Bloomsbury Academic UK

Explore the Stories Behind the LegendsThe 1990s and early 2000s were a time of intense change and experimentation for Marvel Comics. Out of this emergedThe Ultimates—a comic that would have an explosive impact on Marvel and the broader pop culture landscape.Writer Mark Millar, with artists Bryan Hitch, Andrew Currie, and Paul Neary, reimagined the classic characters that made up Marvel’s premiere super hero team, the Avengers. Looking at them through a modern, post-9/11 lens, the creators treated the characters as super soldiers who reported to the US government.Illustrated with full-color art, Ted Adam’s entry inThe Marvel Age of Comicstakes readers through Marvel of the ‘90s: the Marvel Knights imprint, the creation of the Ultimate universe with Spider-Man and the X-Men, and finally the Ultimates themselves. With its unique blend of grounded realism and over-the-top action,The Ultimatesensured that comic books and pop culture would never be the same.

The Avengers was the comic book of the 1970s. From Civil Rights to Women’s Lib, battles for the soul of America became battles between super heroes. Writer Stan Lee and artist Jack Kirby co-created the all-star group of six super heroes in September 1963. From there, just three main writers chronicled Earth’s Mightiest Heroes in that most turbulent of decades: Roy Thomas, Steve Englehart, and Jim Shooter, each with differing approaches. The Avengers quickly became the pivot around which the Marvel Universe turned. To look back through its issues is to get a crash course in ’70s pop culture. Illustrated with full-color art from this legendary run, Paul Cornell’s entry in the MARVEL AGE OF COMICS series explores how the Mighty Avengers became icons during a time of immense change and upheaval.

Doctor Strange, one of Marvel’s most fascinating early characters, began at the hands of co-creators Stan Lee and Steve Ditko, and his ethereal voyages through other dimensions made him an important figure in 1960s culture.From his first appearance in 1963, Strange captivated a wide range of readers. Over his first ten years, a succession of writers and artists—including Roy Thomas, Gene Colan, Gardner F. Fox, P. Craig Russell, Marie Severin, and notably Steve Englehart and Frank Brunner—expanded on Ditko’s original mind-bending concepts.This entry in the MARVEL AGE OF COMICS explores Strange’s changing roles as a mystic, super hero, and leader of a chaotic team called the Defenders, and the rise of his popularity, in parallel with the counterculture of the 1960s.

In Frank Miller and David Mazzucchelli’s Daredevil: Born Again, the comic’s titular hero has his life destroyed after his most menacing enemy learns his real identity. His attempts to rebuild his life and sanity result in one of the most gripping and impactful super hero storylines of all time. Released in 1986, the storyline is an extraordinary exploration of what happens when a hero’s identity is revealed, and his personal life completely annihilated. We see Daredevil reduced to the lowest depths in the character’s history, but we also follow his painstaking path toward redemption.This entry in MARVEL AGE OF COMICS explores Daredevil: Born Again’s gorgeous and unique artwork, the lasting impact of its story and art, and how it forever changed the ways super hero characters and their secret identities have functioned.

Czechoslovakia, Yugoslavia―no longer on the map. East Europe of the socialist period may seem like a historical oddity, apparently so different from everything before and after. Yet the masterpieces of literature and cinema from this largely forgotten “Second World,” as well as by the authors formed in it and working in its aftermath, surprise and delight with their contemporary resonance. This book introduces and illuminates a number of these works. It explores how their aesthetic ingenuity discovers ways of engaging existential and universal predicaments, such as how one may survive in the world of victimizations, or imagine a good city, or broach the human boundaries to live as a plant. Like true classics of world art, these novels, stories, and films―to rephrase Bohumil Hrabal―keep “telling us things about ourselves we don’t know.” In lively and jargon-free prose, Gordana P. Crnkovic builds on her rich teaching experience to create paths to these works and reveal how they changed

