Bloomsbury Academic UK

Explore the Stories Behind the LegendsThe 1990s and early 2000s were a time of intense change and experimentation for Marvel Comics. Out of this emergedThe Ultimates—a comic that would have an explosive impact on Marvel and the broader pop culture landscape.Writer Mark Millar, with artists Bryan Hitch, Andrew Currie, and Paul Neary, reimagined the classic characters that made up Marvel’s premiere super hero team, the Avengers. Looking at them through a modern, post-9/11 lens, the creators treated the characters as super soldiers who reported to the US government.Illustrated with full-color art, Ted Adam’s entry inThe Marvel Age of Comicstakes readers through Marvel of the ‘90s: the Marvel Knights imprint, the creation of the Ultimate universe with Spider-Man and the X-Men, and finally the Ultimates themselves. With its unique blend of grounded realism and over-the-top action,The Ultimatesensured that comic books and pop culture would never be the same.

In Frank Miller and David Mazzucchelli’s Daredevil: Born Again, the comic’s titular hero has his life destroyed after his most menacing enemy learns his real identity. His attempts to rebuild his life and sanity result in one of the most gripping and impactful super hero storylines of all time. Released in 1986, the storyline is an extraordinary exploration of what happens when a hero’s identity is revealed, and his personal life completely annihilated. We see Daredevil reduced to the lowest depths in the character’s history, but we also follow his painstaking path toward redemption.This entry in MARVEL AGE OF COMICS explores Daredevil: Born Again’s gorgeous and unique artwork, the lasting impact of its story and art, and how it forever changed the ways super hero characters and their secret identities have functioned.

The Avengers was the comic book of the 1970s. From Civil Rights to Women’s Lib, battles for the soul of America became battles between super heroes. Writer Stan Lee and artist Jack Kirby co-created the all-star group of six super heroes in September 1963. From there, just three main writers chronicled Earth’s Mightiest Heroes in that most turbulent of decades: Roy Thomas, Steve Englehart, and Jim Shooter, each with differing approaches. The Avengers quickly became the pivot around which the Marvel Universe turned. To look back through its issues is to get a crash course in ’70s pop culture. Illustrated with full-color art from this legendary run, Paul Cornell’s entry in the MARVEL AGE OF COMICS series explores how the Mighty Avengers became icons during a time of immense change and upheaval.

Doctor Strange, one of Marvel’s most fascinating early characters, began at the hands of co-creators Stan Lee and Steve Ditko, and his ethereal voyages through other dimensions made him an important figure in 1960s culture.From his first appearance in 1963, Strange captivated a wide range of readers. Over his first ten years, a succession of writers and artists—including Roy Thomas, Gene Colan, Gardner F. Fox, P. Craig Russell, Marie Severin, and notably Steve Englehart and Frank Brunner—expanded on Ditko’s original mind-bending concepts.This entry in the MARVEL AGE OF COMICS explores Strange’s changing roles as a mystic, super hero, and leader of a chaotic team called the Defenders, and the rise of his popularity, in parallel with the counterculture of the 1960s.

This commentary covers all topics and critical aspects elicited by the new European General Data Protection Regulation and its interpretation. The commentary focuses on the regulation itself, including cross-references to further provisions (eg the Police and Criminal Justice Data Protection Directive, the E-Privacy-Directive or the former Data Protection Directive 95/46/EC).Article by article the purpose of a provision is classified, its background, function and structure analysed and its content interpreted. The commentary provides an independent view of all topics, presenting both an overview and specific interpretation that provide far-reaching arguments.The editors and authors are outstanding experts in the field of data protection law well known for their practical as well as structured and thorough approach to data protection issues. They offer suitable solutions and sound arguments especially for international companies, legal councils and corporate lawyers as well as data prot

