English Biblical drama of the sixteenth century resounds with a variety of Jewish and Christian voices. Whether embodied as characters or manifested as exegetical and performative strategies, these vo
"[A] balanced, investigation of the ways in which the three authors diverge in their treatment of similar themes, each challenging reformed assumptions about depravity and the nature of the feminine.
In Religious Diversity and Early Modern English Texts: Catholic, Judaic, Feminist, and Secular Dimensions, editors Arthur F. Marotti and Chanita Goodblatt present thirteen essays that examine the comp