How have the goddesses of ancient myth survived, prevalent even now as literary and cultural icons? How do allegory, symbolic interpretation, and political context transform the goddess from her regional and individual identity into a goddess of philosophy and literature? Emilie Kutash explores these questions, beginning from the premise that cultural memory, a collective cultural and social phenomenon, can last thousands of years. Kutash demonstrates a continuing practice of interpreting and allegorizing ancient myths, tracing these goddesses of archaic origin through history. Chapters follow the goddesses from their ancient near eastern prototypes, to their place in the epic poetry, drama and hymns of classical Greece, to their appearance in Platonic and Neoplatonic philosophy, Medieval allegory, and their association with Christendom. Finally, Kutash considers how goddesses were made into Jungian archetypes, and how some contemporary feminists made them a counterfoil to male divin

Multilingual Literature as World Literature examines and adjusts current theories and practices of world literature, particularly the conceptions of world, global and local, reflecting on the ways that multilingualism opens up the borders of language, nation and genre, and makes visible different modes of circulation across languages, nations, media and cultures.The contributors to Multilingual Literature as World Literature examine four major areas of critical research. First, by looking at how engaging with multilingualism as a mode of reading makes visible the multiple pathways of circulation, including as aesthetics or poetics emerging in the literary world when languages come into contact with each other. Second, by exploring how politics and ethics contribute to shaping multilingual texts at a particular time and place, with a focus on the local as a site for the interrogation of global concerns and a call for diversity. Third, by engaging with translation and untranslatabilit

Wolfgang Ernst’s new work, Technológos in Being, in its explicit media-scientific approach, aligns with the politics of the thinking media series to publish innovative works that advance media studies towards the ‘new sciences.’ Ernst’s invites readers to re-adjust their ideas of Media Studies: the conviction that an extended understanding of "medium" needs to include a concept of materiality that focuses on "non- human" agencies as well. The book grounds media analysis radically in the technological apparatuses, relays, transistors, hard- and software, to precisely locate the scenes, operations and frictions where reasoning logos and ‘informable’ matter interfere.

During the first decades of the 21st century, a critical re-assessment of the reenactment as a form of historical representation has taken place in the disciplines of history, art history and performance studies. Engagement with the reenactment in film and media studies has come almost entirely from the field of documentary studies and has focused almost exclusively on non-fiction, even though reenactments are being employed across fiction and non-fiction film and television genres. Working with an eclectic collection of case studies from Milk, Monster, Boys Don’t Cry , and The Battle of Orgreave to CSI and the video of police assaulting Rodney King, this book examines the relationship between the status of theatricality in the reenactment and the ways in which its relationships to reference are performed. Carrigy shows that while the practice of reenactment predates technically reproducible media, and continues to exist in both live and mediated forms, it has been thoroughly tran

"A film that will let you see the music and listen to drawings; in a word, a film full of Fantasia! " Bruno Bozzetto's Allegro non Troppo tips its hand right away: it is an unabashed, yet full of admiration, retake on Walt Disney's 1940 "concert feature". The obvious nod to that model fuels many tongue-in-cheek jokes in the film; however, Allegro non Troppo soon departs from mere parody, and becomes a showcase for the multifaceted aesthetics of Italian animation in 1976, as well as a witty social satire and a powerful rethinking of the music-image relationship in cinema.Marco Bellano's open access book reconstructs the history of the production of Allegro non Troppo , on the basis of an original research developed with the contribution of Bozzetto himself; it also presents an audiovisual analysis of the work, as to reassess the international relevance of Bozzetto's achievements by giving insight into the director's creative process. The eBook editions of this book are available o

