibrahim, Malaysia’s tenth Prime Minister, asks how we might rethink ourselves for these confusing, uncertain and volatile times, and shape fairer, more sustainable futures. Anwar’s passion is rooted in experience: he spent, in total, over a decade behind bars after three separate miscarriages of justice, from his days as a student activist to his time as Leader of the Opposition.Alongside reflections on his time in prison are critical investigations into truth, justice, post-colonialism, Islamophobia, democracy and global order. Anwar assembles ideas from East and West, North and South, to explore how we can cre

Ikat Textiles of Timor offers an in-depth overview of regional textile styles from both West and East Timor, while also contributing significant new insights into their design traditions. In academic literature, the ikated men’s wraps from Timor have long been described as symmetrical. However, Dr Peter ten Hoopen’s examination of early examples from museums and private collections reveals that, historically, two thirds of these textiles were actually asymmetrical. This discovery challenges an academic consensus that has persisted since 1912, and highlights a previously overlooked level of creative ingenuity—inviting greater admiration for the women who wove these complex designs.Today’s ikat weavers on Timor, like many foreign scholars before them, seem unaware that asymmetry was once a dominant design principle. Many continue to assert that perfect symmetry has always been the tradition. Yet the historical textiles tell a different story. Ten Hoopen’s groundbreaking findings justify

Why were so many Buddhist grottoes carved across China, and what do they tell us about the history of Chinese art?Grotto Art of China: A Sourcebook traces the origins of this unique art form from the Indian subcontinent to its monumental flowering across Asia and into China.This volume brings together contributions from leading international scholars, providing systematic studies of major grotto complexes—including Mogao, Yungang, Longmen, Gongxian, Xiangtangshan, and Tianlongshan—alongside crucial, lesser-known regional sites in Gansu, Shandong, Shaanxi, Sichuan, Tibet, and Xinjiang.Organized geographically, the book explores these sacred sites as mediums of devotion, political expression, and cultural exchange, covering topics such as imperial patronage, distinctive artistic styles, and the ways these resilient sites preserve vital information otherwise lost to history.An essential reference for students, scholars, and informed travelers, it offers deep insight into the spiritual and

History remembers Du Fu (712–70) as the Confucian poet-sage, but why would he abandon his official post to wander the remote fringes of the Tang empire? This exploration of Du Fu’s late wanderings reveals the restless spiritual and intellectual journey that mirrored his seemingly directionless, perplexing physical travels. Moving beyond traditional portrayals, it uncovers a complex figure torn between north and south, service and retreat, and the truths of the Three Teachings.A close reading of the poems from his last, prolific decade follows Du Fu as he confronts the brilliance and collapse of his dynasty, transforming all he experienced into poetry that became both his autobiography and his apology. Through his verse, a man who refused to settle for a single answer emerges, one whose constant wavering was a part of his greatness and ultimately redefined the possibilities of Chinese poetry.

The rulers of the Ming dynasty enacted paradigms of hierarchical order. Like imperial families, households, and courts in earlier Chinese dynasties, they articulated patriarchal, patrilineal, and patrilocal organizational principles as exemplars for families and institutions throughout the empire. Women made indispensable contributions to the development of these paradigms and principles and to the social, cultural, and political fabric of the family and the state. And yet, in the existing literature in Chinese and English women are often burdened with stereotypes, positioned as peripheral, or rendered almost invisible.Reading available texts “against the grain,” and drawing on a trove of evidence from material culture, Soulliere shows how women defined a place for themselves in the multigenerational Ming imperial family, imperial household, and court. The Empress and the Dragon Throne spans the first Ming century from just before the founding of the dynasty in 1368 to the end of the T

In The Heart Sūtra: Revisiting Its Texts, History, and Meaning, Henry C. H. Shiu investigates the historical origins of the Heart Sūtra, a significant Buddhist scripture. He compares the Sanskrit texts with their Chinese and Tibetan translations to analyse whether the Heart Sūtra might be a Chinese apocryphon, through detailed linguistic examination. To achieve this goal, Shiu thoroughly examines the primary source from which the scripture was extracted. He emphasises the necessity of reading the Heart Sūtra in the larger context of the Perfection of Wisdom literature, which contains the essence of Mahāyāna Buddhist teaching. In this monograph, Shiu successfully transcends the boundaries between the Chinese, Indian and Tibetan Buddhist traditions and provides a revisionist interpretation of the Heart Sūtra.