An Introduction to Global Media for the Twenty-First Century provides a thorough introduction to the field of global media today. The book presents the key changes taking place as the global media landscape evolves, and the main theories of the field, that explain these developments.Tracing, first, the formative development of an international and global media landscape throughout the 20th century from the telegraph, television and film export, and transnational television to the Internet, the book then focuses on developments in the 21st century. This includes: the digitization of the global media and communications sector; the popularization of the Internet and digital infrastructure such as the smartphone and platforms; the emergence of global online media and services; the production and distribution of digital media content; and the exploitation of user data. Case studies illustrate key developments throughout the book.The book shows how the field is characterized by a continuity

Czechoslovakia, Yugoslavia―no longer on the map. East Europe of the socialist period may seem like a historical oddity, apparently so different from everything before and after. Yet the masterpieces of literature and cinema from this largely forgotten “Second World,” as well as by the authors formed in it and working in its aftermath, surprise and delight with their contemporary resonance. This book introduces and illuminates a number of these works. It explores how their aesthetic ingenuity discovers ways of engaging existential and universal predicaments, such as how one may survive in the world of victimizations, or imagine a good city, or broach the human boundaries to live as a plant. Like true classics of world art, these novels, stories, and films―to rephrase Bohumil Hrabal―keep “telling us things about ourselves we don’t know.” In lively and jargon-free prose, Gordana P. Crnkovic builds on her rich teaching experience to create paths to these works and reveal how they changed

Ashlee Quosigk explores the diversity of opinions within the largest religious group in the US – Evangelical Christians – on the topic of Islam. Evangelicals are often characterized as monolithically antagonistic toward Muslims. This book challenges that stereotype, exposing the sharp divides that exist among Evangelicals on Islam and examines why there is division. Drawing on qualitative research on two congregations in the US, as well as on popular Evangelical leaders, this book details the surprisingly diverse views Evangelicals hold on Muhammad, the Qur’an, interfaith dialogue, syncretism, and politics. This research is invaluable for providing a better understanding of what Evangelicals think, and why. This book also offers insight into why conflict exists and why Evangelicals differ, while advancing culture war theory and qualitative methods. Specifically, it explores differences in moral authority (assumptions that guide one’s perceptions of the world) among Evangelicals and exp

From the paving of the Los Angeles River in 1938 and the creation of the G.I. Bill in 1944, to the construction of the Interstate Highway System during the late 1950s and the brownstoning movement of the 1970s, throughout the mid-20th-century the United States saw a wave of changes that had an enduring impact on the development of urban spaces. Focusing on the relationship between processes of demolition and restoration as they have shaped the modern built environment, and the processes by which memory is constructed, hidden, or remade in the literary text, this book explores the ways in which history becomes entangled with the urban space in which it plays out. Alice Levick takes stock of this history, both in the form of its externalised, concretised manifestation and its more symbolic representation, as depicted in the mid-20th-century work of a selection of American writers. Calling upon access to archival material and interviews with New York academics, authors, local historians a

Concentrating on the shifting boundaries and definition of art, Richard Kalina offers a panoramic view of the contemporary art scene over the last 30 years. His focus is on the ongoing development of concepts, the transformation of art worlds and the social matrices in which they are created.Discussing painting in general and abstract painting in particular, his survey takes in photorealism, sculpture and art forms found outside of the modernist tradition. Kalina's group of artists includes Mel Bochner, Joan Mitchell, Cy Twombly, Franz West, and Alma Thomas who, in their ongoing projects, explicitly or implicitly questioned the aesthetic assumptions of their times. Merging an examination of animating philosophies and context - political, social, and personal - with a sharply focused look at the works of art themselves, Kalina brings us closer to understanding the social matrices in which art is embedded and responds to bigger questions about the object nature of the work of art in toda

Language and Decoloniality in Higher Education brings together a collection of diverse papers that address, from various angles, the issue of decoloniality, language and transformation in higher education. It reflects the authors’ cumulative years of experience as educators in higher education in different southern contexts. Distilled as case studies, the authors use a range of decolonial lenses to reflect on questions of knowledge, language and learning, and to build a reflexive praxis of decoloniality through multilingualism. Besides a number of decolonial persepectives which readers will be familiar with, this volume also explores a conceptual framework, Linguistic Citizenship , developed over the past two decades by scholars in southern Africa. In this collection, Linguistic Citizenship is used as a lens to ‘think beyond’ the inherited colonial matrices of language which have shaped this region (and many other southern contexts) for centuries, and to ‘re-imagine’ multilingualism