As film and television become ever more focused on the pornographic gaze of the camera, the human body undergoes a metamorphosis, becoming both landscape and building, part of an architectonic design in which the erotics of the body spread beyond the body itself to influence the design of the film or televisual shot. The body becomes the mise-en-scène of contemporary moving imagery. Opening The Space of Sex , Shelton Waldrep sets up some important tropes for the book: the movement between high and low art; the emphasis on the body, looking, and framing; the general intermedial and interdisciplinary methodology of the book as a whole. The Space of Sex ’s second half focuses on how sex, gender, and sexuality are represented in several recent films, including Paul Schrader’s The Canyons (2013), Oliver Stone’s Savages (2012), Steven Soderbergh’s Magic Mike (2012), Lars Von Trier’s Nymphomaniac (2013), and Joseph Gordon-Levitt’s Don Jon (2013). Each of these mainstream or indepen

The Mad Max Effect provides an in-depth analysis of the Mad Max series, and how it began as an inventive concoction ofa number of influences from a range of exploitation genres (including the biker movie, the revenge film, and the car chasecinema of the 1970s), to eventually inspiring a fresh cycle of international low budget ‘road warrior’ movies that appeared on home video in the 1980s. The Mad Max Effect is the first detailed academic study of the most famous and celebrated post-apocalypse film series, andexamines how a humble Australian action movie came from the cultural margins of exploitation cinema to have a profound impact on the broader media landscape.

Between the nineteenth century and the mid-twentieth century television transformed from an idea to an institution. In Gender and Early Television , Sarah Arnold traces women’s relationship to the new medium of television across this period in the UK and USA. She argues that women played a crucial role in its development both as producers and as audiences long before the ‘golden age’ of television in the 1950s.Beginning with the emergence of media entertainment in the mid-nineteenth century and culminating in the rise of the post-war television industries, Arnold claims that, all along the way, women had a stake in television. As keen consumers of media, women also helped promote television to the public by performing as ‘television girls’. Women worked as directors, producers, technical crew and announcers. It seemed that television was open to women. However, as Arnold shows, the increasing professionalisation of television resulted in the segregation of roles. Production became the

Understanding Chinese philosophy requires knowledge of the referential framework prevailing in Chinese intellectual traditions. But Chinese philosophical texts are frequently approached through the lens of Western paradigms. Analysing the most common misconceptions surrounding Western Sinology, Jana Rošker alerts us to unseen dangers and introduces us to a new more effective way of reading Chinese philosophy.Acknowledging that different cultures produce different reference points, Rošker explains what happens when we use rational analysis, a major feature of the European intellectual tradition, to read Chinese philosophy. We rely on impossible comparisons, arrive at prejudiced assumptions and fail to arrive at the truth, the consequence of applying a different methodology to the process of perceiving, understanding and interpreting reality.Instead of transferring concepts and categories from Western sinology onto socio-cultural Chinese contexts, Rošker constructs a new methodology of r

This study explores the genesis of the civil war in Somalia by analysing the defeat of Somalia in the 1977 Ogaden war, asserting that this defeat, which was prompted by the intervention of the USSR, was a turning point which unleashed long term socio-political forces that led to the collapse of the central government of the country.Muuse Yuusuf analyses the history of the Somali civil war, from 1977 to the present, and the role played by various actors in the conflict such as local clans, warlords and foreign powers, and examines the present day by-products of the war, such as religious extremism. Crucially, Yuusuf looks beyond the mainstream explanation for the conflict – that of rival clans fighting over resources. By recognising the impact of foreign military interventions in Somalia, from superpower rivalry during the cold war to the war-on-terror, on the initiation and perpetuation of the Somali conflict, the book attempts to identify foreign military intervention as a new paradig

The Bloomsbury Handbook of the Anthropology of Sound presents the key subjects and approaches of anthropological research into sound cultures. What are the common characteristics as well as the inconsistencies of living with and around sound in everyday life? This question drives research in this interdisciplinary area of sound studies: it propels each main chapter of this handbook into a thoroughly different world of listening, experiencing, receiving, sensing, dreaming, naming, desiring, and crafting sound. This handbook is composed of six sections: sonic artifacts; sounds and the body; habitat and sound; sonic desires; sounds and machines; and overarching sensologies. The individual chapters explore exemplary research objects and put them in the context of methodological approaches, historical predecessors, research practices, and contemporary research gaps. This volume offers therefore one of the broadest, most detailed, and instructive overviews on current research in this area o

