The Book of Revelation is one of the most cryptic books of the Bible and one that raises many scholarly questions. What is its literary genre? Why is it considered to be both a narrative and a drama? Why does John disregard time-space coordinates? Why does the audience have such an important role in the text? What literary guidelines has the author designed to facilitate the reading of the book? Applying the methods of literary theory to her study, Lourdes Garcia-Urena argues that John wrote Revelation as a book to be read aloud in a liturgical context. In her reading, John chose a literary form, similar to the short story, that allows him to use time-space coordinates flexibly, to dramatize the text, and to take his time in describing his visions. Through these techniques the audience re-lives and is made part of the visual and auditory experience every time the book is read.
Does John's Apocalypse envision destruction or salvation for the nations of the world? Scholarly views on this issue range from extreme (total destruction) to extreme (universal salvation). Jon Morale
The author of the book of Revelation struggled, as we do today, to live out a Christian faith in the context of an empire that trampled and destroyed the earth and its creatures. In this book, Micah D
The Book of Revelation and Early Jewish Textual Culture explores the relationship between the writing of Revelation and its early audience, especially its interaction with Jewish Scripture. It touches on several areas of scholarly inquiry in biblical studies, including modes of literary production, the use of allusions, practices of exegesis, and early engagements with the Book of Revelation. Garrick Allen brings the Book of Revelation into the broader context of early Jewish literature, including the Dead Sea Scrolls and other important works. Arguing that the author of the New Testament Apocalypse was a 'scribal expert, someone who was well-versed in the content of Jewish Scripture and its interpretation', he demonstrates that John was not only a seer and prophet, but also an erudite reader of scripture.
The interpretation of the phrase 'the testimony of Jesus' in the Book of Revelation has been the centre of much debate, with no clear consensus regarding its meaning. One of the most important but oft
Scholars have often read the book of Revelation in way that attempts to ascertain which other Old Testament book it most resembles. Instead, we should read it as a combined and imitative text which ac
"In this coffee-table book, mixed-media artist Cynthia Stanchak re-imagines the book of Revelation through a series of pieces, accompanied by comments from Marilyn Hickey"--
The book of Revelation is perhaps the most theologically complex and literarily sophisticated — and also the most sensual — document in the New Testament. In this commentary John Christopher Thomas’s
Revelation: A Handbook on the Greek Text offers teachers and students a comprehensive guide to the grammar and vocabulary of Revelation. A perfect supplement to any commentary, this volume’s lexical,