Uniting analytic philosophy with Buddhist, Indian, and Chinese traditions, this collection marks the first systematic cross-cultural examination of one of philosophy of mind's most fascinating questions: can consciousness be conceived as metaphysically fundamental? Engaging in debates concerning consciousness and ultimate reality, emergence and mental causation, realism, idealism, panpsychism, and illusionism, it understands problems through the philosophies of East and South-East Asia, in particular Buddhism and Vedanta. Each section focuses on a specific aspect or theory of consciousness, and examines a particular subject from different disciplinary perspectives including philosophy, psychology, and cognitive science. These different angles allows readers to gain insight into the intellectual challenges and problems of the study of consciousness and its place in the thought traditions of both Eastern and Western philosophy. Raising new questions, it provides a more global and holis

The gods have much to tell us about performance. When human actors portray deities onstage, such divine epiphanies reveal not only the complexities of mortals playing gods but also the nature of theatrical spectacle itself. The very impossibility of rendering the gods in all their divine splendor in a truly convincing way lies at the intersection of divine power and the power of the theater. This book pursues these dynamics on the stages of ancient Athens and Rome as well on those of Renaissance England to shed new light on theatrical performance. The authors reveal how gods appear onstage both to astound and to dramatize the very machinations by which theatrical performance operates. Offering an array of case studies featuring both canonical and lesser-studied texts, this volume discusses work of Aeschylus, Sophocles, Euripides, Aristophanes, and Plautus as well as Beaumont, Heywood, Jonson, Marlowe, and Shakespeare.This book uniquely brings together the joint perspectives of two expe

This book explores ancient efforts to explain the scientific, philosophical, and spiritual aspects of water. From the ancient point of view, we investigate many questions including: How does water help shape the world? What is the nature of the ocean? What causes watery weather, including superstorms and snow? How does water affect health, as a vector of disease or of healing? What is the nature of deep-sea-creatures (including sea monsters)? What spiritual forces can protect those who must travel on water? This first complete study of water in the ancient imagination makes a major contribution to classics, geography, hydrology and the history of science alike.Water is an essential resource that affects every aspect of human life, and its metamorphic properties gave license to the ancient imagination to perceive watery phenomena as the product of visible and invisible forces. As such, it was a source of great curiosity for the Greeks and Romans who sought to control the natural world b

Through her formally innovative and psychologically insightful short stories, Katherine Mansfield is increasingly recognised as one of the central figures in early 20th-century modernism. Bringing together leading and emerging scholars and covering her complete body of work, this is the most comprehensive volume to Mansfield scholarship available today. The Bloomsbury Handbook to Katherine Mansfield covers the full range of contemporary scholarly themes and approaches to the author’s work, including:· New biographical insights, including into the early New Zealand years· Responses to the historical crises: the Great War, empire and orientalism· Mansfield’s fiction, poetry, criticism and private writing· Mansfield and modernist culture – from Bloomsbury to the little magazines· Mansfield and her contemporaries – Woolf, Lawrence and von Arnim· Mansfield and the arts – visual culture, cinema and music The book also includes a substantial a

This book examines how the profound religious, political, and intellectual shifts that characterize the early modern period in Europe are inextricably linked to cultural uses of alcohol in Europe and the Atlantic world. Combining recent work on the history of drink with innovative new research, the eight contributing scholars explore themes such as identity, consumerism, gender, politics, colonialism, religion, state-building, and more through the revealing lens of the pervasive drinking cultures of early modern peoples. Alcohol had a place at nearly every European table and a role in much of early modern experience, from building personal bonds via social and ritual drinking to fueling economies at both micro and macro levels. At the same time, drinking was also at the root of a host of personal tragedies, including domestic violence in the home and human trafficking across the Atlantic. Alcohol in the Early Modern World provides a fascinating re-examination of pre-modern beliefs ab