The field of Sound Studies has changed and developed dramatically over the last two decades involving a vast and dizzying array of work produced by those working in the arts, social sciences and sciences. The study of sound is inherently interdisciplinary and is undertaken both by those who specialize in sound and by others who wish to include sound as an intrinsic and indispensable element in their research. This is the first resource to provide a wide ranging, cross-cultural and interdisciplinary investigation and analysis of the ways in which researchers use a broad range of methodologies in order to pursue their sonic investigations. It brings together 49 specially commissioned chapters that ask a wide range of questions including; how can sound be used in current academic disciplines? Is sound as a methodological tool indispensable for Sound Studies and what can sound artists contribute to the discourse on methodology in Sound Studies? The editors also present 3 original chapters

The Evolution of Electronic Dance Music establishes EDM’s place on the map of popular music. The book accounts for various ambiguities, variations, transformations, and manifestations of EDM, pertaining to its generic fragmentation, large geographical spread, modes of consumption and, changes in technology. It focuses especially on its current state, its future, and its borders – between EDM and other forms of electronic music, as well as other forms of popular music. It accounts for the rise of EDM in places that are overlooked by the existing literature, such as Russia and Eastern Europe, and examines the multi-media and visual aspects such as the way EDM events music are staged and the specificity of EDM music videos. Divided into four parts – concepts, technology, celebrity, and consumption – this book takes a holistic look at the many sides of EDM culture.

In Movies with Stanley Cavell in Mind , some of the scholars who have become essential for our understanding of Stanley Cavell’s writing on film gather to use his landmark contributions to help us read new films―from Hollywood and elsewhere―that exist beyond his immediate reach and reading. In extending the scope of Cavell’s film philosophy, we naturally find ourselves contending with it and amending it, as the case may be. Through a series of interpretive vignettes, the group effort situates, for the expert and novitiate alike, how Cavell’s writing on film can profitably enrich one’s experience of cinema generally and also inform how we might continue the practice of serious philosophical criticism of specific films mindful of his sensibility. The resulting conversations between texts, traditions, disciplines, genres, and generations creates propitious conditions for discovering what it means to watch and listen to movies with Stanley Cavell in mind.

Through readings of Ishiguro’s repurposing of key elements of realism and modernism; his interest in childhood imagination and sketching; interrogation of aesthetics and ethics; his fascination with architecture and the absent home; and his expressionist use of ‘imaginary’ space and place, Kazuo Ishiguro's Gestural Poetics examines the manner in which Ishiguro's fictions approach, but never quite reveal, the ineffable, inexpressible essence of his narrators’ emotionally fraught worlds. Reformulating Martin Heidegger’s suggestion that the ‘essence of world can only be indicated’ as ‘the essence of world can only be gestured towards, ’ Sloane argues that while Ishiguro’s novels and short stories are profoundly sensitive to the limitations of literary form, their narrators are, to varying degrees, equally keenly attuned to the failures of language itself. In order to communicate something of the emotional worlds of characters adrift in various uncertainties, while also commenting on th

Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit / Comic Grotesque: Wit and Mockery in German Arts, 1870-1940 . In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scienti

From the paving of the Los Angeles River in 1938 and the creation of the G.I. Bill in 1944, to the construction of the Interstate Highway System during the late 1950s and the brownstoning movement of the 1970s, throughout the mid-20th-century the United States saw a wave of changes that had an enduring impact on the development of urban spaces. Focusing on the relationship between processes of demolition and restoration as they have shaped the modern built environment, and the processes by which memory is constructed, hidden, or remade in the literary text, this book explores the ways in which history becomes entangled with the urban space in which it plays out. Alice Levick takes stock of this history, both in the form of its externalised, concretised manifestation and its more symbolic representation, as depicted in the mid-20th-century work of a selection of American writers. Calling upon access to archival material and interviews with New York academics, authors, local historians a