Sustaining Landscapes: Governance and Ecology in Chinese Visual Culture, 960–1368 CE examines ecological thought contested amid the rise of the Chinese landscape genre, tracing its intersections with infrastructure governance, natural resource management, and geospatial knowledge. It traces the pre-industrial notion of “sustainability” in policy debates, legal regulations, and arts. Landscape imagery on paintings, maps, as well as mass-produced artifacts such as fans and ceramic pillows documented both appropriate and exploitative use of natural resources, and critiqued on social inequity and political turmoil. This book breaks new ground by bringing together research on visual and material culture with analysis of politics and ecology. Wang argues that the Chinese landscape genre embodied a holistic approach to negotiating debates on human-nature interdependence and people-state relationships. It joins the increasing literature on ecocriticism and offers alternative perspectives to ad

Told through a little girl’s keen and often amused observation, AN INCH OF TIME gives a truthful, pleasant picture of daily life in Hong Kong in the post-war years. This first-hand account of the kind of home and school education received by many middle-class local Hong Kong children decades ago contains reminiscences about aspects of life-style, customs and traditions – both eastern and western – which average Hongkongers lived by in the 1940s and ‘50s. This memoir is set in a specific locality, the Happy Valley district of Hong Kong Island, home for over a century to the famous Jockey Club race-course.

The number 8 plays a crucial role in mythology. In Asian art this can be seen in the 8 trigrams of the I Ching, the 8 Immortals, the 8 Buddhist symbols and the 8 Auspicious symbols. These interrelated elements are often depicted as a group of 8 in the form of a serial narrative, which are supplemented by motifs of pairs, figures or scenes from stories, landscapes, plants, flowers, animals, ornaments and symbols.To illustrate this point, nine objects—each consisting of eight sections or eight motifs—were selected from the UMAG collection. The items, including an eight-part panel with silk painting, each demonstrate the diversity and richness of serial narratives in Chinese art and craftsmanship. In addition to the narrative structure, these eight-part objects can be understood as components of superordinate systems. In the microcosm of their diverse details, they refer to the macrocosm of mythology, which results in a network of relationships that continuously refer back to one another.

The Global South – both as a concept and loosely defined collection of countries – has gained increasing traction in public and policy discourse. The ten BRICS+ countries are increasingly big players in economics, trade, and finance, as well as on geopolitical matters, climate change, and in multilateral institutions.Since its expansion to include five new countries, questions have arisen over the tenability and coherence of the grouping, as well as the extent to which divergences can be managed. Many non-BRICS+ nations and observers question whether BRICS+ can counterbalance the G7 countries. Though the impact of the BRICS+ as a geopolitical force remains to be seen, understanding BRICS+ is vital for policymakers and businesses across the world.Amid the growing role these powers play across the globe, academics must examine the past, present, and future of the BRICS+ countries. This compendium draws upon scholars across numerous continents, spheres, and disciplines, examining the futu

This year (2025), on the 50th anniversary of my public service starting as an Administrative Officer in the Hong Kong Government and morphing into a politician, after many twists and turns, I am pleased to publish the ninth edition of my series of books entitled “Regina’s English Works for You”.The articles collected in this year’s “Regina’s English Works for You 9” fall under three broad areas: “Hong Kong’s Recovery and Resurgence” after our re-opening in early 2023, “Opportunities in the Greater Bay Area”, and “Emerging Rivalry between the East and the West”. The articles are a reflection of the global trends reshaping the world and life in Hong Kong. I hope readers can glean from these pieces some insight about the way the world is heading, and how we should position ourselves in a world transformed by “changes unseen in a hundred years”.I hope you will enjoy reading these fairly short and readable pieces and, in the process, learn one or two new things about mastering the English