How have the goddesses of ancient myth survived, prevalent even now as literary and cultural icons? How do allegory, symbolic interpretation, and political context transform the goddess from her regional and individual identity into a goddess of philosophy and literature? Emilie Kutash explores these questions, beginning from the premise that cultural memory, a collective cultural and social phenomenon, can last thousands of years. Kutash demonstrates a continuing practice of interpreting and allegorizing ancient myths, tracing these goddesses of archaic origin through history. Chapters follow the goddesses from their ancient near eastern prototypes, to their place in the epic poetry, drama and hymns of classical Greece, to their appearance in Platonic and Neoplatonic philosophy, Medieval allegory, and their association with Christendom. Finally, Kutash considers how goddesses were made into Jungian archetypes, and how some contemporary feminists made them a counterfoil to male divin

Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great ‘witch craze.’ And the commercial, public theatre was emerging – to great controversy – as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in their operations as the germinal finance of 16th-century London. Chapters examine the convergence of money and magic in a wide range of early modern drama, from the anonymous Mankind through Christopher Marlowe to Ben Jonson, concentrating on such

Multilingual Literature as World Literature examines and adjusts current theories and practices of world literature, particularly the conceptions of world, global and local, reflecting on the ways that multilingualism opens up the borders of language, nation and genre, and makes visible different modes of circulation across languages, nations, media and cultures.The contributors to Multilingual Literature as World Literature examine four major areas of critical research. First, by looking at how engaging with multilingualism as a mode of reading makes visible the multiple pathways of circulation, including as aesthetics or poetics emerging in the literary world when languages come into contact with each other. Second, by exploring how politics and ethics contribute to shaping multilingual texts at a particular time and place, with a focus on the local as a site for the interrogation of global concerns and a call for diversity. Third, by engaging with translation and untranslatabilit

Concepts seem to work best when created in that interspace between theory and praxis, between philosophy, art, and science. Deleuze himself has generated many concepts in this encounter between philosophy and non-philosophy (art, literature, film, botany, etc): his ideas of affects and percepts, of becoming, the stutter, movement-image and time-image, the rhizome, to name but a few.In the case of this volume, the "other" is the "other" to English language/culture (and its philosophy): what happens, if instead of "other disciplines," we take other cultures, other languages, other philosophies? Does not the focus on English as a hegemonic language of academic discourse deny us a plethora of possibilities, of possible Denkfiguren , of possible concepts? This collection is a kind of travelogue. The journey does not follow a particular trajectory―some countries are not on the map; some are visited twice. So, there is no claim to completeness involved here―it is rather an invitation to ans

Wolfgang Ernst’s new work, Technológos in Being, in its explicit media-scientific approach, aligns with the politics of the thinking media series to publish innovative works that advance media studies towards the ‘new sciences.’ Ernst’s invites readers to re-adjust their ideas of Media Studies: the conviction that an extended understanding of "medium" needs to include a concept of materiality that focuses on "non- human" agencies as well. The book grounds media analysis radically in the technological apparatuses, relays, transistors, hard- and software, to precisely locate the scenes, operations and frictions where reasoning logos and ‘informable’ matter interfere.