Education, Individualization and Neoliberalism questions the individualization process in education in the Anglo-American context and analyses how this process is applied in the everyday life of millennials with tertiary education in Southern Europe. Valerie Visanich explores the close affinity of this concept to neoliberalism in contemporary societies, specifically by focusing on changes in education and employment. Using Beck & Beck-Gernsheim's concept of individualization to refer to increased freedom in one’s life choices yet at the same time increased risks, Visanich unpacks the trajectories of life experiences of tertiary educated millennials in the contemporary neoliberal Anglo-American setting in relation to recent cultural and socio-economic changes. She examines how this individualized mode is adopted and adapted in countries across Southern Europe including Italy, Spain, Portugal, Malta and Greece – in locations where cultural conditions habitually cushion-out, often by fam

This collection follows the extraordinary careers of nine colonial subjects who won seats in high-level parliamentary institutions of the imperial powers that ruled over them. Revealing an unexplored dimension of the complex political organisation of modern empires, the essays show how early imperial constitutions allowed for the emergence of these unexpected members of parliament, asks how their presence was possible, and unveils the reactions across metropolitan circles, local communities and the voters who brought them to office.Unearthing the entanglements between political life in metropolitan and non-European societies, it illuminates the ambiguous zones, the margins for negotiation, and the emerging forms of leadership in colonial societies. From a Hispanicised Inca nobleman, to recently emancipated slaves and African colonial subjects, in linking these individuals and their political careers together, Unexpected Voices in Imperial Parliaments argues that the political organis

Media and Everyday Life offers an accessible overview for students of media, communication and cultural studies looking to explore how modern-day media practices impact on the experience of everyday life, making this the essential companion to introductory media studies courses.This innovative introduction to media studies challenges conventional accounts of what media do to people – focusing instead on what people do with media in the course of everyday life. By rejecting the conventional media studies approach, the book provides a fresh way of thinking about media cultures and provokes thought into how media influences daily social norms. Each chapter offers a broad discussion of various facets of media, such as technology, social media and industries. Key trends and traditions are also considered, helping to define how media has become so entwined in the everyday experience.This second edition has been thoroughly updated to incorporate all the recent developments in media including

An Introduction to Global Media for the Twenty-First Century provides a thorough introduction to the field of global media today. The book presents the key changes taking place as the global media landscape evolves, and the main theories of the field, that explain these developments.Tracing, first, the formative development of an international and global media landscape throughout the 20th century from the telegraph, television and film export, and transnational television to the Internet, the book then focuses on developments in the 21st century. This includes: the digitization of the global media and communications sector; the popularization of the Internet and digital infrastructure such as the smartphone and platforms; the emergence of global online media and services; the production and distribution of digital media content; and the exploitation of user data. Case studies illustrate key developments throughout the book.The book shows how the field is characterized by a continuity

Jeff Diamanti describes the destructive relationship between climate and capital through the exponential growth of the petroleum industry over the last 40 years. Building on key insights in the environmental and energy humanities, Diamanti introduces the concept of the ‘terminal landscape’ as a site of storage, transformation and transition, essential to critical ecology in the 21st century. Climate and Capital in the Age of Petroleum presents these scenes of transformation as sites through which post-industrial capitalism distributes fossil fuels into the world. Diamanti uses this concept to redefine the post-industrial landscape by revealing the global flows of exchange and storage that precede the distribution of fossil fuels into the world as social form. Advancing a new media theory of energy, fossil fuels and other finite resources become new types of distributable media. Through this line of thinking, the book makes solid connections between media technologies and energy cultur

