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Praised and Ridiculed: French Painting 1820-1880
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Romanticism, realism, impressionism―today these are the most important stylistic labels for French painting during the nineteenth century. Though celebrated today as precursors to modernism, Delacroix, Courbet, Manet, and many others were highly controversial figures in their time for their departures from neoclassical methods. On the other hand, salon painters who were highly regarded during the nineteenth century―like Meissonier, Cabanel, and Bouguereau―have been consigned to the fringes of art history today. This unique volume juxtaposes these reformers of painting and their more traditional counterparts, offering a discriminating look at the controversial styles in French painting between 1820 and 1880, as well as the developments within more conventional genres. Exploring the parallels, diversity, and contradictions
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The Zürcher Kunstgesellschaft began with a small social group of artists and art lovers in 1787 who met for friendly discussions and mutual encouragement, and has grown over the centuries to more than 20,000 members. The collection at its museum, the Kunsthaus Zürich, offers insight into Zürich’s cultural background as well as European art from the late Gothic to the present day.
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