During the first decades of the 21st century, a critical re-assessment of the reenactment as a form of historical representation has taken place in the disciplines of history, art history and performance studies. Engagement with the reenactment in film and media studies has come almost entirely from the field of documentary studies and has focused almost exclusively on non-fiction, even though reenactments are being employed across fiction and non-fiction film and television genres. Working with an eclectic collection of case studies from Milk, Monster, Boys Don’t Cry , and The Battle of Orgreave to CSI and the video of police assaulting Rodney King, this book examines the relationship between the status of theatricality in the reenactment and the ways in which its relationships to reference are performed. Carrigy shows that while the practice of reenactment predates technically reproducible media, and continues to exist in both live and mediated forms, it has been thoroughly tran

"A film that will let you see the music and listen to drawings; in a word, a film full of Fantasia! " Bruno Bozzetto's Allegro non Troppo tips its hand right away: it is an unabashed, yet full of admiration, retake on Walt Disney's 1940 "concert feature". The obvious nod to that model fuels many tongue-in-cheek jokes in the film; however, Allegro non Troppo soon departs from mere parody, and becomes a showcase for the multifaceted aesthetics of Italian animation in 1976, as well as a witty social satire and a powerful rethinking of the music-image relationship in cinema.Marco Bellano's open access book reconstructs the history of the production of Allegro non Troppo , on the basis of an original research developed with the contribution of Bozzetto himself; it also presents an audiovisual analysis of the work, as to reassess the international relevance of Bozzetto's achievements by giving insight into the director's creative process. The eBook editions of this book are available o

As film and television become ever more focused on the pornographic gaze of the camera, the human body undergoes a metamorphosis, becoming both landscape and building, part of an architectonic design in which the erotics of the body spread beyond the body itself to influence the design of the film or televisual shot. The body becomes the mise-en-scène of contemporary moving imagery. Opening The Space of Sex , Shelton Waldrep sets up some important tropes for the book: the movement between high and low art; the emphasis on the body, looking, and framing; the general intermedial and interdisciplinary methodology of the book as a whole. The Space of Sex ’s second half focuses on how sex, gender, and sexuality are represented in several recent films, including Paul Schrader’s The Canyons (2013), Oliver Stone’s Savages (2012), Steven Soderbergh’s Magic Mike (2012), Lars Von Trier’s Nymphomaniac (2013), and Joseph Gordon-Levitt’s Don Jon (2013). Each of these mainstream or indepen

The Mad Max Effect provides an in-depth analysis of the Mad Max series, and how it began as an inventive concoction ofa number of influences from a range of exploitation genres (including the biker movie, the revenge film, and the car chasecinema of the 1970s), to eventually inspiring a fresh cycle of international low budget ‘road warrior’ movies that appeared on home video in the 1980s. The Mad Max Effect is the first detailed academic study of the most famous and celebrated post-apocalypse film series, andexamines how a humble Australian action movie came from the cultural margins of exploitation cinema to have a profound impact on the broader media landscape.

A diverse and multinational volume, this book showcases the passages of Joseph Conrad’s narratives across geographical and disciplinary boundaries, focusing on the transtextual and transcultural elements of his fiction. Featuring contributions from distinguished and emergent Conrad scholars, it unpacks the transformative meanings which Conrad's narratives have achieved in crossing national, cultural and disciplinary boundaries. Featuring studies on the reception of Conrad in modern China, an exploration of Conrad's relationship with India, a comparative study of the hybrid art of Conrad and Salman Rushdie, and the responses of Conrad’s narratives to alternative media forms, this volume brings out transtextual relations among Conrad’s works and various media forms, world narratives, philosophies, and emergent modes of critical inquiry. Gathering essays by contributors from Canada, Hong Kong, India, Japan, Norway, Poland, Taiwan, the United Kingdom, and the United States, this volume con

From her unique standpoint as singer-songwriter-scholar, Polly Paulusma examines the influences of Carter’s 1960s folk singing, unknown until now, on her prose writing. Recent critical attention has focused on Carter’s relationship with folk/fairy tales, but this book uses a newly available archive containing Carter’s folk song notes, books, LPs and recordings to change the debate, proving Carter performed folk songs. Placing this archive alongside the album sleeve notes Carter wrote and her diaries and essays, it reimagines Carter’s prose as a vehicle for the singing voice, and reveals a writing style imbued with ‘songfulness’ informed by her singing praxis.Reading Carter’s texts through songs she knew and sang, this book shows, from influences of rhythm, melodic shape, thematic focus, imagery, ‘voice’ and ‘breath’, how Carter steeped her writing with folk song’s features to produce ‘canorography’: song-infused prose. Concluding with a discussion of Carter’s profound influence on song