Readings in Chinese Women’s Philosophical and Feminist Thought gathers 40 original writings on women by 32 authors (many of whom are women) from the Yuan dynasty to the Republics, an important 700-year historical period during which women’s learning in China blossomed as a result of economic prosperity, the development of commercial printing, and the interaction between East and West. Selections are made not only from canonical texts on women’s virtues, but also from less orthodox literary works such as plays, poetry, novels, essays, and revolutionary writings that illuminate the lived experience of women and the perception of gender. With many texts translated into English for the first time, this reader provides the context needed to understand them. It features: - Chronologically organized readings in the sequence of the Yuan, Ming, Qing dynasties, and the Republics to demonstrate historical progression of thought (or the lack of) - Introductions to each section and chapter cover

Tracing Austrian intellectual life from Maria Theresa to Hitler’s annexation of Austria and Czechoslovakia, this innovative book offers a precise and engaging account of Austrian intellectual history since the Enlightenment. Here, David S. Luft begins by locating his narrative in the region known as Cisleithanian Austria, the area to the west of the Leitha River that was the basis for the modern Austrian state after 1740. Chapter 2 provides a history of the German-speaking intellectual life of these central lands of the Habsburg Monarchy (Austria and Bohemia) from the Enlightenment to annexation by Nazi Germany. Chapters 3 to 5 identify the most important philosophers, writers, and social thinkers who contributed to Austrian intellectual life in the period between 1740 and 1938/1939 and address the intellectual significance of their work. Elegantly written and meticulously researched, Luft’s book brings out the contributions of major figures such as Wittgenstein, Hofmannsthal, Musil,

Providing a unique interpretation of Kant’s theory of judgement as integral to his overall project, Claudia Brodsky explores his continued relevance to contemporary theoretical concerns. The Linguistic Condition traces how Kant combined sensus communis, or common sense with the communicative nature of judgement to reveal that, for him, acts of judgement are dependent on their linguistic articulation, so that in Kantian philosophy language and judgement are inextricably linked. In this first in-depth analysis of language in the Critique of Judgement , Brodsky forms creative connections between literature and philosophy.

Concentrating on the shifting boundaries and definition of art, Richard Kalina offers a panoramic view of the contemporary art scene over the last 30 years. His focus is on the ongoing development of concepts, the transformation of art worlds and the social matrices in which they are created.Discussing painting in general and abstract painting in particular, his survey takes in photorealism, sculpture and art forms found outside of the modernist tradition. Kalina's group of artists includes Mel Bochner, Joan Mitchell, Cy Twombly, Franz West, and Alma Thomas who, in their ongoing projects, explicitly or implicitly questioned the aesthetic assumptions of their times. Merging an examination of animating philosophies and context - political, social, and personal - with a sharply focused look at the works of art themselves, Kalina brings us closer to understanding the social matrices in which art is embedded and responds to bigger questions about the object nature of the work of art in toda

Language and Decoloniality in Higher Education brings together a collection of diverse papers that address, from various angles, the issue of decoloniality, language and transformation in higher education. It reflects the authors’ cumulative years of experience as educators in higher education in different southern contexts. Distilled as case studies, the authors use a range of decolonial lenses to reflect on questions of knowledge, language and learning, and to build a reflexive praxis of decoloniality through multilingualism. Besides a number of decolonial persepectives which readers will be familiar with, this volume also explores a conceptual framework, Linguistic Citizenship , developed over the past two decades by scholars in southern Africa. In this collection, Linguistic Citizenship is used as a lens to ‘think beyond’ the inherited colonial matrices of language which have shaped this region (and many other southern contexts) for centuries, and to ‘re-imagine’ multilingualism

In Understanding Religion through Artificial Intelligence , Justin E. Lane looks at the reasons why humans feel they are part of a religious group, despite often being removed from other group members by vast distances or multiple generations. To achieve this, Lane offers a new perspective that integrates religious studies with psychology, anthropology, and data science, as well as with research at the forefront of Artificial Intelligence (AI).After providing a critical analysis of approaches to religion and social cohesion, Lane proposes a new model for religious studies, which he calls the “Information Identity System.” This model focuses on the idea of conceptual ties: links between an individual’s self-concept and the ancient beliefs of their religious group. Lane explores this idea through real-world examples, ranging from the rise in global Pentecostalism, to religious extremism and self-radicalization, to the effect of 9/11 on sermons. Lane uses this lens to show how we can und