Collected and Curated introduces Chinese art and material culture through the items from the permanent collection of The University Museum and Art Gallery (UMAG), The University of Hong Kong. As the oldest continuously operating museum in Hong Kong, UMAG serves as a significant venue for contemporary art exhibitions, and excels at collecting, documenting and teaching about local and regional artists and art forms, while fostering ongoing and new relationships. Regarded as an essential teaching resource, UMAG has expanded its collection and programming through generous donations from patrons and artists, along with support from the University of Hong Kong and the HKU Museum Society. Since 1953, curators and educators have leveraged this assistance to expand, display and teach with a collection that highlights artefacts ranging from Neolithic cultures (ca. 6500 BCE–ca. 1900 BCE) to the early kingdoms and dynasties of imperial China (ca. 1500 BCE–1911). UMAG has also gained a reputation f

ranscending the rise and fall of dynasties, tracing the growth and formation of Chinese civilization through the currents of history.This book is an unusual excursion into Chinese cultural history. Professor Cho-yun Hsu moves beyond accounts that focus solely on the internal evolution of Chinese culture. He revisits early Chinese civilization, integrating recent archaeological discoveries to reshape our understanding of its development. Employing a big history perspective, Hsu reconstructs the dynamic interplay of diverse ethnic groups and cultures within and beyond China, highlighting the constant friction and fusion that shaped its trajectory.This insightful work reveals why Chinese civilization has endured despite numerous internal and external hardships and turmoils. It offers a nuanced and thought-provoking perspective on China’s past and its relevance to the present. --------------------------------------------------------------------------------------------------------------

New Release DiscountWe are pleased to offer a 20% discount at CUP website for Posters of 798, on or before 30 September, 2025千禧年伊始，幾個藝術家和畫廊進駐北京東北部廢舊閒置的798廠房，發起「再造798」 等一系列藝術活動，推動了中國當代藝術公共化、市場化的進程。短短數年間，吸引了大批藝術家和畫廊經營者進駐798，使其迅速蛻變為成國際矚目的文化創意產業園，在2008年北京奧運會期間達到發展頂峰。在經歷狂飆式發展和國際金融危機後，2012年後的中國藝術市場逐漸衰退。期間798也發生了歷史性的轉變，成為北京新地標。可以說，北京798藝術區見證了中國當代藝術從突飛猛進式發展，到市場衰退的全過程。本書彙集798黃金十年間（2002–2012）六十餘家藝術機構的近千張活動海報，作者亦對十六位藝術家、策展人和畫廊經營者進行深入訪談，提供了這段歷史的珍貴圖像與口述見證。The 798 Art District, born out of the repurposing of abandoned factory buildings in northeastern Beijing, became a symbol of China’s booming contemporary art scene in the early twenty-first century. Initiatives such as “Reconstruction 798” spurred the development of the art district, creating a public, market-driven hub of contemporary art that reached its zenith around the time of 2008 Beijing Olympics. This book documents 798’s remarkable pioneering decade between 2002 and 2012, capturing the art district’s heyday, as well as its subsequent decl

This publication, and the accompanying exhibition, presents the vital contributions of two of Japan's most remarkable artists, Kurosaki Akira and Nakabayashi Tadayoshi, who participated in and influenced the twentieth-century renaissance of printmaking in Japan. This cultural phenomenon grew as the artists underwent rigorous training while maintaining a robust interest in traditional printing methods, such as the world-renowned woodblock technique. Coupled with their innovative experimentation, the two printers spearheaded a revival that expanded upon established printing techniques. The unusual juxtaposition of two contemporary artists emphasises both Kurosaki and Nakabayashi's masterpieces and their individual contributions to the ongoing development of Japanese printmaking. This pairing also highlights the distinctiveness, cultural relevance and novelty of their work. Both born in 1937 and similarly trained, Kurosaki and Nakabayashi pursued different topics and employed dis