Between the nineteenth century and the mid-twentieth century television transformed from an idea to an institution. In Gender and Early Television , Sarah Arnold traces women’s relationship to the new medium of television across this period in the UK and USA. She argues that women played a crucial role in its development both as producers and as audiences long before the ‘golden age’ of television in the 1950s.Beginning with the emergence of media entertainment in the mid-nineteenth century and culminating in the rise of the post-war television industries, Arnold claims that, all along the way, women had a stake in television. As keen consumers of media, women also helped promote television to the public by performing as ‘television girls’. Women worked as directors, producers, technical crew and announcers. It seemed that television was open to women. However, as Arnold shows, the increasing professionalisation of television resulted in the segregation of roles. Production became the

Understanding Chinese philosophy requires knowledge of the referential framework prevailing in Chinese intellectual traditions. But Chinese philosophical texts are frequently approached through the lens of Western paradigms. Analysing the most common misconceptions surrounding Western Sinology, Jana Rošker alerts us to unseen dangers and introduces us to a new more effective way of reading Chinese philosophy.Acknowledging that different cultures produce different reference points, Rošker explains what happens when we use rational analysis, a major feature of the European intellectual tradition, to read Chinese philosophy. We rely on impossible comparisons, arrive at prejudiced assumptions and fail to arrive at the truth, the consequence of applying a different methodology to the process of perceiving, understanding and interpreting reality.Instead of transferring concepts and categories from Western sinology onto socio-cultural Chinese contexts, Rošker constructs a new methodology of r

Socialist Women and the Great War: Protest, Revolution and Commemoration, an open access book, is the first transnational study of left-wing women and socialist revolution during the First World War and its aftermath. Through a discussion of the key themes related to women and revolution, such as anti-militarism and violence, democracy and citizenship, and experience and life-writing, this book sheds new and necessary light on the everyday lives of socialist women in the early 20th century. The participants of the 1918-1919 revolutions in Europe, and the accompanying outbreaks of social unrest elsewhere in the world, have typically been portrayed as war-weary soldiers and suited committee delegates―in other words, as men. Exceptions like Rosa Luxemburg exist, but ordinary women are often cast as passive recipients of the vote. This is not true; rather, women were pivotal actors in the making, imagining, and remembering of the social and political upheavals of this time. From wartime s

Media and Everyday Life offers an accessible overview for students of media, communication and cultural studies looking to explore how modern-day media practices impact on the experience of everyday life, making this the essential companion to introductory media studies courses.This innovative introduction to media studies challenges conventional accounts of what media do to people – focusing instead on what people do with media in the course of everyday life. By rejecting the conventional media studies approach, the book provides a fresh way of thinking about media cultures and provokes thought into how media influences daily social norms. Each chapter offers a broad discussion of various facets of media, such as technology, social media and industries. Key trends and traditions are also considered, helping to define how media has become so entwined in the everyday experience.This second edition has been thoroughly updated to incorporate all the recent developments in media including

Media and Everyday Life offers an accessible overview for students of media, communication and cultural studies looking to explore how modern-day media practices impact on the experience of everyday life, making this the essential companion to introductory media studies courses.This innovative introduction to media studies challenges conventional accounts of what media do to people – focusing instead on what people do with media in the course of everyday life. By rejecting the conventional media studies approach, the book provides a fresh way of thinking about media cultures and provokes thought into how media influences daily social norms. Each chapter offers a broad discussion of various facets of media, such as technology, social media and industries. Key trends and traditions are also considered, helping to define how media has become so entwined in the everyday experience.This second edition has been thoroughly updated to incorporate all the recent developments in media including