Ashlee Quosigk explores the diversity of opinions within the largest religious group in the US – Evangelical Christians – on the topic of Islam. Evangelicals are often characterized as monolithically antagonistic toward Muslims. This book challenges that stereotype, exposing the sharp divides that exist among Evangelicals on Islam and examines why there is division. Drawing on qualitative research on two congregations in the US, as well as on popular Evangelical leaders, this book details the surprisingly diverse views Evangelicals hold on Muhammad, the Qur’an, interfaith dialogue, syncretism, and politics. This research is invaluable for providing a better understanding of what Evangelicals think, and why. This book also offers insight into why conflict exists and why Evangelicals differ, while advancing culture war theory and qualitative methods. Specifically, it explores differences in moral authority (assumptions that guide one’s perceptions of the world) among Evangelicals and exp

Religious and atheistic belief are presented anew in a volume of essays from leading phenomenologists in both France and the UK. Atheism, often presented as the negation of religious belief, is here engaged with from a phenomenologically informed notion of experience. The focus on experience, sparks new debates in readings of belief, faith and atheism as they relate to and complicate each other. What unites the contributors is their relationship to phenomenology as it has developed in France in the wake of Heidegger and Husserl. Leading French intellectuals from this context, Jean-Luc Nancy, Quentin Meillassoux, and Catherine Malabou, amongst others, contribute arresting ideas on atheistic faith, the death of God, and anarchic faith, opening up new areas of understanding in a field whose parameters and core concepts are ever shifting. Revealing the extent to which religious and atheistic belief must be seen to influence, and on a fundamental level, to co-create one another, the plurali

How do we experience poetry as readers? What is it in the text that provokes particular reactions, and how can we methodologically reveal these effects?Introducing an evidence-based approach to poetics, this book explores the psychological effects of poetic form and content, with an emphasis on how real readers respond to and experience poetry. Engaging with texts from diverse cultural and historical settings, it covers the basics of stylistic theory while at the same time outlining the specific methods required to categorize readers’ cognitive, emotional and attitudinal reactions. Chapters guide you through engaging experiments, covering key concepts such as significance, averages, deviation, outliers and reliability, and bring poetry to life by drawing on YouTube performances and musical renditions of the texts.With further readings, a glossary of key terms and ancillary resources providing an overview of research methodology, this book equips you with all the linguistic and analytic

This book argues that neither theories of secularisation nor theories of lived religion offer satisfactory accounts of religion and social change. Drawing from Deleuze and Gauttari’s idea of the assemblage, Paul-Francois Tremlett outlines an alternative.Informed by classical and contemporary theories of religion as well as empirical case studies and ethnography conducted in Manila and London, this book re-frames religion as spatially organised flows. Foregrounding the agency of hon-human actors, it offers a compelling and original account of religion and social change.

Ukrainian Cinema: Belonging and Identity during the Soviet Thaw is the first concentrated study of Ukrainian cinema in English. In particular, historian Joshua First explores the politics and aesthetics of Ukrainian Poetic Cinema during the Soviet 1960s-70s. He argues that film-makers working at the Alexander Dovzhenko Feature Film Studio in Kiev were obsessed with questions of identity and demanded that the Soviet film industry and audiences alike recognize Ukrainian cultural difference. The first two chapters provide the background on how Soviet cinema since Stalin cultivated an exoticised and domesticated image of Ukrainians, along with how the film studio in Kiev attempted to rebuild its reputation during the early Sixties as a centre of the cultural thaw in the USSR. The next two chapters examine Sergei Paradjanov's highly influential Shadows of Forgotten Ancestors (1965) and its role in reorienting the Dovzhenko studio toward the auteurist (some would say elitist) agenda of Poeti