An Introduction to Global Media for the Twenty-First Century provides a thorough introduction to the field of global media today. The book presents the key changes taking place as the global media landscape evolves, and the main theories of the field, that explain these developments.Tracing, first, the formative development of an international and global media landscape throughout the 20th century from the telegraph, television and film export, and transnational television to the Internet, the book then focuses on developments in the 21st century. This includes: the digitization of the global media and communications sector; the popularization of the Internet and digital infrastructure such as the smartphone and platforms; the emergence of global online media and services; the production and distribution of digital media content; and the exploitation of user data. Case studies illustrate key developments throughout the book.The book shows how the field is characterized by a continuity

Education, Individualization and Neoliberalism questions the individualization process in education in the Anglo-American context and analyses how this process is applied in the everyday life of millennials with tertiary education in Southern Europe. Valerie Visanich explores the close affinity of this concept to neoliberalism in contemporary societies, specifically by focusing on changes in education and employment. Using Beck & Beck-Gernsheim's concept of individualization to refer to increased freedom in one’s life choices yet at the same time increased risks, Visanich unpacks the trajectories of life experiences of tertiary educated millennials in the contemporary neoliberal Anglo-American setting in relation to recent cultural and socio-economic changes. She examines how this individualized mode is adopted and adapted in countries across Southern Europe including Italy, Spain, Portugal, Malta and Greece – in locations where cultural conditions habitually cushion-out, often by fam

This collection follows the extraordinary careers of nine colonial subjects who won seats in high-level parliamentary institutions of the imperial powers that ruled over them. Revealing an unexplored dimension of the complex political organisation of modern empires, the essays show how early imperial constitutions allowed for the emergence of these unexpected members of parliament, asks how their presence was possible, and unveils the reactions across metropolitan circles, local communities and the voters who brought them to office.Unearthing the entanglements between political life in metropolitan and non-European societies, it illuminates the ambiguous zones, the margins for negotiation, and the emerging forms of leadership in colonial societies. From a Hispanicised Inca nobleman, to recently emancipated slaves and African colonial subjects, in linking these individuals and their political careers together, Unexpected Voices in Imperial Parliaments argues that the political organis

Providing a unique interpretation of Kant’s theory of judgement as integral to his overall project, Claudia Brodsky explores his continued relevance to contemporary theoretical concerns. The Linguistic Condition traces how Kant combined sensus communis, or common sense with the communicative nature of judgement to reveal that, for him, acts of judgement are dependent on their linguistic articulation, so that in Kantian philosophy language and judgement are inextricably linked. In this first in-depth analysis of language in the Critique of Judgement , Brodsky forms creative connections between literature and philosophy.

Decolonizing University Teaching and Learning considers apprehensions around decolonizing and offers a summary of key arguments within critical discussion around its meaning and value through engagement with a growing body of literature. The contextually based and complex discussions concerning decolonization means one cannot be guided through the process in a particular way. Therefore, the text is not intended to be read as a handbook for decolonizing teaching and learning, nor is it an anthropologically oriented text. Drawing on Critical Race Theory, the book highlights the benefits of decolonizing teaching and learning for all students and staff. This book offers up the TRAAC model as an entry point for challenging conversations. By bringing together questions raised within existing scholarly discussions, the TRAAC model provides prompts to instigate deeper reflections around decolonizing by way of supporting colleagues to start a productive dialogue. Through these critically refle

Many accounts of critical pedagogy, particularly accounts of trying to enact it within higher education (HE), express a deep cynicism about whether it is possible to counter the ever creeping hegemony of neo-liberalism, neo- conservatism and new managerialism within Universities. Hopeful Pedagogies in Higher Education acknowledges some of these criticisms, but attempts to rescue critical pedagogy, locating some of its associated pessimism as misreading of Freire and offering hopeful avenues for new theory and practice. These misreadings are also located in the present, in the assumption that unless change comes within the lifetime of the project, it has somehow failed. Instead, this book argues that a positive utopianism is possible. Present actions need to be celebrated, and cultivated as symbols of hope, possibility and generativity for the future - which the concept of hope implies. The contributors make the case for celebrating the pedagogies of HE that operate in liminal spaces